Gieseking: Chaconne on a theme by Scarlatti

This page lists all recordings of Chaconne on a theme by Scarlatti, by Walter Wilhelm Gieseking (1895-1956) on CD.

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Walter Gieseking - The Rediscovered Compositions

Walter Gieseking - The Rediscovered Compositions


Gieseking:

Ihr Wunsch

In der Nacht

Der Frühlingskasper

Dann

Du

O wuchsen Flügel mir

Vollmacht

Kinderreim

Es fallen di Blatter vom Nordwind gepeitscht

Frecher Bengel

Sag ich’s such

Lowenzahn

Die Distel

Das Lausekraut

Der Schierling

Divertimento

Kleine Musik für drei Violine

Der Meister - Melodrama for speaker and piano

Keyboard Sonata in G

Chaconne on a theme by Scarlatti

Die Kaiserin

Der Schorschi-Batschi (Foxtrott - first version)


Onyu Park (soprano), Shelby Sender (piano), Christiana Iheadindu-Gandy (piano), Daniel Sender (violin), Francis Liu (violin), Jonathan Richards (violin), Michael Mentzel (baritone), Joy Mentzel (piano)

Released or re-released in last 6 months

Centaur - CRC3215

(CD)

$19.75

Usually despatched in 8 - 10 working days.

Scarlatti Illuminated

Scarlatti Illuminated


Gieseking:

Chaconne on a theme by Scarlatti

Scarlatti, D:

Keyboard Sonata K135 in E major

Keyboard Sonata K247 in C sharp minor

Keyboard Sonata K466 in F minor

Keyboard Sonata K87 in B minor

Keyboard Sonata K96 in D major

Keyboard Sonata K70 in B flat major

Keyboard Sonata K380 in E major

Keyboard Sonata K32 in D minor

Keyboard Sonata K12 in G minor

arr. Tausig

Gigue K523 in G

arr. Friedman

Keyboard Sonata K487 in C major

arr. Tausig

Pastorale (Sonata K9) in E minor

arr. Tausig

Pastorale K446 in D

arr. Friedman

Keyboard Sonata K519 in F minor

arr. Tausig


Joseph Moog (piano)

A Scarlatti recital with a twist. Joseph Moog has assembled a fascinating survey of Scarlatti sonatas, and included a selection of the 18th-century master’s works as re-composed by some of the giants of the piano keyboard from the 19th and 20th centuries. The drama contained in Scarlatti’s short one-movement sonatas has always exerted a hold over both musicians and listeners since their composition.

The development of the piano in the 19th century provided too great a temptation for composer pianist Carl Tausig, a rival of Chopin and star pupil of Liszt (and admired by Brahms and Wagner) to ignore these works. He, along with Ignaz Friedman (1882–1948) exploited drama and poetry in Scarlatti’s music, using the new grand piano to its full extent.

Friedman was a pianist of extraordinary gifts, and a musical freedom that some thought bordered on the eccentric. Walter Gieseking’s fantastical composition on a theme by Scarlatti forms the centrepiece of Moog’s recital. Gieseking (1895–1956) was a child prodigy, playing all 32 Beethoven sonatas from memory at the age of 15: "The most difficult part was memorising them," he said, adding "and that wasn’t very difficult." Gieseking’s 'Chaconne on a theme by Scarlatti' is a stupendous work of dazzling virtuosity.

“Great pianists have often been fascinated by baroque music, and have sought to bring it up to date through transcriptions. Until now I had not heard such versions of Scarlatti sonatas, however, and their full-blown orchestral textures are quite a shock...Moog's bright, sharp pianism sounds better in the originals: the arrangements need more gentle, rounded warmth.” The Observer, 3rd February 2013

“his [Moog's] well-balanced singing tone is always enchanting. It’s hard to find any faults with this Scarlatti cornucopia.” Pianist Magazine, April/May 2013

“Inn essence Moog's 'illumination' interleaves straight performances, often delivered with chaste clarity and dexterous fingerwork, with respectful augmentations by Tausig and more exuberant makeovers by Friedman...Ultimately, a disc more diverting than illuminating - despite Moog's incontestable flashes of pianistic brilliance.” BBC Music Magazine, May 2013 ***

“The Gieseking is the most interesting thing here...Moog’s essay suggests he deserves some credit for tracking down the various unconventional arrangements we hear. This may not be Horowitz but it’s very well worth any Scarlatti lover’s time.” MusicWeb International, 26th April 2013

“whether you consider Scarlatti 'illuminated' or obscured, you will surely delight at such enterprise and performance as finely shaded and imaginative as they are dexterous.” Gramophone Magazine, May 2013

“This is truly imaginative programming, stunningly delivered” International Piano, July/August 2013

Onyx - ONYX4106

(CD)

$17.25

Usually despatched in 3 - 4 working days.

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