Welmers: Passacaglia

This page lists our only recording of Passacaglia, by Jan Welmers (b.1937) on CD.

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Matthias Havinga: Passacaglia

Catalogue No:

9269

Discs:

1

Release date:

25th June 2012

Barcode:

5029365926928

Medium:

CD

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Matthias Havinga: Passacaglia


Bach, J S:

Passacaglia & Fugue in C minor, BWV582

Buxtehude:

Passacaglia in D minor, BuxWV161

Couperin, F:

Pièces de clavecin II: Ordre 8ème in B minor: Passacaille

Kerll:

Passacaglia in D minor

Edited by C. David Harris

Mendelssohn:

Passacaglia in C minor

Reger:

Introduction and Passacaglia

Shostakovich:

Lady Macbeth of Mtsensk: Passacaglia

Welmers:

Passacaglia


Matthias Havinga (Martti Porthan organ in Kotka Church, Finland)

CD

Normally: $7.25

Special: $6.16

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The Passacaglia is a musical form based on a repeated bass line over which variations are composed. The form was popular during the 17th century but proved to be a challenge in its structural restrictions for composers of later periods, continuously renewing and extending the form, while keeping to its basic formula.

This original program brings together composers from 4 centuries: from Kerll, Couperin, Buxtehude and the monumental Passacaglia in C minor by J.S. Bach, far into the 20-th century with Reger, Shostakovich and Jan Welmers.

Recorded on the magnificent Martti Pothan organ Kotka Church in Finland, by young virtuoso Matthias Havinga, whose earlier recording on this organ (Brilliant Classics 94203) with Italian Concertos by J.S. Bach received enthusiastic reviews in the press.

New recording, including extensive liner notes and information on the instrument. Consisting of variations framed in a constantly repeated basso ostinato, the passacaglia is a musical form with a long and fruitful history. This release is dedicated to eight such examples which, taken from four countries and all performed on the organ, divide either side of the year 1800 to reveal the form’s extensive and inventive development over time. The passacaglia was particularly popular during the 17th century, when it became known for its limited range of keys, slow triple meter and short, simple theme of two or four.

MusicWeb International

3rd May 2013

“an exceptional set of works performed by a young organist with outstanding skill.”

Click on any of the works listed above for alternative recordings.

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