Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Brigitte Fassbaender sings Lieder by Johannes Brahms
Brahms: | Liebestreu, Op. 3 No. 1 Meine Lieder Op. 106 No. 4 An eine Äolsharfe, Op. 19 No. 5 Auf dem Kirchhofe, Op. 105 No. 4 Über die Heide Op. 86 No. 4 Im Garten, Op. 70 No. 1 Verzagen, Op. 72 No. 4 Es hing der Reif, Op. 106 No. 3 Regenlied (No. 3 from Acht Lieder und Gesänge, Op. 59) O kühler Wald, Op. 72 No. 3 Wehe, so willst du mich wieder, Op. 32 No. 5 Two songs for contralto with viola obbligato, Op. 91 with Thomas Riebl (viola) Mädchenlied, Op. 107 No. 5 Die Mainacht, Op. 43 No. 2 Ständchen, Op. 106 No. 1 In stiller Nacht (No. 42 from Deutsche Volkslieder, WoO 33) Von ewiger Liebe, Op. 43 No. 1 |
This highly regarded recording of a collection of lieder by Brahms was first released in 1982 and features one of the outstanding singers of her generation, the German mezzo-soprano Brigitte Fassbaender. The pianist is Irwin Gage, and they are joined on two of the songs by the viola player Thomas Riebl. Brigitte Fassbaender’s international career took off when she appeared as Octavian in Der Rosenkavalier at the Royal Opera House, Covent Garden in 1971. Since then she has appeared in all of the major opera houses around the world in roles such as as Clairon in Capriccio, the Composer in Ariadne auf Naxos, Fricka in Die Walküre, Carmen in Carmen, Orlovsky in Die Fledermaus, Amneris in Aïda, Maddalena in Rigoletto, Eboli in Don Carlos, and Klytemnestra in Elektra. Brigitte Fassbaender has also been successful as a lieder singer. In 1987, she won a Gramophone Award for her Deutsche Gramophon disc of songs by Franz Liszt and Richard Strauss. Johannes Brahms was a prolific composer of Lieder and wrote around 200 during his lifetime. The first collection appeared in 1853, when Brahms had just turned 20, and the last was published in 1896, just a few months before his death. | | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Brahms: The Complete Songs Volume 1 (Angelika Kirchschlager)
Brahms: | Von ewiger Liebe, Op. 43 No. 1 Lieder (7), Op. 48 O komme, holde Sommernacht, Op. 58 No. 4 Dämmrung senkte sich von oben (No. 1 from Acht Lieder und Gesänge, Op. 59) Auf dem See (No. 2 from Acht Lieder und Gesänge, Op. 59) Meine Liebe ist grün, Op. 63 No. 5 Wenn um den Hollunder, Op. 63 No. 6 Scheiden und Meiden, Op. 19, No 2 In der Ferne, Op. 19, No. 3 Salome (No. 8 from Neun Gesänge, Op. 69) Abendregen, Op. 70 No. 4 Therese, Op. 86 No. 1 Feldeinsamkeit, Op. 86 No. 2 Nachtwandler, Op. 86 No. 3 Über die Heide Op. 86 No. 4 Versunken, Op. 86 No. 5 Bei dir sind meine Gedanken (No. 2 from Sieben Lieder, Op. 95) Beim Abschied (No. 3 from Sieben Lieder, Op. 95) Der Jäger (No. 4 from Sieben Lieder, Op. 95) Da unten im Tale (No. 6 from Deutsche Volkslieder, WoO 33) Soll sich der Mond nicht heller scheinen (No. 35 from Deutsche Volkslieder, WoO 33) Feinsliebchen, du sollst mir nicht barfuß gehen (No. 12 from Deutsche Volkslieder, WoO 33) Och Moder, ich well en Ding han! (No. 33 from Deutsche Volkslieder, WoO. 33) |
Graham Johnson’s complete Schubert and Schumann songs series for Hyperion are landmarks in the history of recorded music. Now this indefatigable performer and scholar turns to the songs and vocal works of Brahms. Each disc of this Hyperion edition takes a journey through Brahms’s career. The songs are not quite presented in chronological order but they do appear here in the order that the songs were presented to the world. Each recital represents a different journey through the repertoire (and thus through Brahms’s life). In a number of these Hyperion recitals an opus number will be presented in its entirety (in the case of this disc, Op 48). The folksongs of 1894 will be shared between all the singers in the series. Hyperion is delighted to present the celebrated mezzo-soprano Angelika Kirchschlager in this first volume of the series. She enjoys an international career as one of today’s most important singers, dividing her time between recitals and opera in Europe, North America and the Far East. “Graham Johnson, once again, is both mastermind and pianist, and, as ever, his accompanying notes and essays are as witty and richly allusive as his playing...This recital is beautifully shaped.” BBC Music Magazine, July 2010 **** “Angelika Kirchschlager sings with purity of tone, evenly produced and unfailingly accurate in intonation...Graham Johnson's notes...complementary to his playing, are enlightening as ever and in a way which only he knows how to be.” Gramophone Magazine, August 2010 “Johnson's arrangement of this recital and his exceptional accompanying skills, together with Kirchschlager's voice and approach, almost always so appropriate to Brahms, make this a highly desirable disc.” International Record Review, July/August 2010 “Kirchschlager’s charm shines through in the lighter, more folkish songs of Op 48 and more high-spirited inspirations such as the enchanting O komme, holde Sommernacht and Bei dir sind meine Gedanken.” The Telegraph, 13th June 2010 ** “This selection keeps springing pleasant surprises. Kirchschlager’s articulation can be veiled, but she always sings with feeling, and Graham Johnson expertly judges the quirky piano accompaniments. His notes, as usual, are awesomely detailed.” The Times, 29th May 2010 **** | | | Usually despatched in 2 - 3 working days. |
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| |  | Schumann - Dichterliebe
Brahms: | Nachtigallen schwingen, Op. 6 No. 6 Lerchengesang Op. 70 No. 2 Nicht mehr zu dir zu gehen, Op. 32 No. 2 Über die Heide Op. 86 No. 4 Wie rafft' ich mich auf Op. 32,1 (v.Platen) Auf dem Kirchhofe, Op. 105 No. 4 Von ewiger Liebe, Op. 43 No. 1 O kühler Wald, Op. 72 No. 3 Es schauen die Blumen, Op. 96 No. 3 Feldeinsamkeit, Op. 86 No. 2 Nachtwandler, Op. 86 No. 3 Verzagen, Op. 72 No. 4 An eine Äolsharfe, Op. 19 No. 5 Nachtigall, Op. 97 No. 1 Abenddämmerung, Op. 49 No. 5 An die Nachtigall, Op. 46 No. 4 (Text: L.C.H. Hölty) | Schumann: | Dichterliebe, Op. 48 |
“Here is a singer-actor who has it all…” The Sunday Times “In a league of his own…” The Sunday Telegraph “The king of barnstorming performances…” The Independent Sony Music Entertainment UK is pleased to present the first of three albums by British baritone Simon Keenlyside, who has recently signed a new exclusive recording contract with the Sony UK company. The first recording under this exciting new agreement features Schumann’s Dichterliebe, Op.48, and a selection of Lieder by Brahms, sensitively accompanied by pianist Malcolm Martineau. Simon Keenlyside was born in London and studied zoology at Cambridge before attending the Royal Northern College of Music for vocal studies. One of the world’s most sought-after and charismatic singers, he has appeared at many of the world’s major opera houses and concert halls, and is noted for his versatility and highly charged performances. Highlights of his career so far include his acclaimed performance of Billy Budd at the ENO, Prospero in the world premiere of Thomas Ades' The Tempest, at the Royal Opera House, Covent Garden; Count Almaviva in Milan and Vienna under Muti; Don Giovanni in Ferrara under Abbado and Pelleas in San Francisco, Geneva and Paris. Simon Keenlyside won the 2006 Olivier Award for outstanding achievement in Opera for his performance of Billy Budd at ENO and Winston in the world premiere of 1984 at the Royal Opera House, Covent Garden, and in 2007 he won a Gramophone Award for Tales Of Opera, his album of operatic arias recorded for Sony Music in Germany. “Throughout, the baritone combines a detailed approach with an overview, demonstrating an exceptional ability to seek out the meaning of both text and music, holding them together in one single image. …a great Lieder singer at the peak of his powers. He is well served by his accompanist, who deploys a huge range of tone and colour with an equally firm artistic intent.” BBC Music Magazine, November 2009 ***** | | | Usually despatched in 3 - 4 working days. |
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| |  | NachtwandererLieder by Brahms, Hensel, Wolf and Strauss
Brahms: | Über die Heide Op. 86 No. 4 Alte Liebe, Op. 72 No. 1 Mädchenlied, Op. 107 No. 5 Am Sonntag Morgen Op. 49 No. 1 Liebestreu, Op. 3 No. 1 Meine Lieder Op. 106 No. 4 Therese, Op. 86 No. 1 Die Mainacht, Op. 43 No. 2 Immer leiser wird mein Schlummer, Op. 105 No. 2 Der Tod, das ist die kühle Nacht, Op. 96 No. 1 | Mendelssohn: | Nachtwanderer Op. 7 No.1 (Eichendorff) | Mendelssohn, Fanny: | Der Eichwald brauset (Schiller) Die Mainacht, Op. 9 No. 6 (Text: Ludwig Hölty) | Strauss, R: | Die Nacht, Op. 10 No. 3 Zueignung, Op. 10 No. 1 Morgen, Op. 27 No. 4 | Wolf, H: | Die Nacht (No. 19 from Eichendorff-Lieder) (Eichendorff) Das verlassene Mägdlein (No. 7 from Mörike-Lieder) (Mörike) Verborgenheit (No. 12 from Mörike-Lieder) (Mörike) |
Ann-Katrin Naidu (mezzo-soprano), Robert Kulek (piano) | |
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| |  | Songs after poems of Theodor Storm
Ulf Bästlein (baritone), Charles Spencer (piano) | | | Usually despatched in 2 - 3 working days. |
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| |  | Brahms: Lieder
Brahms: | Gestillte Sehnsucht, Op. 91/1 Vladimir Mendelssohn (viola) Geistliches Wiegenlied, Op. 91 No. 2 Vladimir Mendelssohn (viola) Die Mainacht, Op. 43 No. 2 Alte Liebe, Op. 72 No. 1 Sommerabend, Op. 85 No. 1 Der Kranz, Op. 84 No. 2 Mädchenlied, Op. 107 No. 5 Immer leiser wird mein Schlummer, Op. 105 No. 2 Nicht mehr zu dir zu gehen, Op. 32 No. 2 Treue Liebe, Op. 7, No. 1 Therese, Op. 86 No. 1 Über die Heide Op. 86 No. 4 Sapphische Ode, Op. 94 No. 4 Von ewiger Liebe, Op. 43 No. 1 Meine Liebe ist grün, Op. 63 No. 5 Heimweh, Op. 63 No. 8 Wie komm ich denn zur Tur herein (No. 34 from Deutsche Volkslieder, WoO 33) Da unten im Tale (No. 6 from Deutsche Volkslieder, WoO 33) Feinsliebchen, du sollst mir nicht barfuß gehen (No. 12 from Deutsche Volkslieder, WoO 33) Och Moder, ich well en Ding han! (No. 33 from Deutsche Volkslieder, WoO. 33) |
Jard Van Nes (mezzo), Gerard van Blerk (Piano) | | | Usually despatched in 2 - 3 working days. |
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