All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Massenet: Ses Plus Belles Pages
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| |  | Viva Villazón! (STANDARD)The Best of Rolando Villazón
Berlioz: | Dieu tout puissant, Dieu de l’aurore Thomas Gounet d’après Thomas Moore Chœur « Les Eléments » & Orchestre du Capitole de Toulouse, Michel Plasson | Bizet: | La fleur que tu m'avais jetée (from Carmen) Münchner Rundfunkorchester, Michel Plasson A cette voix quel trouble… Je crois entendre encore (from Les Pêcheurs de Perles) Münchner Rundfunkorchester, Michel Plasson | Cilea: | È la solita storia 'Lamento di Federico' (from L'Arlesiana) | Donizetti: | Una furtiva lagrima (from L'elisir d'amore) Tombe degl'avi miei … Fra poco a me ricovero...Tu che a Dio spiegasti l'ali (from Lucia di Lammermoor) Münchner Rundfunkorchester, Marcello Viotti | Gounod: | Quel trouble inconnu me pénètre… Salut! Demeure chaste et pure (from Faust) Orchestre Philharmonique de Radio France, Evelino Pido Polyeucte: Source délicieuse L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) | Gruber, F: | Stille Nacht arr.Philippe Rombi Orchestre Symphonique Bel Arte, Philippe Rombi | Mascagni: | Mamma, quel vino (from Cavalleria Rusticana) with Teresa Blank (mezzo-soprano) Münchner Rundfunkorchester, Michel Plasson | Massenet: | Ah ! Parais, astre de mon ciel Zarastra from Le Mage Chœur et Orchestre Philharmonique de Radio France, Evelino Pido Roma - Je vais la voir! Je suis seul, seul enfin... Ah fuyez douce image (from Manon) Traduire ! Ah ! Bien souvent mon rêve s’envole… Pourquoi me réveiller (Werther) Ah! Tout est bien fini... O souverain (from Le Cid) Orchestre Philharmonique de Radio France, Evelino Pído | Monteverdi: | Libro Nono di Magrigali e Canzonette: Si dolce è'l tormento Le Concert d’Astrée, Emmanuelle Haim Eri già tutta mia Le Concert d’Astrée, Emmanuelle Haim | Offenbach: | Il était une fois à la cour d'Eisenach (from Les contes d'Hoffmann) With Florian Laconi (ténor) Münchner Rundfunkorchester, Michel Plasson | Puccini: | Che gelida manina (from La Bohème) Donna non vidi mai (from Manon Lescaut) (previously unreleased) Münchner Rundfunkorchester, Marcello Viotti Recondita armonia (from Tosca) | Sorozábal: | La Taberna del Puerto – ‘No puede ser’ Orquesta de la Communidad de Madrid, Placido Domingo | Tchaikovsky: | Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin) | Verdi: | La donna è mobile (from Rigoletto) Münchner Rundfunkorchester, Marcello Viotti Lunge da lei…De’ miei bollenti spiriti (from La Traviata) Io l'ho perduta (from Don Carlos) Ma se m'è forza perderti (from Un ballo in maschera) Chor des Bayerischen Rundfunks & Münchner Rundfunkorchester, Michel Plasson | Vives: | Por el humo se sabe donde esta el fuego Fernando from Dona Frasquita Orquesta de la Communidad de Madrid, Placido Domingo | Wade: | O come, all ye faithful arr.Philippe Rombi |
Standard Version ““Villazón's singing offers a combination of intelligence and glamour not seen since the ascendancy of Domingo” The New Yorker | | | In stock - usually despatched within 1 working day. |
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| |  | Arias by Gounod and Massenet
“This is mostly well-planned and executed recital mixes favourites with extracts from operas that have remained rarities, even with the increased interest in late 19th-century repertory. It begins with Rodrigue's great prayer, 'O souverain' from Act 3 of Le Cid. Rolando Villazón sings this with an attractive quiet introspection to start with, but then there is metal and passion in his voice for the climax. Of the other well-known Massenet items, it's good to hear Werther's 'Lorsque l'enfant' as well as the show-stopping 'Pourquoi me réveiller?'. In 'En fermant les yeux' from Manon, Natalie Dessay provides Manon's brief phrases, and Villazón makes a really sensitive dreamer. 'Ah, fuyez' goes well too, but it will be the arias from Roma, Grisélidis and Le Mage that will attract most listeners. In all Massenet's output is there a more seductive tune than the one that forms the centre of the Roma scene, 'Soir admirable'? This is done very well by Warren Mok in the complete recording, but Villazón outshines him. Of the Gounod arias, Faust's 'Salut demeure' fares the best, but again it will be the extracts from Polyeucte and La Reine de Saba that will please immediately. Villazón has established himself as one of the most promising among the new generation of tenors. His French has improved recently, butthere is the odd difficulty still with certain vowels. Accompaniment, recording and presentation are first-rate.” Gramophone Classical Music Guide, 2010 | | | In stock - usually despatched within 1 working day. |
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| |  | Bellissimo French OperaOpera arias by Salieri, Massenet, Bizet, Gounod, Meyerbeer and Lalo
Bizet: | Je crois entendre encore (from Les Pêcheurs de Perles) Jasu Nakajima (tenor) & Annick Massis (soprano) Orchestra e Coro del Teatro La Fenice di Venezia, Marcello Viotti | Gounod: | Faiblesse de la race humaine (from La Reine de Saba) Jeon-Won Lee (tenor) Orchestra Internazionale d’Italia, Manlio Benzi Maître supreme (from Polyeucte) Giorgio Casciarri (tenor) Orchestra Internazionale d’Italia & Coro da Camera di Bratislava, Manlio Benzi | Lalo: | Je reviendrai bientôt, mon père (from Le Roi d'Ys) Guylaine Girard (soprano), Giuseppina Piunti (soprano), Sébastien Guèze (tenor) & Eric Martin-Bonnet (baritone) Orchestre et Choeur de l’Opéra Royal de Wallonie, Patrick Davin | Massenet: | Roma - Je vais la voir! Warren Mok (tenor) Orchestra Internazionale d’Italia, Marco Guidarini Nina!/Chérubin! (from Cherubin) Carmela Remigio (soprano) & Michelle Breedt (soprano) Orchestra del Teatro Lirico di Cagliari, Emmanuel Villaume J’ai fui la chambre nuptiale (from Le Roi de Lahore) Ana María Sánchez (soprano) Orchestra del Teatro La Fenice di Venezia, Marcello Viotti Meditation (from Thaïs) Orchestra del Teatro La Fenice di Venezia, Marcello Viotti Traduire ! Ah ! Bien souvent mon rêve s’envole… Pourquoi me réveiller (Werther) Italian version Luca Grassi (baritone) Orchestra Internazionale d’Italia, Jean-Luc Tingaud | Meyerbeer: | O beau pays de la Touraine (from Les Huguenots) Desirée Rancatore (soprano) Orchestra Internazionale d’Italia, Renato Palumbo | Salieri: | Par les larmes dont votre fille (from Les Danaïdes) Montserrat Caballé (soprano) Orchestra Sinfonica di Roma della RAI, Gianluigi Gelmetti |
After the first two “Bellissimo” recordings dedicated to Handel and Vivaldi and Italian opera arias, this new release features a selection of beautiful French arias from Massenet’s Werther and Bizet’s Les Pêcheurs de perles to Gounod’s La Reine de Saba and Edouard Lalo’s le Roi d’Ys. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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