Includes liner notes written by Rodrigo’s daughter.
Additional notes and sung texts available online.
A welcome addition to the everexpanding Brilliant Classics’ Edition catalogue.
On this, the largest set ever compiled of one of the last century's most popular composers, we may not only renew our familiarity with the Concierto de Aranjuez, or perhaps with one of the other evermelodious guitar concertos that sustain his reputation with audiences, but also discover chamber, instrumental, choral and especially vocal works which testify to a creative imagination confident in the formation of its style but never satisfied with repetition, one which responded directly to poetic and lyric inspiration, and transformed its ideas with unfailing skill and respect for the idiom under consideration. The floating melismas that open the Cantico dedicated to St Francis of Assisi share a visionary aspect with the hymns on Qum'ran texts that are as far as can be imagined from the jolly folkloristic character of certain song‐cycles. There are plenty of homages to music of the past such as the baroqueries of the piano music, much of it written for his wife Cecilia, but one never forgets that Rodrigo was a creature of his age.
The performances gathered here are authoritative, many of them made as they were under the aegis of the Rodrigo Foundation, and many also exclusive to the Rodrigo Edition on Brilliant Classics. For anyone who loves Spanish music, anyone who wants to listen beyond the Concierto de Aranjuez, or anyone who delights in unfailingly tuneful music, this set will have a compelling appeal.