Loewe, C: Hinkende Jamben, Op. 62 No. 5

This page lists all recordings of Hinkende Jamben, Op. 62 No. 5, by Carl Loewe (1796-1869) on CD. Generally, more recent releases are listed first, but with priority given to those that are in stock.

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August 2011
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August 2009

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Der heitere Loewe

Der heitere Loewe

The Lighter Side of Loewe


Loewe, C:

Der Spaziergang, Op. 9 No. 4

Der Apotheker als Nebenbuhler, Op. 9 No. 6

Die Verliebte Schaeferin, Op. 9 No. 3

Süßes Begräbnis, Op. 62 No. 4

Hinkende Jamben, Op. 62 No. 5

Der Zahn

Die Heinzelmännchen, Op. 83

Der Papagei, Op. 111

Wer ist Baer?, Op. 64 No. 4

Rüberettich

Findlay

Beim Maitrank

Der junge Herr und das Mädchen, Op. 50 No. 2

Frau Twardowska, Op. 51

Der verliebte Maikäfer, Op. 64 No. 1

Der Kuckuck, Op. 64, No. 2

Vogelsang, Op. 9 No. 3

Die Katzenkönigin, Op. 64 No. 3

Zeislein, Op. 62 No. 1

Der Gesang, Op. 56 No. 2

Kleiner Haushalt, Op. 71

O süße Mutter, Op. 62 No. 3

Schwalbenmärchen, Op. 68 No. 1

Die Zugvögel, Op. 74

Der heilige Franziskus, Op. 75 No. 3

Der Feind (Der Marsch), Op. 145 No. 2

An die Grille

St. Johannes und das Wuermlein, Op. 35 No. 1

Trommelständchen, Op. 132 No. 2

Prinz Eugen, der edle Ritter, Op. 92

Abendlied, Op. 62 No. 1


Wolfgang Anheisser (baritone) & Gunther Weissenborn (piano)

On this CD reissue, five songs are added to the original collection that were omitted from the LP owing to the limited playing time. They appear for the first time. "Musicality, creativity, sensitivity and emotional involvement" – these were the qualities attributed to the Baritone Wolfgang Anheisser even at the outset of his tragically brief career, and they made him one of the most interesting Loewe interpreters.

EMI Electrola Collection - 0965282

(CD - 2 discs)

$15.50

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Auf Einer Burg

Auf Einer Burg


Loewe, C:

Wandrers Nachlied, Op. 9 No. 3b

Hinkende Jamben, Op. 62 No. 5

Odins Meeresritt "Meister Oluf, der Schmied auf Helgoland", Op. 118

Süßes Begräbnis, Op. 62 No. 4

Herr Oluf "Herr Oluf reitet spät und weit", Op. 2/2

Der selt'ne Beter op. 141

Tom der Reimer "Der Reimer Thomas lag am Bach", Op. 135a

Edward, Op. 1 No. 1 (Herder)

Der Pilgrim vor St Just, Op. 99, No. 3

Die Uhr, Op. 123 No. 3

Schumann:

Liederkreis, Op. 39


Henk Neven (baritone) & Hans Eijsackers (piano)

Henk Neven studied with Maarten Koningsberger and Margreet Honig at the Conservatory of Amsterdam where he graduated cum laude in 2003. In 2002 he received a diploma cum laude from the New Opera Academy. He followed masterclasses with Graham Johnson, Graham Clark, Rudolf Jansen, Hartmut Höll, Jard van Nes and Robert Holl.

He was awarded a Borletti-Buitoni Fellowship in 2009, and is a BBC New Generation Artist 2009-2011.

Henk Neven has performed at the BBC Proms and at the Wigmore Hall. He also has a busy career in the opera houses of Europe, including Leporello in Don Giovanni in De Doelen Rotterdam, Patrocle in Iphigénie en Tauride by Gluck at La Monnaie in Brussels, Ottokar in Der Freischütz in Theater an der Wien, Mercutio in Roméo et Juliette at De Nederlandse Opera and Gralritter in Parsifal in Het Concertgebouw Amsterdam.

As a recitalist he will appear with Hans Eijsackers in de ‘Vocale Serie’ of Het Concertgebouw, La Monnaie Brussels and de Beurs van Berlage Amsterdam.

This is his debut recording, and he has selected Lieder by Carl Loewe to programme with Schumann’s Liederkreis op22, repertoire he loves performing. Neven is a major new vocal talent.

“Neven’s highly individual timbre is unlike any other lieder interpreter’s; he sings with astonishing technical finesse, verbal acuity and a youthful sense of wonder in these pieces from Schumann’s annus mirabilis of song, 1840...Eijsackers’s virtuoso piano-playing only enhances this remarkable young singer’s outstanding debut.” Sunday Times, 17th April 2011 ****

“His gift of bringing out word-meaning is enhanced by the clearest possible diction and by the beautifully balanced recording. His shading of dynamics and phrasing then crowns each interpretation. It is a consistent joy to hear a Lieder singer whose tone is pure over the widest range without a trace of roughness...It is a long time since I enjoyed a disc of Lieder from a young singer quite as much as this, and I long to hear more from him.” Gramophone Magazine, July 2011

“[Neven] has a beautiful voice, flexible, rounded and warm, and sings, always in the middle of the note, with much intelligence and no affectation...both Neven and his excellent accompanist Hans Eijsackers manage almost to avoid sentimentality” International Record Review, July 2011

“Neven possess a lightly textured, attractive voice, and his diction is focused and expressive” BBC Music Magazine, July 2011 ***

GGramophone Awards 2011

Shortlisted - Solo Vocal

Onyx - up to 50% off

Onyx - ONYX4052

(CD)

Normally: $16.75

Special: $11.72

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Carl Loewe: Songs & Ballads

Carl Loewe: Songs & Ballads


Loewe, C:

Edward, Op. 1 No. 1 (Herder)

Tom der Reimer "Der Reimer Thomas lag am Bach", Op. 135a

Der Erlkönig, Op. 1 No. 3 (Goethe)

Herr Oluf "Herr Oluf reitet spät und weit", Op. 2/2

Wandrers Nachlied, Op. 9 No. 3a

Wandrers Nachlied, Op. 9 No. 3b

Graf Eberstein

Lynceus der Turmer, auf Fausts Sternwarte singend, Op. 9, H.VIII, 3

Süßes Begräbnis, Op. 62 No. 4

Hinkende Jamben, Op. 62 No. 5

Die wandelnde Glocke, Op. 20 No..3

Im Vorübergehen, Op. 81, No. 1

arr. Fritz

Der Pilgrim vor St Just, Op. 99, No. 3

Odins Meeresritt "Meister Oluf, der Schmied auf Helgoland", Op. 118

Die Uhr, Op. 123 No. 3

Der Wirthin Töchterlein, Op. 1, No. 2

Meeresleuchten, Op. 145 No. 1

Im Sturme, Op. 145, No. 3

Heimlichkeit, Op. 145, No. 4

Reiterlied, Op. 145, No. 5


Florian Boesch (baritone) & Roger Vignoles (piano)

In his lifetime the German composer Carl Loewe was often referred to as the ‘Schubert of North Germany’. He is frequently credited with the development of the romantic ballad into a powerful art form, and his prolific output of ballads and songs amounts to some four hundred works. Loewe’s treatment of long narrative poems in a clever and powerful mixture of dramatic and lyrical styles, has been a template for many subsequent composers.

Many of the ballads on this disc are masterpieces of their genre and they are performed here in a magisterial Hyperion debut by Austrian baritone Florian Boesch. In these refined performances it is clear why Boesch has been labelled as ‘one of the finest interpreters of Lieder of his generation’. His ability to create characters and enact stories brings the dramatic texts vividly to life, while he maintains musical coherence with astonishing lyricism.

Loewe’s daring and imaginative accompaniments are played here by the incomparable Roger Vignoles, in another addition to his acclaimed discography of Hyperion recordings. His eloquent pianism and penetrating musicianship match Boesch’s artistry to perfection.

“Boesch is arguably [Loewe's] finest interpreter today, and this disc is mesmerising. An expressionistic vocal actor, Boesch has the ability to change the sound of his voice to fit the character he is portraying; when he gets to the big dialogues like Erlkönig, Edward or Herr Oluf, it's hard to believe that only one person is singing...A benchmark recording, and essential listening.” The Guardian, 12th May 2011 *****

“Loewe is at his best when the drama of a ballad unfolds through the characters' words, and his 'Erlkönig', though less terrifying than Schubert's, is more chilling: the child's death is a greater musical shock....Boesch sings these ballads with strong dramatic sympathy...Vignoles's accompaniment is always confident, very musical and perceptive.” International Record Review, May 2011

“Boesch's performance...demonstrates huge imaginative variety in characterisation (offering two different voices when necessary, or even three in Loewe's setting of Erlkonig), and moving convincingly to the lower register...Vignoles matches him in playing of perception in what is pretty well an ideal introduction to a fascinating figure.” BBC Music Magazine, July 2011 *****

“Loewe's writing is perhaps less sophisticated than Schubert's but, like him, he had a supremely appealing melodic gift...As for the singing, I cannot praise it too highly. Florian Boesch has a warmly attractive baritone voice and his diction is first class, as is his response to the word meanings. Roger Vignoles's accompaniments, too, give great pleasure in themselves, especially in the pictorial devices which Loewe so relishes.” Gramophone Magazine, August 2011

GGramophone Magazine

Editor's Choice - August 2011

BBC Music Magazine Awards 2012

Vocal Finalist

40% off selected Hyperion

Hyperion - CDA67866

(CD)

Normally: $16.75

Special: $10.05

Usually despatched in 2 - 3 working days.

Hans Hotter - Lieder Recital

Hans Hotter - Lieder Recital


Brahms:

Wie Melodien zieht es mir, Op. 105 No. 1

Sonntag, Op. 47 No. 3

Komm bald, Op. 97 No. 5 (Groth)

Wir wandelten, wir zwei zusammen Op. 96/2

Wie bist du, meine Königin Op. 32 No. 9

Heimkehr, Op. 7 No. 6

Wenn du nur Zuweilen lächelst (No. 2 from Acht Lieder und Gesänge, Op. 57)

Verrat, Op. 105 No. 5

Loewe, C:

Edward, Op. 1 No. 1 (Herder)

Der Erlkönig, Op. 1 No. 3 (Goethe)

Odins Meeresritt "Meister Oluf, der Schmied auf Helgoland", Op. 118

Die wandelnde Glocke, Op. 20 No..3

Hinkende Jamben, Op. 62 No. 5

Pfitzner:

Der Gärtner (Eichendorff)

Schubert:

An die Musik D547

Ständchen 'Leise flehen meine Lieder', D957 No. 4

Abschied, D 957 No. 7

Im Frühling, D882

Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768

Schumann:

Wer machte dich so krank? Op.35 No.11 (Kerner)

Alte Laute, Op. 35, No. 12

Erstes Grün, Op. 35 No. 4

Die beiden Grenadiere, Op. 49 No. 1

Mondnacht (No. 5 from Liederkreis, Op. 39)

Strauss, R:

Ach weh mir unglückhaftem Mann, Op. 21 No. 4

Ich trage meine Minne, Op. 32 No. 1


Hans Hotter (baritone), Gerald Moore (piano)

Testament - SBT1198

(CD)

$15.50

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Hans Hotter: The Great Bass-Baritone

Hans Hotter: The Great Bass-Baritone


Bach, J S:

Cantata BWV82 'Ich habe genug'

recorded 22-24/3/1950

Philharmonia Orchestra, Anthony Bernard

Brahms:

Vier ernste Gesänge, Op. 121

recorded 11-12/11/1951

Feldeinsamkeit, Op. 86 No. 2

Mit vierzig Jahren, Op. 94 No. 1

Wie Melodien zieht es mir, Op. 105 No. 1

Sonntag, Op. 47 No. 3

Minnelied Op. 71 No. 5

Wir wandelten, wir zwei zusammen Op. 96/2

Wie bist du, meine Königin Op. 32 No. 9

Komm bald, Op. 97 No. 5 (Groth)

Heimkehr, Op. 7 No. 6

Wenn du nur Zuweilen lächelst (No. 2 from Acht Lieder und Gesänge, Op. 57)

Sapphische Ode, Op. 94 No. 4

Botschaft, Op. 47 No. 1

Ständchen, Op. 106 No. 1

Heimweh, Op. 63 No. 8

Auf dem Kirchhofe, Op. 105 No. 4

Verrat, Op. 105 No. 5

In Waldeseinsamkeit, Op. 85 No. 6

Sommerabend, Op. 85 No. 1

Mondenschein, Op. 85 No. 2

Grieg:

Ich liebe Dich, Op. 5 No. 3

Loewe, C:

Edward, Op. 1 No. 1 (Herder)

Der Erlkönig, Op. 1 No. 3 (Goethe)

Odins Meeresritt "Meister Oluf, der Schmied auf Helgoland", Op. 118

Die wandelnde Glocke, Op. 20 No..3

Hinkende Jamben, Op. 62 No. 5

Pfitzner:

Der Gärtner (Eichendorff)

Schubert:

Winterreise D911

recorded 24-29/5/1954

An die Musik D547

Meeres Stille, D216, Op. 3 No. 2 (Goethe)

Im Frühling, D882

Am Bach im Fruhling, D361

Gruppe aus dem Tartarus, second version, D583 (Schiller)

Geheimes, D719 (Goethe)

Sei mir gegrüsst! D741 (Rückert)

Im Abendrot, D799

Wandrers Nachtlied I 'Der du von dem Himmel bist', D224

Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768

Wohin? (No. 2 from Die schöne Müllerin, D795)

Schumann:

Wer machte dich so krank? Op.35 No.11 (Kerner)

Alte Laute, Op. 35, No. 12

Erstes Grün, Op. 35 No. 4

Die beiden Grenadiere, Op. 49 No. 1

Mondnacht (No. 5 from Liederkreis, Op. 39)

Strauss, R:

Ach weh mir unglückhaftem Mann, Op. 21 No. 4

Ich trage meine Minne, Op. 32 No. 1

Wolf, H:

Der Tambour (No. 5 from Mörike-Lieder)

Ob de Koran von Ewigkeit sei? (No. 34 from Goethe-Lieder)

So lang man nüchtern ist (No. 36 from Goethe-Lieder)

Schon streckt' ich aus (No. 27 from Italienisches Liederbuch)

Ein Ständchen Euch zu bringen kam ich her (No. 22 from Italienisches Liederbuch)

Anakreons Grab (No. 29 from Goethe-Lieder)

Songs (3) on poems by Michelangelo Buonarroti

Cophtisches Lied I (No. 14 from Goethe-Lieder)

Cophtisches Lied II (No. 15 from Goethe-Lieder)

Grenzen der Menschheit (No. 51 from Goethe-Lieder)

Prometheus (No. 49 from Goethe-Lieder)

Harfenspieler I (No. 1 from Goethe-Lieder)

Harfenspieler II (No. 2 from Goethe-Lieder)

Harfenspieler III (No. 3 from Goethe-Lieder)

Geselle, woll’n wir uns in Kutten hüllen (No. 14 from Italienisches Liederbuch)

Verborgenheit (No. 12 from Mörike-Lieder)

Der Musikant (No. 2 from Eichendorff-Lieder)

Fussreise (No. 10 from Mörike-Lieder)

Nimmersatte Liebe (No. 9 from Mörike-Lieder)

plus excerpts of operas by Orff, R Strauss & Wagner


Hans Hotter (bass-baritone) & Gerald Moore (piano - most works)

Hans Hotter was one of the major artists signed to EMI by the legendary record producer Walter Legge in Vienna as soon as the Second World War ended and one of his first recordings for the company was the Brahms Requiem under Herbert von Karajan, an extract from which is included in this set. This 6-CD set is devoted mainly to German Lieder and includes an impressive collection of songs recorded when Hotter was in his prime and generally accompanied by Gerald Moore. A number of tracks in this set are appearing in stereo for the first time on CD; their only previous stereo issue was on a local Angel LP in the USA.The two excerpts from Die Meistersinger are incomplete because the recordings were not released at the time they were made (1948) and some of the original 78 rpm masters had not survived by the time the items were issued on LP for the first time in 1982.

Recorded 1947-1957. Some works in mono.

GGramophone Magazine

Re-issue of the Month - August 2009

EMI Icons - 2649012

(CD - 6 discs)

$26.50

In stock - usually despatched within 1 working day.

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