Ravel: Fanfare

From the poetry of Debussy to the nostalgia of Ravel, from the humour of Satie to the insouciance of Poulenc, the French music of the early decades of the twentieth century was created by fine minds capable of grasping delicate nuances, infinite variations of light on the natural world and the human soul. From the gentlest im pressionism to the most outrageous surrealism, the pathways of French music are many and varied - and immensely colourful.

Dedicated to the memory of Brigitte Engerer.

Ravel was a pianist, and the piano was central to his art. The piano was the instrument through which he discovered and expressed innovations in style, technique and expression. He composed at the piano, and, unsurprisingly, many of his orchestral works (Bolero being the exception) appeared in piano versions. Although his entire output is modest – around 60 works, he transcribed more than half of these works for 2 pianos, or piano duet.

Apart from the well known works, this 2cd set contains some little known pieces – Entre cloches of 1897 was only published in 1975, and was originally appended to the Haberna, now better known as the 3rd movement of Rapsodie espagnole. Frontispice for 2 pianos, 5 hands was written in 1918.

Ravel’s mother had died in 1917, and he was deeply attached to her. Her loss resulted in 3 years of musical silence, with the exception of Frontispice. It is a short and very experimental work published with a collection of philospohical war poetry by the Italian Ricciotto Canudo. It is a curiously evocative work, almost surreal.