Brahms: Symphony No. 3 in F major, Op. 90 - CD

This page lists all recordings of Symphony No. 3 in F major, Op. 90, by Johannes Brahms (1833-97) on CD. Generally, more recent releases are listed first, but with priority given to those that are in stock.

Recommendations

First Choice
October 2008
Disc of the Month
October 2013
Editor's Choice
March 2007
Re-issue of the Month
June 2013
Re-issue of the Month
February 2013
Re-issue of the Month
August 2012
4 star

All recordings

Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates.

Brahms: Symphonies Nos. 3 & 4

Brahms: Symphonies Nos. 3 & 4


Brahms:

Symphony No. 3 in F major, Op. 90

Symphony No. 4 in E minor, Op. 98


Brandenburgisches Staatsorchester Frankfurt, Howard Griffiths

Not only did Brahms write his symphonies, he also heard them - and was impressed with conductor Fritz Steinbach. Several decades ago one of his students published Steinbach's interpretive notes, which sparked the profound interest of Howard Griffiths, the director of the Brandenburgisches Staatsorchester Frankfurt / Oder - there hardly is a more authentic way of listening to Brahms' symphonies.

This rendition of the two symphonies is based on a collection of detailed and exciting interpretive suggestions, which Brahms himself knew, heard and liked. They were conceived by Fritz Steinbach, a conductor and contemporary of Brahms, who the composer considered the best performer of his symphonies. Howard Griffiths has thoroughly studied the dossier and has diligently transferred the notes to his score: he plays with the tempo, balances with the dynamics and uses minute shifts of accentuation to great effect. This brings the interpretation very close to Brahms intention, thereby literally presenting the listener with a historically informed performance and simply providing the most authentic way of enjoying Brahms' last two symphonies. A recording of the first two symphonies performed by the Brandenburgisches Staatsorchester Frankfurt under the baton of Howard Griffiths has already been released by Klanglogo in 2015 (KL1513).

“The spirit of romance is certainly present in Griffiths’s readings…[and] the Frankfurt orchestra produces a very agreeable soft-grained legato sound” Gramophone Magazine, August 2016

Released or re-released in last 6 months

Klanglogo - KL1514

(CD)

$12.00

(also available to download from $10.00)

In stock - usually despatched within 1 working day.

Brahms: The Four Symphonies

Brahms: The Four Symphonies


Brahms:

Symphonies Nos. 1-4 (Complete)

Tragic Overture, Op. 81

Academic Festival Overture, Op. 80

Variations on a theme by Haydn for orchestra, Op. 56a 'St Anthony Variations'


The music of Brahms held an important place in Sir John Barbirolli’s repertoire and these recordings of the symphonies, made with the Vienna Philharmonic in 1966 and 1967, stand as one of the peaks of his discography. Barbirolli’s relationship with this music is rooted in his time as an orchestral cellist, and these performances are notable for their rich, ripe sonorities and expansive warmth.

Warner Classics Original Jacket Reissues - 2564676771

(CD - 2 discs)

$18.75

In stock - usually despatched within 1 working day.

Brahms: Symphonies Nos. 3 & 4

Brahms: Symphonies Nos. 3 & 4


Brahms:

Symphony No. 3 in F major, Op. 90

Symphony No. 4 in E minor, Op. 98


Valery Gergiev and the London Symphony Orchestra bring to a close their celebrated Brahms’ cycle with the release of Brahms third and fourth Symphonies.

Brahms is often associated with the idea of abstract music, free of literary models or autobiography, but with the third the composer wrote in many ways his most personal symphony.

Composed at a mountain retreat in 1884, about a year after completing the third, Brahms’ architectural musical skill is nowhere more evident than in his fourth and final symphony, employing Baroque contrapuntal techniques and chromatic labyrinths and described by Hans von Bülow as having the feeling of ‘being given a beating by two incredibly intelligent people.’

“Brahms and Gergiev could hardly be described as natural bedfellows but there were moments in the Third Symphony where the illicitness of unnatural bedfellows generated a certain frisson.” Gramophone Magazine, December 2014

Super Audio CD

Format:

Hybrid Multi-channel

LSO Live - LSO0737

(SACD)

$9.75

(also available to download from $10.00)

In stock - usually despatched within 1 working day.

Brahms: Symphonies Nos. 1-4 (Complete)

Brahms: Symphonies Nos. 1-4 (Complete)


Continuing their survey of works performed by the Swedish Radio Symphony Orchestra, the Weitblick label presents a 2CD set of Brahms' Complete Symphonies, conducted by the ever-favourite, Evgeny Svetlanov.

Weitblick - SSS0136

(CD - 2 discs)

$23.00

In stock - usually despatched within 1 working day.

Brahms: Symphonies Nos. 1-4 (Complete)

Brahms: Symphonies Nos. 1-4 (Complete)


DG Duo - 4779761

(CD - 2 discs)

$13.00

(Sorry, download not available in your country)

In stock - usually despatched within 1 working day.

Brahms: Symphonies Nos. 3 & 4

Brahms: Symphonies Nos. 3 & 4


Brahms:

Symphony No. 3 in F major, Op. 90

Symphony No. 4 in E minor, Op. 98


RCA Classical Masters - 88697711362

(CD)

$6.50

(Sorry, download not available in your country)

In stock - usually despatched within 1 working day.

Karl Böhm conducts Brahms & Weber

Karl Böhm conducts Brahms & Weber


Brahms:

Symphony No. 3 in F major, Op. 90

Weber:

Euryanthe Overture

Preciosa, Overture J279 (Op. 78)

Oberon Overture

Peter Schmoll, Overture J8 (Op. 8)


During the 1950s, Karl Böhm made a handful of orchestral recordings for Decca with the Wiener Philharmoniker of, music by, among others, Mozart, Beethoven, Brahms Schubert and Weber. The Brahms Symphony is performed with sweep and with classical poise and the music is clearly in the Viennese players’ blood (after all, they premiered the symphony in the Grosser Saal of the Musikverein, the very location where this recording was made). It receives its first international release on Decca CD. Weber’s star has, today, rather receded from our view, his name kept alive by but a handful of pieces. Yet he was, in some ways, a heralder of the dawn of the Romantic tradition and Böhm’s affectionate readings of these Overtures now reappear in the catalogue.

Recording producer: Victor Olof

Recording engineer: Cyril Windebank

Recording location: Grosser Saal, Musikverein, Vienna, Austria, May 1951 (Weber), June 1953 (Brahms)

Australian Eloquence - ELQ4803793

(CD)

$8.75

In stock - usually despatched within 1 working day.

Brahms: Symphony No. 3

Brahms: Symphony No. 3


Brahms:

Symphony No. 3 in F major, Op. 90

Nänie von Friedrich Schiller, für Chor und Orchester, Op. 82

Ich schwing mein Horn ins Jammertal, Op. 41 No. 1

Es tönt ein voller Harfenklang, Op. 17 No. 1

Nachtwache I 'Leise Töne der Brust', Op. 104 No. 1

Einförmig ist der Liebe Gram, Op. 113 No. 13

Gesang der Parzen (Song of the Fates), Op. 89


Recording locations: Recorded live at the Salle Pleyel, Paris and Royal Festival Hall, London.

Soli Deo Gloria is proud to release the third instalment in the successful Brahms Symphony series which sees John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique explore the music of Johannes Brahms.

The choral pieces on this release demonstrate beautifully the extent to which choral thinking permeates Brahms’ orchestral writing. Gardiner states that ‘just as there is choral thinking evident in his symphonies, surely there are also signs of orchestral thinking embedded within his choral writing.’ Both Nänie and Gesang der Parzen show fascinating links with Brahms’ last two symphonies Parzen sharing with the Third not just an adjacent opus number but an immensely powerful orchestral opening, with passing references to ‘early music’ styles next to passages of the most advanced harmony.

Einförmig ist der Liebe Gram, an irresistible little piece written for women’s voices, sees Brahms take the final song from Schubert’s Winterreise and turn it into a haunting six-part canon. Another example of Brahms forging links with a revered predecessor.

Written nearly six years after Brahms completed his Second Symphony, his third symphony was described by Hans Richter on its premiere as Brahms’ ‘Erioica’. A friend of Brahms and music critic at the time, Eduard Hanslick, wrote: “Many music lovers will prefer the titanic force of the First Symphony; others, the untroubled charm of the Second, but the Third strikes me as being artistically the most nearly perfect”

“…urgent, magnificently angry… This is Gardiner at his penetrating, combative best, making contact with the music's heartbeat in a way that sounds both radical and natural…” BBC Music Magazine, November 2009 *****

“Taking up more than half the disc, the choral items are its obvious glory… Gardiner sets his face against anything that could be construed as false consolation. In his element in Song of the Fates, he gives the sublime Nänie an unusually taut, sharp-edged feel.” Gramophone Magazine, November 2009

“A must-have disc for Brahmsians” Sunday Times

“This period instrument interpretation for Brahms 3 will be a surprise to many. Once you’ve adjusted though, the enjoyment to be gained from this superbly performed disc (…) is enormous” CD Review

“It’s hard to under-emphasise the lift Gardiner’s historically informed performance has given to Brahms’s Third Symphony” Classic FM Magazine

“Throughout, there’s the satisfying phrasing that Gardiner excels in, with melodic lines and their accompaniments shifting and undulating to a satisfying degree...Riveting, enlightening and enjoyable in equal measure.” Charlotte Gardner, bbc.co.uk, 9th September 2009

“This recording with the Orchestre Révolutionnaire et Romantique under John Eliot Gardiner is one of the most urgent readings of this symphony I can recall, especially in the outer movements, and it certainly makes for a tremendously exciting performance, with some thrilling horn playing in particular.” James Longstaffe, Presto Classical, November 2014

SDG Brahms Symphonies - SDG704

(CD)

$13.25

(also available to download from $10.00)

In stock - usually despatched within 1 working day.

Brahms - Symphonies 3 & 4

Brahms - Symphonies 3 & 4


Brahms:

Symphony No. 3 in F major, Op. 90

Alto Rhapsody, Op. 53

Dunja Vejzovic (soprano)

Symphony No. 4 in E minor, Op. 98

Tragic Overture, Op. 81


Houston Symphony, Christopher Eschenbach

Erato de Virgin - 6932282

(CD - 2 discs)

$9.50

(also available to download from $8.00)

In stock - usually despatched within 1 working day.

Otto Klemperer - The Last Concert

Otto Klemperer - The Last Concert


Beethoven:

König Stephan Overture, Op. 117

Piano Concerto No. 4 in G major, Op. 58

Daniel Adni (piano)

Brahms:

Symphony No. 3 in F major, Op. 90


The concert of 26 September 1971 was never intended to be Klemperer’s farewell to ‘live’ musicmaking. In his 87th year this conductor was keen to remain an active music maker. He had just overridden EMI’s choice of Fiordiligi in his new Così fan tutte recording (he wanted, and got, Margaret Price), approved Lorin Maazel as guest conductor of the New Philharmonia, and was keen to be present at player auditions. For 1971/72 he planned his first-ever performances of Mahler’s Eighth and Mendelssohn’s Die erste Walpurgisnacht and told EMI that he wished to record the Verdi Requiem, Weber’s Euryanthe, Sibelius’s Fourth and Offenbach’s Orpheus in the Underworld. After a deal of negotiation (and some intrigue with Deutsche Grammophon) sessions for Beethoven’s Grosse Fuge, Mozart’s Serenata Notturna, Brahms’s St Antony Variations and a complete Mozart Entführung aus dem Serail were agreed. And yet, according to Otto Freudenthal, the Swedish-born pianist and composer who assisted closely in (and played for some of) Klemperer’s musical activities, “he was not interested in recordings; he had no feeling for that at all. Recording sessions were just rehearsals for concerts”. 1971 proved a busy year. Così was recorded and performed. Klemperer began learning Hebrew, advised Rafael Kubelík not to become music director of the Metropolitan Opera (he did, but only for 6 months), conducted Mahler in London (the Resurrection Symphony for the 60th anniversary of the composer’s death) and Bach and Mozart in Jerusalem, and (according to Freudenthal) was “always working on the score of his opera Das Ziel”. (Plans to record it were eventually shelved at Klemperer’s own request). In September he came to London and recorded Haydn’s Oxford Symphony – he had never performed the work ‘live’ and was nervous, but sessions went smoothly – and Mozart’s K.375 Serenade. An ensemble of young players from the New Philharmonia performed his String Quartet No.7.

From the booklet Mike Ashman, 2008

Mono Recording: 26 September 1971, Royal Festival Hall, London

Testament - SBT21425

(CD - 2 discs)

$13.25

In stock - usually despatched within 1 working day.

Page: 

 1   2   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19 

 Next >>

Copyright © 2002-16 Presto Classical Limited, all rights reserved.