All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Britten: The Sacred Choral Music
Britten's sacred music is among the most engaging and original music of its kind composed in the middle years of the 20th century. New College Choir was among the first to recognise its quality, and continues to sing it with passion and panache. This newly recorded anthology is released by New College Choir to mark the centenary of Britten's birth. The 2 CD set offers an overarching view of his work in this domain, featuring favourites such as Rejoice in the Lamb and the Hymn to St Cecilia alongside settings more rarely heard, the Hymns to St Peter and of St Columba, and the wedding anthem Amo ergo sum. Overall, it offers a definitive panorama of Britten's sacred music from the 1930s to the 1960s in exemplary performances by one of the world's leading choirs. “The two outstanding features are the high quality of the choral singing and the fairly relaxed pace throughout. Higginbottom has said that he finds some of Britten's metronome markings on the fast side...yet they use their time well, finding a depth of colour and expression that yields its own rewards.” Gramophone Magazine, May 2013 “The Choir of New College, Oxford has a long association with this ever varied repertoire. They give fresh, confident readings – steered with firm authority by director Edward Higginbottom – of A Ceremony of Carols, Rejoice in the Lamb, Missa Brevis and shorter works. The Hymn to St Cecilia, to words of Auden, has particular joy and verve.” The Observer, 24th February 2013 | 
| | | (also available to download from $21.25) | In stock - usually despatched within 1 working day. |
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| |  | Benjamin Britten - Sacred Choral Music
Iain Farrington (organ), Benedict Giles (treble), Malcolm Green (bass), Simon Wall (tenor), Thomas Williams (alto), Joseph Helps (treble), Oliver Lepage-Dean (treble), Christopher de la Hoyde (alto), William Goldring (treble), Edward Minton (treble), Ben Harrison (treble) St. John's College Choir, Cambridge, Christopher Robinson “As with other recent records from St John's, there's a freshness, almost a feeling of adventure and a sense that all this choral discipline is an easy yoke. These are excellent performances, the opening item setting a standard which is to be maintained throughout. Buoyant rhythms, precise accentuations and well-pointed contrasts are features of the singing; and the playing of Ian Farrington in accompaniments that are often difficult and always demanding of maximum alertness, is outstanding. Outstanding, too, is the contribution of the trebles. In tone they preserve the traditional John's sound, without exaggerating its so-called continental element. But what impresses most is the sense of imaginative involvement. It's there, for instance, in the Kyrie of the Missa brevis, and most of all in the 'I cannot grow' section of A Hymn to St Cecilia. To this they bring a distinctive excitement, a wideeyed, breathlessly playful feeling of childlike wonder. The programme itself is highly attractive. The 'hymns' are fully developed compositions, and the canticles are notably independent of tradition (for instance, a quietly meditative note of praise is struck at the start of both Te Deums). The Missa brevis makes inventive use of its forces; and Rejoice in the Lamb, a masterly expression of the liberal spirit, never ceases to amaze with its evocation of the cat Jeoffry, valiant mouse and staff-struck poet. Recorded sound isn't as vivid as the performances, but this remains a very likeable disc.” Gramophone Classical Music Guide, 2010 “With Britten comes the thought of high voices: boys' voices that on this Naxos disc belong to the choir of St. John's College, Cambridge… the St. John's singers roundly capture the elusive tonal qualities of Britten's choral music, and the recording has a proper sense of space and locality.” BBC Music Magazine, June 2000 | | | (also available to download from $6.00) | In stock - usually despatched within 1 working day. |
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| |  | Britten: Choral and organ music
All of Benjamin Britten’s most popular scared choral works, including two rarities; The Sycamore Tree and Advance Democracy. Sung by the critically-acclaimed Choir of Truro Cathedral, directed by Christopher Gray, in his first recording since taking over as Director of Music. “Truro may be leagues away from Britten's Aldeburgh, but there's something in the Cornish air that connects its cathedral choristers to the spiritual substance of the East Anglian composer's choral music...the tonally rich blend of organ, choir and cathedral acoustics help lift this recording above the ordinary.” Classic FM Magazine, June 2011 **** “The immediate impression with the Truro disc is the warmth of sound and generous acoustic...Under Christopher Gray...the cathedral choir has developed a particualrly rich and smooth sound, with a security of intonation which is magnificently exhibited in the unaccompanied items here, not least a top-notch performance of the Hymn to St Cecilia and a marvellous performance of The Sycamore Trees.” International Record Review, May 2011 | | | Usually despatched in 4 - 5 working days. |
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| |  | Blest CeciliaBritten Choral Works I
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| |  | Britten Choral Edition Volume 2
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| |  | The Britten CollectionCelebrating The 100th Anniversary of Britten’s Birth
Britten: | A Hymn to the Virgin A Hymn of Saint Columba Hymn to St. Peter, Op. 56a Antiphon, Op. 56b Te Deum in C Jubilate Deo in C major (1961) Hymn to St Cecilia, Op. 27 Festival Te Deum in E, Op. 32 Rejoice in the Lamb, Op. 30 A Ceremony of Carols, Op. 28 A Boy was Born, Op. 3 A Shepherd's Carol Missa Brevis in D major, Op. 63 The Sycamore Tree - Sweet was the Song Choral Dances from Gloriana, Op. 53 Ian Partridge (solo tenor) Advance Democracy The Ballad of Little Musgrave and Lady Barnard (Text: The Oxford Book of Ballads) A Wedding Anthem, Op. 46 Five Flower Songs, Op. 47 Sacred and Profane, Op. 91 |
This superb collection, released in celebration of the 100th anniversary of Britten’s birth, features all three of The Sixteen's celebrated Britten recordings. Arguably the most famous British composer of the 20th century, Benjamin Britten possessed a formidable talent and distinctive style. His remarkable career spanned over 40 years and this collection of choral works features a fascinating selection of music from throughout his life. Works include Hymn to the Virgin, a piece originally conceived during his school days; A Boy was Born which first brought him to the public’s attention; the much-loved A Ceremony of Carols - a masterpiece composed on board ship as Britten returned to England from the USA in 1942; and the Choral Dances from ‘Gloriana’ with tenor soloist Ian Partridge. A Ceremony of Carols won a coveted Deutsche Schallplattenkritik when first released. | 
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| | x.jpg) | Britten: The Choral Edition
Britten: | Hymn to St. Peter, Op. 56a A Hymn of Saint Columba A Hymn to the Virgin Hymn to St Cecilia, Op. 27 Rejoice in the Lamb, Op. 30 Choral Dances from Gloriana, Op. 53 A.M.D.G. Jubilate Deo in E flat major (1934) Te Deum in C Antiphon, Op. 56b Missa Brevis in D major, Op. 63 A Wedding Anthem, Op. 46 Sweet the Song A Ceremony of Carols, Op. 28 Festival Te Deum in E, Op. 32 Jubilate Deo in C major (1961) Five Flower Songs, Op. 47 Advance Democracy Sacred and Profane, Op. 91 A Boy was Born, Op. 3 |
Britten’s substantial choral output ranges from small-scale pieces for boys’ choir to massive works such as the Spring Symphony and War Requiem. This three-disc compilation brings together a large selection of early and late unaccompanied choral works, performed by The Finzi Singers under Paul Spicer. Here, among many others, is Rejoice in the Lamb, written in 1943 for Walter Hussey, the vicar of St Matthew’s Church in Northampton, for his congregation’s Jubilee Celebrations. Hussey was interested in forging a closer association between the arts and the Church, an aim that Britten himself shared. The composer chose as his text extracts from Christopher Smart’s Jubilate Agno, a rambling poem of the mid-eighteenth century, composed largely in a mad house. Although there is a delightful sense of madness present here, the religious character of the work is the most striking. A.M.D.G., seven unaccompanied settings of poems by Gerald Manley Hopkins, was among the first works written by Britten after his arrival in the US in 1939. The work’s title is an abbreviation of Ad majorem Dei gloriam (To the greater glory of God), a saying that appears throughout the writings of Ignatius de Loyola, the founder of the Jesuit order of which Hopkins was a member. The premiere performance of this work was meant to take place in November 1939, but the outbreak of war caused the concert to be cancelled. The first performance was given by the London Sinfonietta Chorus, several years after the composer’s death, in August 1984. This re-release is available on the Classic Chandos label at 3 CDs for the price of 2. The Finzi Singers and Paul Spicer have recorded a wide variety of British music for Chandos, much of which has not been heard before either in performance or on disc. They have been regarded as major exponents of British twentieth-century choral music. | 
| | | Scheduled for release on 3 June 2013. Order it now and we will deliver it as soon as it is available. |
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| |  | English Choral Music of the 20th Century
Berkeley, L: | Crux fidelis, Op. 43 No. 1 Missa Brevis, Op. 57 Magnificat and Nunc dimittis, Op. 99 Three Latin Motets, Op. 83, No. 1 The Lord is my Shepherd, Op. 91 No. 1 Mass for Five Voices, Op. 64 Look up, sweet babe, Op. 43 No. 2 A Festival Anthem, Op. 21, No. 2 Three Pieces for organ, Op. 72, No. 1: Toccata | Britten: | Rejoice in the Lamb, Op. 30 Te Deum in C Jubilate Deo in C major (1961) Antiphon, Op. 56b A Hymn to the Virgin Festival Te Deum in E, Op. 32 Missa Brevis in D major, Op. 63 Hymn to St. Peter, Op. 56a A Hymn of Saint Columba Prelude & Fugue on a Theme of Vittoria Hymn to St Cecilia, Op. 27 | Elgar: | Give unto the Lord (Psalm XXIX), Op. 74 Ave verum corpus, Op. 2 No. 1 Ave Maria, Op. 2 No. 2 Ave maris stella, Op. 2 No. 3 O hearken Thou, Op. 64 Te Deum laudamus, Op. 34, No. 1 Benedictus, Op. 34 No. 2 O Salutaris Hostia Great is the Lord (Psalm XLVIII), Op. 67 The Spirit of the Lord is upon me (from The Apostles) Go, song of mine, Op. 57 Seek Him that Maketh the Seven Stars Light of the World | Finzi: | God is gone up, Op. 27 No. 2 Magnificat, Op. 36 My lovely one, Op. 27 No. 1 Welcome Sweet and Sacred Feast, Op. 27 No. 3 Thou didst delight my eyes, Op. 32 Let us now praise famous men, Op. 35 Seven Poems of Robert Bridges, Op. 17 Lo, the Full, Final Sacrifice, Op. 26 | Howells: | Magnificat & Nunc dimittis (St Paul's, 1951) Like as the Hart Paean Requiem Long, Long Ago Office of Holy Communion (Collegium Regale) Rhapsody for Organ No. 3 in C sharp minor, Op. 17 No. 3 Take him, earth, for cherishing | Leighton: | Magnificat & Nunc Dimittis (Collegium Magdalenae Oxonienses) Give me the wings of faith An Easter Sequence Veni creator spiritus What love is this of thine? Crucifixus pro nobis, Op. 38 Chorale Prelude on Rockingham Magnificat & Nunc Dimittis (Second Service), Op. 62 | Rubbra: | Magnificat and Nunc Dimittis in A flat major, Op. 65 Missa in honorem Sancti Dominici, Op. 66 Prelude and Fugue on a Theme of Cyril Scott, Op. 69 Tenebrae Motets, Op. 72: First, Second & Third Nocturns Meditation for Organ, Op. 79 Missa Cantuariensis, Op. 59 | Stanford: | Morning, Evening and Communion Services in C Op. 115 Three Latin Motets, Op. 38 Prelude in G major, Op. 105 No. 3 Evening Service (Magnificat & Nunc dimittis) in G major, Op. 81 Postlude in D minor, Op. 105 No. 6 For lo, I raise up, Op. 145 | Tavener: | God is With Us (A Christmas Proclamation) Song for Athene The Lamb The Tiger Magnificat & Nunc Dimittis (Collegium Regale) Funeral Ikos Two Hymns to the Mother of God Love bade me welcome As one who has slept The Lord's Prayer Svyati 'O Holy One' | Walton: | Coronation Te Deum A Litany 'Drop, drop slow tears' Magnificat and Nunc Dimittis Where does the uttered music go? Jubilate Deo Passacaglia - Death of Falstaff and Touch her soft lips from Henry V Cantico del Sole The Twelve Set me as a seal upon thine heart Antiphon Missa Brevis |
A slimline 10 CD box set for the Christmas gift market, featuring the ten titles in the award-winning series from St. John’s College, Cambridge: - Lennox BERKELEY Sacred Choral Music 8557277 - BRITTEN Rejoice in the Lamb, Hymn to St Cecilia 8554791 - ELGAR Sacred Choral Music 8557288 - FINZI Lo, the Full, Final Sacrifice and other choral works 8555792 - Herbert HOWELLS Requiem and other choral works 8554659 - LEIGHTON Sacred Choral Music 8555795 - RUBBRA Nine Tenebrae Motets 8555255 - STANFORD Anthems and Services 8555794 - TAVENER Song for Athene, Svyati and other choral works 8555256 - WALTON The Twelve, Coronation Te Deum, Missa Brevis 8555793 | | | Usually despatched in 2 - 3 working days. |
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| |  | Benjamin Britten 100 - The Complete* works* includes all works with opus numbers and all works commercially recorded to date. Includes folksongs, excludes Purcell realisations and Hindmarsh’s arrangements of incidental music to King Arthur and World of the Spirit
anon.: | God Save The Queen arr. Britten London Symphony Chorus, London Symphony Orchestra, Benjamin Britten | Britten: | Paul Bunyan Pop Wagner (Narrator), James Lawless (Paul Bunyan), Dan Dressen (Johnny Inkslinger), Elisabeth Comeaux Nelson (Tiny), Clifton Ware (Slim), James Bohn (Hel Helson), Phil Jorgenson (First Swede), Tim Dahl (Second Swede), Thomas Shaffer (Third Swede), Lawrence Weller (Fourth Swede), James McKeel (John Shears), James Westbrock (Western Union Boy), Maria Jette (Fido), Sue Herber (Moppet), Janis Hardy (Poppet) Orchestra & Chorus of the Plymouth Music Series, Philip Brunelle Peter Grimes Peter Pears (Peter Grimes), Claire Watson (Ellen Orford), James Pease (Balstrode), Jean Watson (Auntie), Raymond Nilsson (Bob Boles), Owen Brannigan (Swallow), Geraint Evans (Ned Keene), Lauris Elms (Mrs Sedley), David Kelly (Hobson), Marion Studholme (First Niece), Iris Kells (Second Niece), John Lanigan (Horace Adams) Chorus & Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten The Rape of Lucretia Janet Baker (Lucretia), Peter Pears (Male Chorus), Heather Harper (Female Chorus), Benjamin Luxon (Tarquinius), Bryan Drake (Junius), John Shirley-Quirk (Collatinus), Elizabeth Bainbridge (Bianca), Jenny Hill (Lucia) English Chamber Orchestra, Benjamin Britten Albert Herring Peter Pears (Albert), Sylvia Fisher (Lady Billows), Sheila Rex (Mum), John Noble (Mr Gedge), Catherine Wilson (Nancy), Joseph Ward (Sid), Johanna Peters (Florence Pike), Edgar Evans (Mr Upfold), April Cantelo (Miss Wordsworth), Owen Brannigan (Budd), Sheila Amit (Emmie), Anne Pashley (Cis), Stephen Terry (Harry) English Chamber Orchestra, Benjamin Britten Billy Budd Peter Glossop (Billy Budd), Peter Pears (Captain Vere), Michael Langdon (Claggart), John Shirley-Quirk (Mr Redburn), Bryan Drake (Mr Flint), David Kelly (Mr Ratcliffe), Kenneth MacDonald (Red Whiskers), David Bowman (Donald), Dennis Wicks (Dansker), Robert Tear (Novice), Robert Bowman (Squeak), Benjamin Luxon (Novice's Friend) London Symphony Orchestra, Benjamin Britten Gloriana Josephine Barstow (Elizabeth), Philip Langridge (Essex), Della Jones (Lady Essex), Jonathan Summers (Charles Blount), Alan Opie (Cecil), Yvonne Kenny (Lady Rich), Bryn Terfel (Henry Cuffe), Richard van Allan (Walter Ralegh), Willard White (Ballad Singer), Janice Watson (Lady in Waiting), John Shirley-Quirk (Recorder of Norwich), John Mark Ainsley (Spirit of the Masque) Orchestra & Chorus of Welsh National Opera, Charles Mackerras The Turn of the Screw Peter Pears (Prologue/Quint), Jennifer Vyvyan (Governess), Joan Cross (Mrs Grose), Olive Dyer (Flora), David Hemmings (Miles), Arda Mandikian (Miss Jessel) English Opera Group, Benjamin Britten A Midsummer Night's Dream Elizabeth Harwood (Tytania), Alfred Deller (Oberon), Peter Pears (Lysander), Thomas Hemsley (Demetrius), Heather Harper (Helena), Josephine Veasey (Hermia), John Shirley-Quirk (Theseus), Helen Watts (Hippolyta), Owen Brannigan (Bottom), Norman Lumsden (Quince) London Symphony Orchestra, Benjamin Britten Owen Wingrave Benjamin Luxon (Owen Wingrave), John Shirley-Quirk (Spencer Coyle), Sylvia Fisher (Miss Wingrave), Heather Harper (Mrs Coyle), Jennifer Vyvyan (Mrs. Julien), Peter Pears (Sir Philip Wingrave/Narrator), Janet Baker (Kate), Nigel Douglas (Lechmere) English Chamber Orchestra, Benjamin Britten Death in Venice Peter Pears (Aschenbach), John Shirley-Quirk (Traveller/Elderly Fop/Old Gondolier/Hotel Manager/Hotel Barber/Leader of the Players/Voice of Dionysus), James Bowman (Voice of Apollo) English Chamber Orchestra, Steuart Bedford Noye's Fludde Owen Brannigan (Noye), Sheila Rex (Mrs Noye), Trevor Anthony (The Voice of God), David Pinto (Sem), Darien Angadi (Ham), Stephen Alexander (Jaffett), Caroline Clack (Mrs Sem), Marie Thérèse Pinto (Mrs Ham), Eileen O'Donovan (Mrs Jaffett) English Chamber Orchestra, An East Suffolk Children's Orchestra, Norman Del Mar The Golden Vanity Benjamin Britten (piano) Wandsworth School Boys' Choir, Russell Burgess Curlew River Peter Pears (Madwoman), John Shirley-Quirk (Ferryman), Harold Blackburn (Abbot), Bryan Drake (Traveller), Bruce Webb (Voice of Spirit) English Opera Group, Benjamin Britten The Burning Fiery Furnace Peter Pears (Nebuchadnezzar), Bryan Drake (Astrologer), John Shirley-Quirk (Ananias), Robert Tear (Misael), Stafford Dean (Azarias), Peter Leeming (Herald) English Opera Group, Benjamin Britten The Prodigal Son Peter Pears (Tempter/Abbot), John Shirley-Quirk (Father), Bryan Drake (Elder), Robert Tear (Younger Son) English Opera Group, Benjamin Britten The Little Sweep, Op. 45 David Hemmings (Sam), Jennifer Vyvyan (Rowan), Nancy Thomas (Miss Baggot), April Cantelo (Juliet Brook), Trevor Anthony (Tom/Black Bob), Peter Pears (Clem/Alfred), Michael Ingram (Gay Brook), Marilyn Baker (Sophie Brook), Robin Fairhurst (John Crome), Lyn Vaughan (Hugh Crome), Gabrielle Soskin (Tina Chrome) Orchestra of the English Opera Group, Alleyn's School Choir, Benjamin Britten Children's Crusade Op. 82 Benjamin Britten (piano) Russell Burgess The Prince of the Pagodas, Op. 57 Orchestra of the Royal Opera House, Covent Garden Plymouth Town – ballet BBC Symphony Orchestra, Grant Llewellyn Night Mail The Tocher (Rossini Suite) The King’s Stamp Negroes The Way to The Sea Telegrams Peace of Britain Men Behind The Meters Coal Face Love from a Stranger Johnson over Jordan Suite The Rescue of Penelope Parts 1 and 2 The Company of Heaven The Sword in the Stone Russian Funeral On the Frontier War Requiem, Op. 66 Galina Vishnevskaya (soprano), Peter Pears (tenor), Dietrich Fischer-Dieskau (baritone) & Simon Preston (organ) London Symphony Orchestra, Melos Ensemble, London Symphony Orchestra Chorus, Highgate School Choir & The Bach Choir, Benjamin Britten Spring Symphony, Op. 44 Jennifer Vyvyan, Norma Proctor, Peter Pears Orchestra & Chorus of the Royal Opera House, Covent Garden, Benjamin Britten Cantata Academica, Op. 62 Jennifer Vyvyan, Helen Watts, Peter Pears, Owen Brannigan London Symphony Orchestra & Chorus, Benjamin Britten Hymn to St Cecilia, Op. 27 London Symphony Chorus, George Malcolm St Nicolas, Op. 42 Peter Pears (tenor) Aldeburgh Festival Orchestra, Benjamin Britten Five Flower Songs, Op. 47 The Elizabethan Singers, Louis Halsey Cantata Misericordium, Op. 69 Peter Pears (tenor), Dietrich Fischer-Dieskau (baritone) London Symphony Orchestra & Chorus, Benjamin Britten A Boy was Born, Op. 3 Corpus Christi Carol A Wealden Trio: Christmas Song of the Women Christ's Nativity A Ceremony of Carols, Op. 28 The Holly and the Ivy Songs from "Friday Afternoons", Op. 7 Psalm 150, Op. 67 3 Two-Part Songs Two Two-Partsongs The birds A Hymn to the Virgin Jubilate Deo in E flat major (1934) Te Deum in C Advance Democracy Deus in adjutorium meum (Psalm 70) A.M.D.G. Rejoice in the Lamb, Op. 30 The Ballad of Little Musgrave and Lady Barnard (Text: The Oxford Book of Ballads) Chorale after an Old French Carol Festival Te Deum in E, Op. 32 Choir of St. John's College, Cambridge, George Guest A Wedding Anthem, Op. 46 Hymn to St. Peter, Op. 56a Antiphon, Op. 56b Missa Brevis in D major, Op. 63 Westminster Cathedral Choir, George Malcolm Jubilate Deo in C major (1961) Brian Runnett (organ) Choir of St. John's College, Cambridge, George Guest Venite Exultemus Domino Choir of Trinity College, Richard Marlow A Hymn of Saint Columba Choir of St. John's College, Cambridge, George Guest Voices for Today, Op. 75 Cambridge University Musical Society Chorus, The Choir of King's College, Cambridge, David Willcocks Sacred and Profane, Op. 91 The Wilbye Consort, Peter Pears Welcome Ode Op. 95 Suffolk Schools' Orchestra, Jubilee Choir, Keith Shaw Praise We Great Men Alison Hargan (soprano), Mary King (mezzo), Robert Tear (tenor), Willard White (bass) City of Birmingham Symphony Chorus, City Of Birmingham Symphony Orchestra, Sir Simon Rattle Quatre Chansons Françaises Jill Gomez City of Birmingham Symphony Orchestra, Sir Simon Rattle Our Hunting Fathers, Op. 8 Peter Pears (tenor) Ballad of Heroes, Op. 14 City of Birmingham Symphony Chorus, City Of Birmingham Symphony Orchestra, Sir Simon Rattle Serenade for Tenor, Horn & Strings, Op. 31 Peter Pears (tenor), Barry Tuckwell (horn) London Symphony Orchestra, Benjamin Britten Les illuminations, Op. 18 Sandrine Piau (soprano) Northern Sinfonia, Thomas Zehetmair Nocturne, Op. 60 for tenor, obbligato instruments and strings Peter Pears (tenor); Barry Tuckwell, Osian Ellis, Denis Blyth, Roger Lord, Alexander Murray, Gervase de Peyer, William Waterhouse London Symphony Orchestra, Benjamin Britten Phaedra, Op. 93 Janet Baker (mezzo) English Chamber Orchestra, Steuart Bedford Canticles I-V Peter Pears (tenor), Benjamin Britten (piano), John Shirley-Quirk (baritone), James Bowman (countertenor) A Birthday Hansel, Op. 92 The Heart of the Matter Tit for Tat On this Island, Op. 11 Cabaret Songs Seven Sonnets of Michelangelo, Op. 22 The Holy Sonnets of John Donne, Op. 35 A Charm of Lullabies for mezzo-soprano and pianoforte, Op. 41 (1947) Winter Words, Op. 52 If it's ever Spring again (Hardy) The Children and Sir Nameless (Hardy) Songs from the Chinese, Op. 58 Six Hölderlin Fragments, Op. 61 Songs and Proverbs of William Blake, Op. 74 Ekho poeta (The Poet's Echo) Op. 76 Who are these children?, Op. 84 Dawtie’s Devotion The Gully Tradition Folksongs (selection) Sinfonietta, Op. 1 Simple Symphony, Op. 4 Soirées musicales (after Rossini), Op. 9 Matinées musicales (after Rossini), Op. 24 Rondo Concertante for piano and strings Untitled Fragment for strings Two Portraits Double Concerto Movements for a Clarinet Concerto for clarinet and strings Piano Concerto, Op. 13 Violin Concerto in D minor Op. 15 Mont Juic – Suite of Catalan Dances, Op.12 (with Lennox Berkeley) Young Apollo, Op. 16 Canadian Carnival Overture, Op. 19 Sinfonia da Requiem, Op. 20 Diversions for piano (left hand) and orchestra, Op. 21 Scottish Ballad, Op. 26 An American Overture Prelude & Fugue for 18 strings, Op. 29 The Young Person's Guide to the Orchestra, Op. 34 Men of Goodwill (Variations on a Christmas Carol for orchestra) Variations on an Elizabethan Theme Occasional Overture, Op. 38 Symphony for Cello and Orchestra, Op. 68 In memoriam Dennis Brain for 4 horns and strings The Building of the House Overture Suite on English Folk Tunes 'A Time there was', Op. 90 Lachrymae for viola & strings, Op. 48a Reflection for viola & piano Elegy for unaccompanied viola Lachrymae for viola & piano, Op. 48 Suite Op. 6 Reveille Two Insect Pieces for Oboe and Piano Temporal Variations for oboe & piano Six Metamorphoses after Ovid for solo oboe, Op. 49 Suites for cello solo, Nos. 1-3 Nocturnal after John Dowland, Op. 70 Suite for harp in C major, Op. 83 String Quartet No. 3, Op. 94 Temas 'Sacher' String Quartet in F Major (1928) Miniature Suite Rhapsody for String Quartet Quartettino Phantasy in F minor for string quintet Alla Marcia Three Divertimenti String Quartet in D major (1931) String Quartet No. 1 in D major, Op. 25 String Quartet No. 2 in C major, Op. 36 Phantasy Quartet for Oboe & String Trio, Op. 2 Alpine Suite for Recorder Trio Scherzo for Recorder Quartet Fanfare for St. Edmondsbury for three trumpets Lamentation - Voluntary on a Theme of Thomas Tallis They Walk Alone: Prelude Village Organist's Piece Prelude & Fugue on a Theme of Vittoria Gemini Variations Op. 73 Introduction and Rondo alla burlesca, op.23 No.1 Mazurka Elegiaca op.23 no.2 Five Waltzes for piano A Little Idyll Three Character Pieces Variations (12) on a Theme Two Lullabies for Two Pianos Holiday Diary Op. 5 for solo piano Sonatina romantica (1940) Night Pieces (Notturno) for piano Variations for piano solo | Gay: | The Beggar's Opera Yvonne Kenny (Lucy Lockit), Ann Murray (Mrs Peachum), Anne Collins (Mrs Peachum), Philip Langridge (Macheath), John Rawnsley (Lockit ), Robert Lloyd (Peachum), Christopher Gillett (Filch), Nuala Willis (Mrs Trapes), Declan Mulholland (Beggar) Steuart Bedford | Purcell: | Sweeter than Roses (from Pausanius, the Betrayer of his Country, Z585) arr. Britten |
CD 62 Making Music with Britten – A Memoir Written, produced and narrated by Jon Tolansky CD 63 War Requiem Rehearsal CD 64 Historic Recordings (1944 – 1953) Including the first recording of the Serenade, Op. 31 (1944), Mazurka elegiaca (with Clifford Curzon) and Sinfonia da Requiem (1953 Danish State Radio Symphony Orchestra, conducted by Britten) CD 65 Supplementary Recordings (1955 – 1989) Including 5 songs from Friday Afternoons (with John Hahessy and Britten accompanying) and the original 3rd movement from the Piano Concerto. DVD The 1967 Recording of the Burning Fiery Furnace – a film by Tony Palmer
To commemorate the 100th anniversary of the birth of England’s greatest composer since Henry Purcell, Decca Classics presents the ultimate Britten box Britten and Decca enjoyed a unique relationship with the composer, recording most of his key works for the label. Decca’s 1963 set of the War Requiem remains one of the fastest-selling classical releases of all time. The recordings not in the Decca catalogue have been licensed from other companies including EMI, Virgin Classics, Naxos and Warner – a total of 18 rights holders have assisted to make this extraordinary achievement possible, plus the endorsement & support of the Britten-Pears Foundation. Benjamin Britten was born 22nd November 1913, the feast day of St Cecilia, patron saint of music. Over four intensely creative decades he went on to publish over 100 works, of which the most important dominated and shaped their respective genres – opera with Peter Grimes, the choral oratorio with War Requiem, music to inspire newcomers (Young Person’s Guide to the Orchestra), the Song Cycle (Serenade for Tenor Horn and Strings). The sheer range is astonishing. Britten is the subject of a colossal campaign, Britten100, under the auspices of the Britten-Pears Foundation who have invested £6.5 million in further driving international awareness of the composer. This 65-CD edition is guaranteed to appeal to Britten enthusiasts worldwide. · Individually numbered, limited edition (1 to 3,000) · 208-page hardback book including:- - A gallery of original LP sleeves, arranged chronologically from 1953 onwards - Copious Recording session pictures and beautiful Aldeburgh landscapes newly photographed - ‘Choosing a Record Company’ by discographer Philip Stuart - ‘Ben – A Tribute to Benjamin Britten (1913-1976)’ by John Culshaw (originally published in Gramophone Magazine, February 1977) - Peter Glossop’s Memoir on the role of Billy Budd and working with Britten - Complete alphabetical index of works included in the edition. · The set is organised into 4 main sections, each with its own individual book: The Operas; Stage & Screen; Voices; Instruments · Each book contains a detailed article by Andrew Huth, full track listings and recording information. · 4 bonus CDs - including a series of interviews by Jon Tolansky, first recordings and rarities never before released on CD and the War Requiem rehearsal sequence · New War Requiem hi-res transfer from original master tapes · The set also features the Tony Palmer film on the making of the 1967 recording of The Burning Fiery Furnace, an unrivalled look at John Culshaw and the Decca team at work Extra postage costs: As this set is very heavy (we guess around 5kg) we unfortunately need to charge some extra postage costs to certain countries.
UK and most of Western Europe: No extra charges - Normal rates apply.
Rest of World: Varies by country. Please contact us for further details. | 
| Decca - 4785364 (CD - 65 discs) Normally: $264.00 Special: $237.50 |
| | Scheduled for release on 17 June 2013. Order it now and we will deliver it as soon as it is available. |
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