Finnissy: Second String Quartet

This page lists all recordings of Second String Quartet, by Michael Finnissy (b.1946) on CD & DVD.

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Quartet Choreography

Quartet Choreography


Finnissy:

Second String Quartet

Ligeti:

String Quartet No. 2

Lutoslawski:

String Quartet

Stravinsky:

Three Pieces for String Quartet


This DVD explores the interaction between the members whilst performing these four key 20th Century works for String Quartet.

The quartet firmly believes that music should be seen as well as heard. The mechanics of playing and the communication of the players are what create the art.

The Kreutzer Quartet comprise Peter Sheppard Skærved (violin), Mihailo Trandafilovski (violin), Morgan Goff (viola) and Neil Heyde (cello).

The Kreutzer Quartet has forged an enviable reputation as one of the Europe’s most dynamic and innovative string quartets. The ‘Independent’ newspaper summed up their playing as ‘Passion, Grace and Steel…’.

They are the dedicatees of numerous works, and over many years forged creative partnerships with composers including Sir Michael Tippett, David Matthews, Michael Finnissy, Judith Weir, and Haflidi Hallgrimsson. They have a particularly strong relationship to a cross-section of leading American composers, having collaborated intensively with the great George Rochberg in the last few years of his life, as long as working closely with figures as Elliott Schwartz, and the prolific symphonist Gloria Coates.

As recording artists they have won critical acclaim for their discs on the Naxos, Metier, and Chandos labels. Their work in collaboration with art galleries has garnered much attention, and large audiences, particularly their annual residency at the Tate Gallery, St Ives. In 2008 they appeared at several Festivals including the Venice Biennale, and the Montpelier Festival. They are ‘Artists in association’ at York University.

Double sided DVD - one side NTSC, one side PAL

“These films are edited to mirror something of the composer's approach to structure but, more significantly, to allow viewers to see the physical interaction between player and instrument...Faces darken, moods change, body language becomes slightly defensive. And Stravinsky was right: we hear these moves, see the sound differently.” Gramophone Magazine, October 2012

DVD Video

Region: 0

Format: PAL & NTSC

Metier - MSVDX101

(DVD Video)

$20.25

Usually despatched in 4 - 5 working days.

Michael Finnissy: String Quartets Nos. 2 & 3

Michael Finnissy: String Quartets Nos. 2 & 3


Finnissy:

Second String Quartet

Third String Quartet


Asked to sum up how he would characterize his two String Quartets - written in a neoclassical style and influenced by the sound world of Bruckner and Schoenberg - Michael Finnissy answered, ‘rich and chewy’!

In 2011 Michael Finnissy created a daring new interpretation of Mozart's Requiem. To influence his completion of the parts left missing after the 18th century composer’s death he said "I imagined Mozart in the present day, working to complete the Requiem, looking back across the centuries which have passed since his death. I asked myself what composers, musical genres and historical events would have influenced him since 1791– this helped to shape my work.”

Composer Judith Weir says she regards Finnissy as the most important living British composer.

Despite having no score (the piece is a series of parts, each prefaced by the instruction that it is 'intended that parts should drift slightly apart') Michael Finnissy's Second Quartet is 'based on a compact Haydn model' - originally intended to be the 'Lark', Op.64, No.5 - and traces of its antecedent can be discerned within it. By contrast, the Third Quartet incorporates actual birdsong, both transcribed and recorded, in the composer's response to the natural world and our place in it: the instruments gradually fade out, to leave only the sound of birds.

“The agile spirit of Haydn certainly seems to pervade the whole of the Second Quartet, but the Third is a much stranger work. There are allusions to Bruckner's First and Second Symphonies in its massive, densely layered opening paragraphs, but gradually that highly wrought string writing gives way to something totally unexpected: first to music that incorporates transcriptions of birdsong, and then to recordings of the birdsongs themselves” The Guardian, 16th February 2012 ***

“He's motivated by magnifying the string quartet from the inside, broadening the form by re-examining the medium...this new piece takes the string quartet out of itself - and indeed beyond music - with a bold and wholly unexpected sleight-of-hand.” Gramophone Magazine, May 2012

“Finnissy ultimately transcends the quartet genre...At times, too, you can hear the influence of Haydn, as if through frosted glass, notably in the impish pizzicato passage about a third of the way through.” BBC Music Magazine, October 2012 *****

NMC - NMCD180

(CD)

$15.50

Usually despatched in 4 - 5 working days.

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