Lawes, W: Can beauty’s spring

This page lists our only recording of Can beauty’s spring, by William Lawes (1602-45) on CD.

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All In A Garden Green

Catalogue No:

94313

Discs:

1

Release date:

26th March 2012

Barcode:

5028421943138

Medium:

CD

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All In A Garden Green

Four Seasons Of English Music


 

John come kiss me now

Byrd / Mell / Baltzar

Greensleeves

Walsh

All in a Garden Green / Onder een linde groen

Playford / Sweelinck

anon.:

Now ye spring is come

The Chestnut / Autumn

Anonymous / Purcell

Byrd:

The wood so wild

Croft:

Ground

Eccles, H:

A Division on a ground

Finger:

Ciaconna

Gallot:

Chaconne

Lanier:

No more shall meads be deck’d with flowers

Lawes, W:

Can beauty’s spring

Matteis the Elder:

Aria amoroso

Ground after the Scotch Humour

Aria

Morley:

O mistress mine

Playford:

Chirping of the lark

The Glory of the West

The Glory of the Sun

Cold and Raw - Oyle of Barley (from The English Dancing Master)

Virgin Queen / An Italian Rant

Purcell:

Sweeter than Roses (from Pausanius, the Betrayer of his Country, Z585)

When a cruel long winter (from The Fairy Queen)

Here the deities approve, Z339

Ravenscroft, T:

Remember O thou Man


Ensemble Le Tendre Amour

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The first recording on Brilliant Classics of the splendid Early Music ensemble Le Tendre Amour.The ensemble present a beautiful bouquet of English Lute Songs, divided in 4 groups centred around the four seasons Spring, Summer,Autumn,Winter. Composers are famous names like Purcell, Byrd, Croft, Lawes, Morley and Eccles, and lesser known like Lanier, de Gallot, Finger. The Booklet contains all song texts and excellent liner notes. A pure delight for all seasons!

A delightful collection of English songs from the 17th century, constructed around the major influence of the four seasons, and showcasing the great enthusiasm for music, particularly amateur music making, that took place during this era. During the Commonwealth of England (c.1640–1660), music disappeared almost entirely from religious and court occasions. The use of instruments and music in churches was banned, and organs were destroyed by order of the regime – so the public turned to village and tavern musicians, country dances and new musical clubs for music making. Coinciding with the decline of the Elizabethan madrigal, folk music and settings of the famous poets of the day were popular; similarly, keyboard variations on dance tunes and romantic songs for voice and lute were all the rage, and this continued into the years of the Restoration under Charles II.

The monarch’s influence can be detected in the French style of some of the later works, featuring oboe and large groups of strings. This outpouring of inspired music is captured perfectly in this new collection, performed with insight and sensitivity by Ensemble Le Tendre Amour. Composers featured include Purcell, Playford, Morley, Croft, Lawes, Byrd, Eccles, Ravenscroft and, of course, many anonymous works. From bucolic country music to sophisticated pieces for a gentrified city audience, the music provides a vivid soundtrack to life in the turbulent world of 17th century England.

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