Brahms: Symphony No. 3 in F major, Op. 90 - download (MP3 & FLAC)

This page lists all recordings of Symphony No. 3 in F major, Op. 90, by Johannes Brahms (1833-97) on download (MP3 & FLAC). Generally, more recent releases are listed first.

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Brahms: The Symphonies & Orchestral Works

Brahms: The Symphonies & Orchestral Works


Brahms:

Symphonies Nos. 1-4 (Complete)

Tragic Overture, Op. 81

Intermezzo in E major, Op. 116 No. 4

arr. Paul Klengel

Intermezzo in E flat major, Op. 117 No. 1

arr. Paul Klengel

Variations on a theme by Haydn for orchestra, Op. 56a 'St Anthony Variations'

Nagen am Herzen fühl ich Gift in mir, Op. 65, No. 9

Orchestral Version

Liebeslieder-Walzer, Op. 52: excerpts

Orchestral Version

Academic Festival Overture, Op. 80

Hungarian Dance No. 1 in G minor

Hungarian Dance No. 10 in F major

Hungarian Dance No. 3 in F major

Symphony No. 1 in C minor, Op. 68 - Andante

Original First Performance Version

Symphony No. 4 in E minor, Op. 98: 1. Alternative opening


The award winning album , now available on bluray audio.

Following the 2011 landmark Beethoven cycle, Riccardo Chailly returns with a recording of the complete Brahms symphonies and orchestral works including the overtures and Haydn Variations.

Rarities include world premiere recordings of two piano intermezzi orchestrated by Paul Klengel (brother of the Gewandhaus’ long-standing principal cellist Julius Klengel); the 9 Liebeslieder waltzes; the original first performance version of the Andante of Symphony No. 1 and the even rarer revised opening of the Fourth Symphony.

Chailly has radically rethought his approach to these works, re-examining the scores and returning to the recorded interpretations of a generation of conductors alive during Brahms’ lifetime, principally Felix Weingartner and one of his Gewandhaus predecessors Bruno Walter.

GGramophone Awards 2014

Record of the Year

GGramophone Magazine

Disc of the Month - October 2013

BBC Music Magazine Awards 2014

Orchestral Finalist

Released or re-released in last 6 months

Decca - 4787696

(Blu-ray Audio)

$28.50

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Vladimir Jurowski conducts Brahms Symphonies Nos. 3 & 4

Vladimir Jurowski conducts Brahms Symphonies Nos. 3 & 4

Recorded live at Southbank Centre’s Royal Festival Hall, London, on 27 October 2010 (Symphony No. 3) and 28 May 2011 (Symphony No. 4)


Brahms:

Symphony No. 3 in F major, Op. 90

Symphony No. 4 in E minor, Op. 98


LPO Principal Conductor Vladimir Jurowski completes his survey of Brahms’s four symphonies.

His previous disc, of Symphonies Nos. 1 & 2 (February 2010), received great critical acclaim including BBC Music Magazine’s ‘Disc of the Month’ and the recommended version of Symphony No. 2 by BBC Radio 3’s ‘Building a Library’.

Symphonies Nos. 3 & 4 were recorded live in concert at Royal Festival Hall in 2010 and 2011, receiving press reviews including ‘a performance of colossal proportions’ (The Guardian, No. 4).

In the Third, sweeping string melodies and autumnal colours interwoven with his recurring musical motto of ‘free but joyful’ create one of the composer’s most personal works. In the Fourth, Brahms looked back to his idols Bach and Beethoven for inspiration, creating a masterpiece whose extraordinary passacaglia finale – based on a Bach cantata – seems to sum up the composer’s symphonic mastery.

“They are at once modern in their transparency and detailed nuance yet old-fashioned in their relaxed tempi, long, overarching phrasing and use of string portamento...Each approach opens our ears. These LPO performances are true bargains as well as fine performances.” The Observer, 26th January 2014 ***

“The London Philharmonic’s principal conductor marries the best of tradition with the best of modern practice” Financial Times, 25th January 2014

“The expressive power Jurowski brings to both symphonies derives in large measure from the plasticity of his articulation of the musical line. Such plasticity might seem mannered were it not for the strong sense of forward momentum which informs his conducting here.” Gramophone Magazine, March 2014

“this is an outstanding disc, strong in momentum, passionately detailed...Jurowski has the orchestra respond hypersensitively to Brahms’s syncopations and ever-shifting dynamics.” Sunday Times, 9th March 2014

“There are plenty of good things in this new Carmina...Graf's tempos are also excellent - he draws a wider range of moods and colouration from this piece than most conductors...The choral passages are intelligently prepared and sung...Kennedy's roasted swan is one of the best you'll find.” BBC Music Magazine, July 2014 ****

LPO - LPO0075

(CD)

$12.25

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Brahms: Symphonies Nos. 1 & 3

Brahms: Symphonies Nos. 1 & 3


Brahms:

Symphony No. 1 in C minor, Op. 68

Symphony No. 3 in F major, Op. 90


Jukka-Pekka Saraste and the WDR Symphony Orchestra of Köln here perform Johannes Brahms’s Symphonies Nos. 1 and 3. Brahms started composing the First in 1854 and continued to make additions and radical changes to the work before its première in 1876, some 22 years later. The Third is Brahms’s shortest symphony and was composed some six years after his Second.

“Saraste’s WDR Sinfonieorchester Köln is on magnificent form in performances that feel bold, urgent and highly charged...this is an excellent release that I will reach for often.” MusicWeb International, 27th May 2013

Profil Medien - PH13028

(CD)

$12.25

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Yuri Bashmet conducts Brahms & Tchaikovsky

Yuri Bashmet conducts Brahms & Tchaikovsky


Brahms:

Symphony No. 3 in F major, Op. 90

'Live' Great Hall, Moscow Conservatory, Moscow, 7 February 2005

Tchaikovsky:

Symphony No. 6 in B minor, Op. 74 'Pathétique'

'Live' Great Hall, Moscow Conservatory, Moscow, 27 April 2004


Novaya Rossiya State Symphony Orchestra, Yuri Bashmet

Yuri Bashmet is one of the greatest viola players of our time, was born on 24 January 1953. He has appeared all over the world with the leading conductors and orchestras in this capacity and has a large discography. He is an ICA artist and is here featured as one of ICA's Live series as a conductor.

Bashmet began his conducting activity in 1985. In 1992, he re-organised The State Symphony Orchestra Novaya Rossiya (founded in 1990) featuring some of the most talented young musicians of Russia who are graduates and postgraduate students of the Moscow Conservatoire.

Bashmet became Chief Conductor in 2002. The orchestra performs in the Great Hall of the Moscow Conservatoire and has toured extensively abroad, also recording for EMI Classics and Sony Classics. The orchestra has been conducted by Vladimir Ashkenazy and Valeri Gergiev amongst others.

David Nice in his booklet notes commented, ‘So it was with some amazement that I heard these performances by an orchestra many of us will not have heard of outside Russia’ ……‘A certain lean and hungry approach that’s never for a moment ascetic, inform much of what we hear in these razor-sharp performances of core symphonic repertoire’. Of the Brahms interpretation, Nice noted,’Mravinsky- like are the implicit force of the opening and the absolute fidelity to dynamics and controlled power’. Of the Tchaikovsky, he went on to say, ‘Mravinsky’s interpretation never lost its freshmness and this one runs it close in in that respect’.

“Tchaikovsky's "Pathétique" is a powerfully emotional piece under any baton, but in this shattering interpretation Bashmet digs down to its darkest depths to reveal its true Slavic soul. And his young players, all graduates of the Moscow Conservatoire, bring a real freshness to Brahms's Symphony No 3, racing through the opening allegro and dancing through the third movement with sunny insouciance.” The Observer, 8th May 2011

ica classics Live - ICAC5023

(CD)

$16.00

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Brahms: Symphonies Nos. 2 & 3

Brahms: Symphonies Nos. 2 & 3


Brahms:

Symphony No. 2 in D major, Op. 73

Live-recording, Munich, Herkulessaal 16./17.03.2006

Symphony No. 3 in F major, Op. 90

Live-recording, Vienna, Musikverein, 16.01.2010


The two middle symphonies by Johannes Brahms form a highly contrasting pair of works, which define the radius of Brahms’s musical language, equally marked by both poesy and the highest level of constructive stringency. The beauty of Brahmsian symphonic creativity comes to full fruition in these live recordings from the Musikverein in Vienna and the Herkulessaal in Munich under the direction of Mariss Jansons. The qualities of one of the world’s best orchestras are captured in the highest fidelity by the audiophile SACD process.

The first Brahms releases with Mariss Jansons and the Symphonieorchester des Bayerischen Rundfunks.

Audiophile live recordings on SACD from the Vienna Konzertverein and the Munich Herkulessaal.

“This is a fine example of what you might call 'modern-traditional' Brahms. The orchestral sound is rich and deep-layered, the tempos, if nt quite leisurely, still allow plenty of time to luxuriate in Brahms's long melodies...Not only has Jansons a firm sense of how Brahms's long phrases rise and fall, both minutely and as grand spans, he has a keen ear for Brahmsian polyphony.” BBC Music Magazine, June 2011 ****

“[Jansons] sceptics should turn to this new version to hear how close an affinity he has with this difficult piece. What may appear to be refined restraint in the articulation of the first movement's F-A-F pays off in a superbly calibrated account of the finale...[which] has a huge rustic energy...These are big performances in every sense of the word.” Gramophone Magazine, June 2011

“there is...a genuine feeling of where the music is going, and why. For a live account, this is impressive; it may not be the greatet Brahms Third ever put on a record but it remains a fine one throughout, and the recording quality is first-rate.” International Record Review, July 2011

Super Audio CD

Format:

Hybrid Multi-channel

BR Klassik - 900111

(SACD)

$17.75

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Herbert von Karajan conducts Brahms & Dvorak

Herbert von Karajan conducts Brahms & Dvorak


Brahms:

Symphony No. 3 in F major, Op. 90

Dvorak:

Symphony No. 8 in G major, Op. 88


“Karajan's superb reading of the Dvorak is the winner here with every detail of this volatile score superbly realised.” BBC Music Magazine, March 2011 ***

“two of Karajan's most natural and elemental recordings...Karajan was more inclined to let the Vienna Philharmonic play - allowing it more freedom while still keeping a firm hand on the performance - than he was his own Berlin orchestra. The results have the kind of spontaneity and freshness that is sometimes missing from his Berin performances” International Record Review, May 2011

Decca - Originals - 4782661

(CD)

$11.75

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Brahms: Symphony No. 3

Brahms: Symphony No. 3


Brahms:

Symphony No. 3 in F major, Op. 90

Nänie von Friedrich Schiller, für Chor und Orchester, Op. 82

Ich schwing mein Horn ins Jammertal, Op. 41 No. 1

Es tönt ein voller Harfenklang, Op. 17 No. 1

Nachtwache I 'Leise Töne der Brust', Op. 104 No. 1

Einförmig ist der Liebe Gram, Op. 113 No. 13

Gesang der Parzen (Song of the Fates), Op. 89


Recording locations: Recorded live at the Salle Pleyel, Paris and Royal Festival Hall, London.

Soli Deo Gloria is proud to release the third instalment in the successful Brahms Symphony series which sees John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique explore the music of Johannes Brahms.

The choral pieces on this release demonstrate beautifully the extent to which choral thinking permeates Brahms’ orchestral writing. Gardiner states that ‘just as there is choral thinking evident in his symphonies, surely there are also signs of orchestral thinking embedded within his choral writing.’ Both Nänie and Gesang der Parzen show fascinating links with Brahms’ last two symphonies Parzen sharing with the Third not just an adjacent opus number but an immensely powerful orchestral opening, with passing references to ‘early music’ styles next to passages of the most advanced harmony.

Einförmig ist der Liebe Gram, an irresistible little piece written for women’s voices, sees Brahms take the final song from Schubert’s Winterreise and turn it into a haunting six-part canon. Another example of Brahms forging links with a revered predecessor.

Written nearly six years after Brahms completed his Second Symphony, his third symphony was described by Hans Richter on its premiere as Brahms’ ‘Erioica’. A friend of Brahms and music critic at the time, Eduard Hanslick, wrote: “Many music lovers will prefer the titanic force of the First Symphony; others, the untroubled charm of the Second, but the Third strikes me as being artistically the most nearly perfect”

“…urgent, magnificently angry… This is Gardiner at his penetrating, combative best, making contact with the music's heartbeat in a way that sounds both radical and natural…” BBC Music Magazine, November 2009 *****

“Throughout, there’s the satisfying phrasing that Gardiner excels in, with melodic lines and their accompaniments shifting and undulating to a satisfying degree...Riveting, enlightening and enjoyable in equal measure.” Charlotte Gardner, bbc.co.uk, 9th September 2009

“This period instrument interpretation for Brahms 3 will be a surprise to many. Once you’ve adjusted though, the enjoyment to be gained from this superbly performed disc (…) is enormous” CD Review

“It’s hard to under-emphasise the lift Gardiner’s historically informed performance has given to Brahms’s Third Symphony” Classic FM Magazine

“Taking up more than half the disc, the choral items are its obvious glory… Gardiner sets his face against anything that could be construed as false consolation. In his element in Song of the Fates, he gives the sublime Nänie an unusually taut, sharp-edged feel.” Gramophone Magazine, November 2009

“A must-have disc for Brahmsians” Sunday Times

SDG - up to 20% off

SDG Brahms Symphonies - SDG704

(CD)

Normally: $16.25

Special: $13.81

(also available to download from $10.00)

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Brahms - Symphonies Nos. 2 & 3

Brahms - Symphonies Nos. 2 & 3


Brahms:

Symphony No. 2 in D major, Op. 73

Symphony No. 3 in F major, Op. 90


Recorded live at Heinz Hall, Pittsburgh

“Marek Janowski's Brahms is refreshingly balanced and free of eccentricities.” BBC Music Magazine, March 2008 ***

“This is music (Symphony No. 3) that refuses to bow to convention and play to the gallery – even to the extent of having all four movements end quietly! It’s notoriously difficult to bring off this work convincingly, yet by negotiating the music’s dramatic contours with complete naturalness, Janowski and his fabulous Pittsburghers create the impression of profound ease and inevitability.” Classic FM Magazine, May 2008 *****

Super Audio CD

Format:

Hybrid Multi-channel

Pentatone - PTC5186308

(SACD)

$17.75

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Brahms: Symphony No. 3

Brahms: Symphony No. 3


Brahms:

Symphony No. 3 in F major, Op. 90

Variations on a theme by Haydn for orchestra, Op. 56a 'St Anthony Variations'


“Brand-new budget-price recordings which can rub shoulders with the best are rarer than one imagines but this fine new Brahms disc probably comes into that category. Finding a recommendable Brahms Third is more difficult than one might suppose. Since Felix Weingartner made his very fine LPO recording in 1938, the number of great, or even successful, Thirds can probably be listed on the fingers of two hands.
Marin Alsop's reading is certainly fine: dark of hue, lyrical and long drawn, though never, even for a moment, comatose. Rhythm is good, articulation keen, phrasing exquisite, the reading's crepuscular colours glowingly realised by the LPO. The reading has a quality of melancholy, a wistfulness crossed with a sense of incipient tragedy, which is almost Elgarian (Elgar's fascination with the piece is well attested).
Readings such as Furtwängler's and Sanderling's, which are more inclined to tower and course, may not have allowed themselves to be overtopped by the St Antoni Variations, yet there is something rather wonderful about the transition we have here from dark to light. It is a long time since we had a performance of the Variations as well grounded and as keenly profiled as this. Winds are splendidly to the fore: skirling flutes, songful oboes, grumbling descants on the horns 'in deep B'. It is, above all, a reading of great character: the horn-led sixth variation a burgherly jaunt, the seventh variation a handsome galliard, the finale a Meistersinger- like revel.”
Gramophone Classical Music Guide, 2010

“Marin Alsop's reading is certainly fine: dark of hue, lyrical and long drawn, though never, even for a moment, comatose. Rhythm is good, articulation keen, phrasing exquisite, the reading's crepuscular colours glowingly realised by the LPO. The reading has a quality of melancholy, a wistfulness crossed with a sense of incipient tragedy, which is almost Elgarian” Gramophone Magazine

GGramophone Magazine

Editor's Choice - March 2007

Naxos - 8557430

(CD)

$8.75

(also available to download from $7.00)

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Brahms: Symphonies Nos. 1-4 (Complete)

Brahms: Symphonies Nos. 1-4 (Complete)


DG 2CD - 4742632

(CD - 2 discs)

$16.00

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