Browse: Handel - Bel piacere (from Agrippina)
Composer: George Frideric Handel (1685–1759)
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Freeman-Attwood’s sound is mellifluous and gentle, delicately inflected with vibrato, especially in ‘With thee th’unsheltered moor I’d tread’ from Solomon. He is complemented by Szałucka’s deft... — More…
Awards:
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Gramophone Magazine, February 2024, Editor's Choice
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This album, intelligently curated by Julian Perkins, is a happy celebration of that gift [Mark Ransom's bequest to the museum] and of the enlarged museum’s reopening in 2023. — More…
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Handel in Italy, Volume 1 Sophie Bevan (soprano), Mary Bevan (soprano), Bridget Cunningham (harpsichord), Benjamin Bevan (baritone)
London Early Opera, Bridget Cunningham (director)
[Sophie Bevan] sings with a full feminine tone, enchanting in the slow movements, while her sister Mary sings arias from Handel's 1709 Venetian opera, Agrippina…the surprise is Benjamin Bevan,... — More…
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Anachronistic Hearts Haendel Arias
Héloïse Mas (mezzo-soprano), London Handel Orchestra, Laurence Cummings
Mas is a daring singer: guided by the cool expertise of Laurence Cummings and the London Handel Orchestra, her execution is often riveting. Her buttery lower register and glorious top notes make... — More…
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Renée Fleming - Handel Arias - Deluxe digital version Renée Fleming (soprano)
Orchestra Of The Age Of Enlightenment, Harry Bicket
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Handel Edition Volume 4 - Messiah and Samson
Felicity Palmer (soprano), Helen Watts (alto), Ryland Davies (tenor) & John Shirley-Quirk (bass), Janet Baker (Delilah), Helen Watts (Micah), Robert Tear (Samson), John Shirley-Quirk (Manoah) & Benjamin Luxon (Harapha), Marilyn Horne (mezzo), Jennifer Larmore (mezzo)
English Chamber...
[on The Messiah] Tempos are lively, though never breathless, and always well judged, and ornamentation is judicious. Choruses are resilient and have an agreeable sense of joy, especially ''For... — More…
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