Brahms: Symphony No. 3 in F major, Op. 90

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Brahms: Symphonies Nos. 1-4 (Complete)

Brahms: Symphonies Nos. 1-4 (Complete)


DG Originals - E4497152

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Bernard Haitink - Brahms: Symphony No. 3

Bernard Haitink - Brahms: Symphony No. 3


Brahms:

Symphony No. 3 in F major, Op. 90

Conducting Workshops at the Royal College of Music


Bernard Haitink is one the most celebrated conductors of our time. For more than 25 years he was at the helm of the Royal Concertgebouw Orchestra as its music director. In addition, he has been music director of the Dresden Staatskapelle, the Royal Opera Covent Garden, Glyndebourne Festival Opera, and the London Philharmonic. With an international conducting career spanning more than five decades he has conducted most of the leading orchestras of the world.

Here, Bernard Haitink works with six student conductors and the orchestra of the Royal College of Music in London on all four movements of Brahms' Symphony No 3, one of the composer's most daring and elusive works. Haitink imparts not only his profound insight into the symphony, but also shares with the students a lifetime's experience of conducting. This three-hour masterclass will inspire and inform not only aspiring conductors but music lovers and musicians in general.

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Jascha Horenstein conducts Brahms & Wagner

Jascha Horenstein conducts Brahms & Wagner


Brahms:

Symphony No. 3 in F major, Op. 90

Wagner:

Die Meistersinger von Nürnberg: Overture

Tannhäuser: Overture


Southwest German Radio Orchestra (Baden-Baden), Bamberg Symphony Orchestra, Jascha Horenstein

Released or re-released in last 6 months

Vox - VOX7802

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Idil Biret Archive Edition Volumes 16/17 - Brahms

Idil Biret Archive Edition Volumes 16/17 - Brahms


Brahms:

Symphony No. 3 in F major, Op. 90

Transcribed for solo piano by Idil Biret

Symphony No. 4 in E minor, Op. 98

Transcribed for solo piano by Idil Biret

Variations on a theme by Paganini in A minor, Op. 35

Hungarian Dances (excerpts)

Transcribed for solo piano by Brahms


Idil Biret (piano)

“Biret’s own (unpublished) transcriptions splendidly achieve an authenticity in these live recordings. No 3’s poco allegretto is particularly touching, nostalgically haunting, and No 4’s always astonishing opening has an arresting delicacy.” Sunday Times, 26th October 2014

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Naxos Idil Biret Edition - 8571303-04

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Brahms: The Symphonies & Orchestral Works

Brahms: The Symphonies & Orchestral Works


Brahms:

Symphonies Nos. 1-4 (Complete)

Tragic Overture, Op. 81

Intermezzo in E major, Op. 116 No. 4

arr. Paul Klengel

Intermezzo in E flat major, Op. 117 No. 1

arr. Paul Klengel

Variations on a theme by Haydn for orchestra, Op. 56a 'St Anthony Variations'

Nagen am Herzen fühl ich Gift in mir, Op. 65, No. 9

Orchestral Version

Liebeslieder-Walzer, Op. 52: excerpts

Orchestral Version

Academic Festival Overture, Op. 80

Hungarian Dance No. 1 in G minor

Hungarian Dance No. 10 in F major

Hungarian Dance No. 3 in F major

Symphony No. 1 in C minor, Op. 68 - Andante

Original First Performance Version

Symphony No. 4 in E minor, Op. 98: 1. Alternative opening


The award winning album , now available on bluray audio.

Following the 2011 landmark Beethoven cycle, Riccardo Chailly returns with a recording of the complete Brahms symphonies and orchestral works including the overtures and Haydn Variations.

Rarities include world premiere recordings of two piano intermezzi orchestrated by Paul Klengel (brother of the Gewandhaus’ long-standing principal cellist Julius Klengel); the 9 Liebeslieder waltzes; the original first performance version of the Andante of Symphony No. 1 and the even rarer revised opening of the Fourth Symphony.

Chailly has radically rethought his approach to these works, re-examining the scores and returning to the recorded interpretations of a generation of conductors alive during Brahms’ lifetime, principally Felix Weingartner and one of his Gewandhaus predecessors Bruno Walter.

GGramophone Awards 2014

Record of the Year

GGramophone Magazine

Disc of the Month - October 2013

BBC Music Magazine Awards 2014

Orchestral Finalist

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Decca - 4787696

(Blu-ray Audio)

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Brahms: Symphonies Nos. 2 & 3

Brahms: Symphonies Nos. 2 & 3


Brahms:

Symphony No. 2 in D major, Op. 73

Symphony No. 3 in F major, Op. 90


Deutches Symphonie Orchester, Georges Pretre

To contrast with their release of Brahms' Complete Symphonies with the Swedish Radio Chamber Orchestra, this recording of Brahms Symphonies 2 and 3 is performed by the Deutches Symphonie Orchester and conducted by Georges Pretre.

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Weitblick - SSS0129

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$18.75

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Brahms: Symphonies Nos. 1-4 (Complete)

Brahms: Symphonies Nos. 1-4 (Complete)


Continuing their survey of works performed by the Swedish Radio Symphony Orchestra, the Weitblick label presents a 2CD set of Brahms' Complete Symphonies, conducted by the ever-favourite, Evgeny Svetlanov.

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Weitblick - SSS0136

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Brahms Beloved 2

Brahms Beloved 2


Brahms:

Symphony No. 1 in C minor, Op. 68

Symphony No. 3 in F major, Op. 90

Schumann, Clara:

Volkslied

Sie liebten sich beide, Op. 13 No. 2 (Text: Heinrich Heine)

Warum willst du and're fragen, Op. 12 No. 11 (Text: Friedrich Rückert)

Mein Stern

Die gute Nacht, die ich dir sage (text: Friedrich Rückert)

Das Veilchen

Sie liebten sich beide, Op. 13 No. 2 (Text: Heinrich Heine)

Lorelei (Text: Heinrich Heine)

Ich hab’ in deinem Auge, Op. 13 No. 5

Beim Abschied (Text: Friederike Serre)


John Axelrod returns to the podium and the piano to complete his much admired cycle of Brahms symphonies and Clara Schumann songs - joined for this volume by celebrated soprano Dame Felicity Lott and distinguished Lieder specialist Wolfgang Holzmair.

This is the second and final volume of ‘Brahms Beloved’, in which conductor John Axelrod pairs the Brahms Symphonies (in this set, the First and the Third) with songs by his muse, Clara Schumann. Volume 1 stimulated healthy debate among Brahmsians as to how deeply enmeshed the presence of Clara is in the songs of the man who always had a love for her, and this volume takes the discussion further with an insightful booklet essay by Jan Swafford, author of a standard-reference Brahms biography. Keeping with the idea of using different voice-types for each ‘set’ of Clara’s songs, the better to explore the notion of different sides of their composer’s character, this volume introduces the two final “Claras,” the great Lieder singers Dame Felicity Lott and Wolfgang Holzmair (for the more masculine side of Clara). The orchestra is again the Orchestra Sinfonica di Milano Giuseppe Verdi, of which John Axelrod is Principal Conductor, and Axelrod once more does double duty as conductor and pianist.

John Axelrod is Principal Conductor of the Orchestra Sinfonica di Milano Giuseppe Verdi, as well as Music Director of the Orchestre National des Pays et des Loire. A former pupil of Leonard Bernstein, he is one of today’s most in-demand conductors. Recordings he has made include a much-praised Berlioz and Ravel disc with Veronique Gens and the ONPL for Ondine Classics, the album American Serenade also with the ONPL and violinist Rachel Kolly d’Alba for Warner Classics, and Gorecki’s Third Symphony with the Danish National Symphony Orchestra for Sony Classical.

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Telarc - TEL3465902

(CD - 2 discs)

$17.50

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Rudolf Kempe, Vol. 9

Rudolf Kempe, Vol. 9


Brahms:

Variations on a theme by Haydn for orchestra, Op. 56a 'St Anthony Variations'

Symphony No. 3 in F major, Op. 90


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Documents - Rudolf Kempe Brahms - 299934

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Evgeny Svetlanov conducts Debussy & Brahms

Evgeny Svetlanov conducts Debussy & Brahms

Royal Festival Hall, London, 17 April 1975


Brahms:

Symphony No. 3 in F major, Op. 90

Chausson:

Le temps des lilas

Bonus

Janet Baker (mezzo-soprano)

Debussy:

La Mer


Evgeny Svetlanov (1928–2002) began his conducting careeer in 1953 at the Bolshoi Theatre, becoming chief conductor in 1962. In 1965 he was appointed chief conductor of the USSR State Symphony Orchestra, where he remained until his death. Valery Gergiev described the USSR State Symphony as an ‘orchestra with a voice’ under Svetlanov. From 1970 onwards, Svetlanov started to conduct in the West and with the advent of perestroika in the late 1980s, many musicians including Svetlanov took up positions in Europe. He was a regular guest conductor in the UK – with the LSO (becoming prinicipal guest in 1979), the Philharmonia and the BBCSO – as well as in the Netherlands, France and Japan.

Svetlanov’s repertoire was large (including his discography). In addition to the full range of Russian works, he was a masterly conductor of non-Russian composers of the late-Romantic era including Bruckner, Elgar and Mahler, as well as Debussy and Brahms as demonstrated here. He died in 2002 shortly after conducting the BBCSO in a memorable account of Rachmaninov’s cantata The Bells (available on ICAC5069).

The performances of the Brahms and Debussy are recorded in brilliant stereo and have never been issued before.

ICA Classics have already released three CDs of Svetlanov in Russian music, conducting works by Tchaikovsky, Stravinsky, Prokofiev, Rachmaninov and Shostakovich. We now hear him in Brahms and Debussy, two composers whose works he performed quite regularly during his career. He recorded the complete Brahms Symphonies in Russia with Melodiya. The Brahms is both powerful and mellifluous, superbly played by the LSO, while the Debussy has tension from the start, combining colour, sensitivity and transparency. David Nice states in his booklet notes ‘Svetlanov reminds us that “impressionism” is quite the wrong term for what develops as pure expressionism. As this recording demonstrates, no conductor ever made a more Dionysian orgy out of the final charge to the stampeding finish.’

The bonus consists of Janet Baker singing the final song from Chausson’s Poème de l’amour et de la mer; ‘La Mort de l’amour – Le Temps des lilas’. This comes from the same concert and has been previously issued. In a review of this performance, The Times wrote of Janet Baker’s ‘lovely tone throughout a wide range and an equally beautiful shapeliness and continuity of line’. Svetlanov was praised for achieving a refined orchestral blend and balance. The performance was said to have held ‘a large audience spellbound’.

“His Brahms Third Symphony is idiomatic in a traditional German way, while his Debussy La Mer has a thrilling boldness that does not preclude many subtleties. Best of all is Janet Baker singing Chausson’s Poème de l’amour et de la mer.” Financial Times, 22nd February 2014 ****

“The LSO weren't at their absolute sturdiest in the Brahms performance, which nonetheless has distinctive qualities...Baker has a bit of brittleness in her voice, giving it all the more character amid her typically shamanistic relationship with the words and a sense of abandon not often heard in her studio recordings.” Gramophone Magazine, May 2014

ica classics Legacy - ICAC5123

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