Porpora: Se dopo ria procella (from Germanico in Germania)

This page lists all recordings of Se dopo ria procella (from Germanico in Germania), by Nicola Antonio Porpora (1686-1768) on CD.

Recommendations

Opera Choice
December 2012

All recordings

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Simone Kermes: Dramma

Simone Kermes: Dramma

Deluxe Version


Handel:

Lascia ch'io pianga (from Rinaldo)

with Isabella Girardeau

Hasse, J A:

Consola il genitore (from L’Olimpiade)

World premiere recording

Fra cento affanni e cento (from Artaserse)

World premiere recording

Leo:

Son qual nave in ria procella (from Zenobia in Palmira

Majo, G:

Per trionfar pugnando (from Arianna e Teseo)

World premiere recording

Pergolesi:

Sul mio cor (from Adriano in Siria)

Porpora:

Alto Giove (from Polifemo)

Vedrà turbato il mare (from Mitridate)

World premiere recording

Tace l’augello (from L’Agrippina)

World premiere recording

Empi, se mai disciolgo (from Germanico in Germania)

World premiere recording

Le limpid’onde (from Ifigenia in Aulide)

World premiere recording

Se dopo ria procella (from Germanico in Germania)

World premiere recording


Simone Kermes (soprano)

La Magnifica Comunità

Featuring EIGHT WORLD PREMIERE RECORDINGS, the new album from German Soprano Simone Kermes further proves how deserving she is of the title “The Queen of Baroque”!

The album, titled ‘Dramma’ features a selection of the most virtuosic opera arias of this time, originally composed for castrati singers such as Farinelli and Caffarelli. The arias require highest dramatic expression and flawless vocal technique. Kermes studied these demanding compositions in extreme detail before embarking on the great challenge of recording them.

Besides the renowned Lascia ch’io pianga from Handel’s Rinaldo, Simone selected thirteen rarities and genuinely newly discovered arias, including several by the composer Nikola Porpora. She is accompanied by the ensemble La Magnifica Comunità.

“Eight of the 12 songs are world premiere recordings of unaccountably beautiful arias...Kermes treats these first airings with due care, exhibiting stately grace and poise on Porpora’s “Alto Giove”, and coping remarkably with the wide range and rapid coloratura passages of material often written for castrati, notably Giuseppe De Majo’s “Per trionfar pugnando”.” The Independent, 18th August 2012

“This collection of castrato arias includes six astonishing discoveries, many recorded for the first time...sung by the beguilingly agile Simone Kermes with delightfully pungent playing from La Magnifica Comunità. Listen through headphones for some glorious detail in the continuo.” The Observer, 26th August 2012

“Kermes's voice is hardly conventionally beautiful...she thrills with her fearless attack and coruscating coloratura...Kermes is never dull. And at her finest...her energy, technical brilliance and imagination silence criticism.” Gramophone Magazine, Awards Issue 2012

“Some people find her singing mannered; I prefer to think of her as a Schwarzkopf of the Baroque - a singer in whom keen intelligence (demonstrated no less in her scholarly booklet-note), stylistic sophistication and searching imagination achieve extraordinary artistic combination. Throughout, La Magnifica Comunità, the Padua-based period band, supports her magnificently.” BBC Music Magazine, December 2012 *****

BBC Music Magazine

Opera Choice - December 2012

Sony - 88691963952

(CD)

$18.75

In stock - usually despatched within 1 working day.

Dramma

Dramma


Handel:

Lascia ch'io pianga (from Rinaldo)

Hasse, J A:

Consola il genitore (from L’Olimpiade)

Leo:

Son qual nave in ria procella (from Zenobia in Palmira

Majo, G:

Per trionfar pugnando (from Arianna e Teseo)

Pergolesi:

Sul mio cor (from Adriano in Siria)

Porpora:

Alto Giove (from Polifemo)

Vedrà turbato il mare (from Mitridate)

Tace l’augello (from L’Agrippina)

Empi, se mai disciolgo (from Germanico in Germania)

Le limpid’onde (from Ifigenia in Aulide)

Se dopo ria procella (from Germanico in Germania)


Simone Kermes (soprano)

La Magnifica Comunita, Isabella Longo

Emblazoned on the title page of many an 18th-century Italian opera libretto, “dramma per musica” soon became the name for the operas composed to those words. The name perfectly evokes the fury of passions which the masterpieces of the period captured with such power.

This collection of astonishing discoveries – many of them heard here in world-premiere recordings – brings together some of the most magnificent arias of the genre. All of them place such huge demands on the singer’s abilities that only the world’s most legendary castratos such as Farinelli and Caffarelli were considered able to do them justice.

Sony - 88691963962

(CD)

$17.50

In stock - usually despatched within 1 working day.

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