‘This is another enlightening disc that Baroque enthusiasts will welcome.’ (Gramophone)
“The performances are stylistically sensible and musically unfussy, with a bright airiness of tone aided by the deliberate (and authentic) omission of double basses from the string texture.” Gramophone Magazine, May 2006
“Simon Standage and Catherine Weiss are well-matched in the double concertos, from hair-raising momentum to lovely slow-movement dialogue. In the solo concertos, Standage sometimes sacrifices impulsion to expressive gesture in fast movements but elsewhere he's dazzling, and he growls away on lower strings with tremendous energy in the final track on the disc.” BBC Music Magazine, May 2005 ****