Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Mozart: Opera Arias
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| |  | Annelies Kupper in Recital
Albert, E: | Psyche wandelt durch Säulenhalle (from Die toten Augen) Ich weiss nicht, wer mein Vater war (from Tiefland) | Korngold: | Glück, das mir verbleib 'Marietta's Lied' (from Die Tote Stadt) | Mozart: | Porgi amor (from Le nozze di Figaro) Sung in German as 'Hör Mein Flehen, Gott der Liebe' Sull' aria che soave zeffiretto (from Le Nozze di Figaro) Sung in German as 'Wenn die sanften Abendlufte' Crudele? Ah no, mio bene! ... Non mi dir, bell'idol mio (from Don Giovanni) Sung in German as 'Ich grausam?...Sage mir nie, o mein Geliebter' | Strauss, R: | Es gibt ein Reich (from Ariadne auf Naxos) O bleib' geliebter Tag (from Daphne) Ich komme, grünen Brüder (from Daphne) | Verdi: | Ciel, mio padre! (from Aida) Sung in German as 'Wehe, mein Vater!' Hans Reinmar (baritone) | Wagner: | O Fürstin...Doch welch ein seltsam (from Tannhäuser) Wolfgang Windgassen (tenor) |
Annelies Kupper (soprano) Annelies Kupper was incomparable and was one of the last lirico-spinto sopranos of the German-speaking world. She began singing at the Munich State Opera in 1946 and remained a member of the ensemble for 20 years. She was particularly associated with the works of Mozart, Wagner and Richard Strauss. | | | Usually despatched in 2 - 3 working days. |
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| |  | Elisabeth Grümmer: Vocal Legends Vol. 111953-1958
Brahms: | Ihr habt nun Traurigkeit (Ein Deutsches Requiem, Op. 45) Berlin Philharmonic Orchestra, Chorus of St. Hedwig's Cathedral, Berlin, Rudolf Kempe | Humperdinck: | Brüderchen, komm tanz mit mir (Dance Duet from Hänsel und Gretel) Elisabeth Schwarzkopf (Gretel) Der kleine Sandmann bin ich (from Hänsel und Gretel) Abendsegen 'Abends will ich schlafen gehn' (Hänsel und Gretel) Philharmonia Orchestra London, Herbert von Karajan | Mozart: | Bald prangt, den Morgen zu verkünden (from Die Zauberflöte) Ach, ich fühl's (from Die Zauberflöte, K620) Temerari!...Come scoglio! (from Così fan tutte) Sung in German as 'Fest, wie Felsen' Porgi amor (from Le nozze di Figaro) Sull' aria che soave zeffiretto (from Le Nozze di Figaro) Erna Berger (Susanna) E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Berlin Philharmonic Orchestra, Wilhelm Schüchter | Strauss, R: | Mir ist die Ehre widerfahren (from Der Rosenkavalier) Erika Köth (Sophie) Berlin Philharmonic Orchestra, Wilhelm Schüchter | Verdi: | Mia madre aveva...Piangea cantando...Ave Maria (from Otello) Sung in German as 'Bei meiner Mutter...Sie sass mit Leide...Jungfrau Maria' Orchestra of the Deutsche Oper Berlin, Richard Kraus | Weber: | Und ob die Wolke sie verhülle (from Der Freischütz) Berlin Philharmonic Orchestra, Josef Keilberth |
Elisabeth Grümmer became in 1946 a regular member of the Städtische Oper Berlin (now the Deutsche Oper), which was her primary professional association throughout her career, remaining with that major company through 1972. In April 1967 she made her debut at the Metropolitan Opera New York as Elsa in Lohengrin. Elisabeth Grümmer’s exquisite voice and admirable dramatic gifts made her an exemplary interpreter of the music of Mozart and Richard Strauss. She restricted herself to a rather small repertoire she made very much her own: Pamina, Donna Anna, Ilia, the Countess Almaviva, Agathe, Hänsel, Oktavian, the Marschallin, Countess Madeleine, Eva, Elsa, Elisabeth, Gutrune, Freia and Desdemona. “...it is the Weber and Verdi items that show her voice, phrasing and breath control at their glorious best...beautifully accompanied by Richard Kraus and the Berlin Opera Orchestra.” Sunday Times, 19th September 2010 **** | | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Great Operatic Arias 20 - Christine Brewer Volume 2
We were delighted when the internationally renowned soprano Christine Brewer agreed to record some of her favourite repertoire pieces on her first recital disc for Chandos in 2005. No surprise that it was a huge success – so we were even more delighted when she returned to record this second volume – repertoire which you would never hear in a single concert or operatic performance, but here capturing Brewer’s glorious range, wonderfully supported by Judith Howarth, Timothy Robinson and the London Philharmonic Orchestra, conducted by David Parry. Christine Brewer’s earlier recital (CHAN3127) introduced into this series the dramatic soprano voice and included in its programme, as does its successor, arias from Gluck’s Alceste and Wagner’s Tannhäuser. In a previous age both operas were sung by Kirsten Flagstad, by general consent the greatest heroic-dramatic soprano of all. Christine Brewer now adds one of the most formidable challenges in the repertoire, Leonore’s solo in Act I of Beethoven’s Fidelio. Otherwise, the two significant extensions are in time, backward to Handel and forward to Britten and Menotti. “This is a spectacular demonstration not only of Christine Brewer's vocal strength with every note firm from top to bottom, but of her extraordinary versatility in this wide range of repertory. She starts with a flawless account of the Countess's "Porgi amor" from Figaro with a wonderful range of tone colour. The Wagner items include both Elisabeth's Prayer from Tannhäuser and Elsa's Dream from Lohengrin, again both flawless, making one want to hear Brewer in a complete Wagner opera. ...when it comes to the aria from Korngold's Die tote Stadt and Magda's big aria from Menotti's The Consul one marvels at the power and tonal range of the voice.” Gramophone Magazine, July 2009 “[The Beethoven] is the finest piece of singing on this disc by a country mile. Brewer’s diction is superb, whilst the voice cuts through the orchestra with laser-like precision. Furious and unyielding, it is a performance to treasure.” Opera Britannia, 30th July 2009 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Bellini, Mozart & Gluck Opera ExcerptsSung in German
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| |  | All Angels: Into Paradise
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| |  | Great Operatic Arias 12 - Yvonne Kenny Volume 2Sung in English
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| |  | Movie Adagios
Addinsell: | Warsaw Concerto | Bach, J S: | Arioso (Largo) from Keyboard Concerto in F minor, BWV1056 Concerto for Two Violins in D minor, BWV1043: Largo ma non tanto Orchestral Suite No. 3 in D major, BWV1068: Air ('Air on a G String') Cello Sonata BWV1029/Adagio (excerpt) | Barber, S: | Adagio for Strings, Op. 11 | Barry, J: | Dances With Wolves: John Dunbar Theme We Have All the Time in the World | Beethoven: | Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight': Adagio sostenuto Piano Concerto No. 5 in E flat major, Op. 73 'Emperor' - Adagio un poco mosso | Catalani: | Ebben? Ne andrò lontana (from La Wally) | Debussy: | Clair de Lune (from Suite Bergamasque) orch. Mouton | Elgar: | Cello Concerto in E minor, Op. 85 - Adagio (excerpt) | Mahler: | Symphony No. 5 in C sharp minor - Adagietto | Mascagni: | Cavalleria Rusticana: Intermezzo | Morricone, E: | Gabriel's Oboe Cinema Paradiso (music from the film) | Mozart: | Piano Concerto No. 21 in C major, K467 'Elvira Madigan' - Andante Requiem in D minor, K626 - Lacrimosa Soave sia il vento (from Così fan tutte) Serenade No. 10 in B flat major, K361 'Gran Partita' - Adagio Clarinet Concerto In A Major, K622 (Second Movement - Adagio) Sull' aria che soave zeffiretto (from Le Nozze di Figaro) | Nyman: | The Heart Asks Pleasure First | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) | Pachelbel: | Canon | Puccini: | O mio babbino caro (from Gianni Schicchi) Un bel di vedremo (from Madama Butterfly) | Rachmaninov: | Piano Concerto No. 2 in C minor, Op. 18: 1 - Moderato Prelude Op. 3 No. 2 in C sharp minor | Schubert: | String Quintet in C major, D956 - 2nd movement (extract) | Shostakovich: | Romance (from The Gadfly) | Tchaikovsky: | Swan Lake: Scene No. 10 |
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| |  | Baby needs Mozart
Mozart: | Serenade No. 13 in G major, K525 'Eine kleine Nachtmusik': Romance (Andante) Symphony No. 29 in A major, K201 - Andante Sull' aria che soave zeffiretto (from Le Nozze di Figaro) String Quartet No. 22 in B flat major, K589 'Prussian No. 2' - Larghetto Ein Mädchen oder Weibchen (from Die Zauberflöte) Quintet for Piano and Winds in E flat, K452 - Larghetto Symphony No. 4 in D major, K19 - Andante Clarinet Quintet in A major, K581: Menuetto Piano Sonata No. 11 in A major, K331 'Alla Turca' - Theme/Variations 4 & 5 Sonata for 2 pianos in D major, K448 - Andante Clarinet Quintet in A major, K581: Allegro |
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| |  | Mozart: Arias
Lyne Fortin (Soprano) L'Orchestre Metropolitan, Joseph Rescigno | | | Usually despatched in 2 - 3 working days. |
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