Fischer, Pavel: Jedú chlapci, jedú for String Quartet and Voice

This page lists our only recording of Jedú chlapci, jedú for String Quartet and Voice, by Pavel Fischer (b.1965) on CD.

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Morava: String Quartets

Label:

Supraphon

Catalogue No:

SU40922

Discs:

1

Release date:

21st May 2012

Barcode:

0099925409227

Medium:

CD
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Morava: String Quartets


Bittova:

Hopáhop tálitá - String Quartet

Fischer, Pavel:

Morava - String Quartet No. 1

Jedú chlapci, jedú for String Quartet and Voice

Brodil Janko koně for String Quartet and Voice

Wild Mountain Thyme - String Quartet No. 2

Mad Piper - String Quartet No. 3


Iva Bittová

Škampa Quartet

CD

$16.75

Usually despatched in 4 - 5 working days.

Neither the Škampa Quartet, who have established a firm position among the world’s finest chamber ensembles, nor the phenomenal musician Iva Bittová needs any introduction. Both names relate to several groundbreaking projects (including a singular conception of Janáček’s Moravian Folk Poetry in Songs, Supraphon SU37942). The genre-genre-bending Škampa Quartet invited Iva Bittová to participate as a composer in their new project. Yet the majority of the pieces have been written by Pavel Fischer, formerly the ensemble’s first violin, whose Moravian musical roots and years with the Škampa Quartet have resulted in remarkable accomplishments.

His compositions, inspired by Moravian, as well as Scottish, Balkan and Roma folklore, have earned the quartet enthusiastic responses on stages worldwide. Yet the “artificial form” hasn’t reduced the sheer emotion, joy, sorrow and nostalgia so purely contained in folk music an iota. The common denominator– the earthy and torrential energy of the musicians. Moravia – the unfettered energy of folk music as an inspiration for Pavel Fischer and Iva Bittová.

Gramophone Magazine

November 2012

“The young quartet...rarely stray from repertoire with its roots in Bohemian culture, which shows in their completely instinctive playing of this music...It is not to be underestimated how far the identity of the players can go towards making sense of the music itself.”

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