Beethoven: Symphony No. 6 in F major, Op. 68 'Pastoral'

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Beethoven - Complete Symphonies and selected Overtures

Beethoven - Complete Symphonies and selected Overtures


Beethoven:

Symphonies Nos. 1-9 (complete)

Jarmila Novotna (soprano), Kerstin Thorborg (mezzo), Jan Peerce (tenor), Nicola Moscona (bass)

Westminster Choir

Egmont Overture, Op. 84

Leonore Overture No. 1, Op. 138

Leonore Overture No. 2, Op. 72a

Leonore Overture No. 3, Op. 72b


Recorded October - December 1939

Music & Arts - MACD1203

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Beethoven: Symphonies Nos. 1-9 (complete)

Beethoven: Symphonies Nos. 1-9 (complete)


(5 CDS for price of 3)

“John Nelson leads the modern-instrument Ensemble Orchestre de Paris with an absolutely correct sense of style, and it plays handsomely” Classics Today

“…balance between the strings (a relatively small group using vibrato sparingly) and winds is just right, allowing one to savour details that are so often lost. Tempi are consistently well chosen, too. Perhaps the most successful of all is the Pastoral, whose opening movement conveys a sense of cheery eagerness. The "Scene by the Brook" is truly magical.” Gramophone Magazine, July 2007

Ambroisie - AM9993

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Ultimate Beethoven

Ultimate Beethoven


Beethoven:

Symphony No. 5 in C minor, Op. 67

Royal Concertgebouw Orchestra, Bernard Haitink

Symphony No. 6 in F major, Op. 68 'Pastoral'

Royal Concertgebouw Orchestra, Bernard Haitink

Symphony No. 9 in D minor, Op. 125 'Choral'

Chicago Symphony Orchestra, Sir Georg Solti

Piano Concerto No. 4 in G major, Op. 58

Vladimir Ashkenazy (piano)

Wiener Philharmoniker, Zubin Mehta

Piano Concerto No. 5 in E flat major, Op. 73 'Emperor'

Vladimir Ashkenazy (piano)

Wiener Philharmoniker, Zubin Mehta

Violin Concerto in D major, Op. 61

Henryk Szeryng (violin)

Royal Concertgebouw Orchestra, Bernard Haitink

Romance No. 1 for Violin and Orchestra in G major, Op. 40

Henryk Szeryng (violin)

Royal Concertgebouw Orchestra, Bernard Haitink

Romance No. 2 for Violin and Orchestra in F major, Op. 50

Henryk Szeryng (violin)

Royal Concertgebouw Orchestra, Bernard Haitink

Piano Sonata No. 8 in C minor, Op. 13 'Pathetique'

Claudio Arrau (piano)

Piano Sonata No. 23 in F minor, Op. 57 'Appassionata'

Claudio Arrau (piano)

Piano Sonata No. 14 in C sharp minor, Op. 27 No. 2 ‘Moonlight'

Claudio Arrau (piano)


Decca Essential Masterpieces - 4758040

(CD - 5 discs)

$24.25

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Beethoven - Complete Symphonies

Beethoven - Complete Symphonies


Beethoven:

Symphonies Nos. 1-9 (complete)


Remastered Quadro Recording (RQR)

“Compelling and invigorating” Gramophone Magazine

Super Audio CD

Format:

Hybrid Multi-channel

Pentatone RQR - PTC5186159

(SACD - 5 discs)

$46.25

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Beethoven - Complete Symphonies

Beethoven - Complete Symphonies


Beethoven:

Symphonies Nos. 1-9 (complete)


DG Collectors Edition - E4749242

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Beethoven - Complete Symphonies

Beethoven - Complete Symphonies


Beethoven:

Symphonies Nos. 1-9 (complete)


Resonance - CDRSB504

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Beethoven: Symphonies Nos. 1-9 (complete)

Beethoven: Symphonies Nos. 1-9 (complete)


Eileen Farrell (soprano), Nan Merriman (mezzo), Jan Peerce (tenor), Norman Scott (bass)

NBC Symphony Orchestra, Arturo Toscanini

RCA Complete - 82876557022

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Beethoven: Symphonies Nos. 1-9 (complete)

Beethoven: Symphonies Nos. 1-9 (complete)


Sylvia McNair (soprano), Jard Van Nes (mezzo-soprano), Uwe Heilmann (tenor), Bernd Weikl (bass)

Leipzig Gewandhausorchester, Rundfunkchor Leipzig, Gewandhaus-Kinderchor, Kurt Masur

Philips - 4752722

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Beethoven: Symphonies Nos. 1-9 (complete)

Beethoven: Symphonies Nos. 1-9 (complete)


RCA - 74321891092

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Beethoven - Complete Symphonies

Beethoven - Complete Symphonies


Beethoven:

Symphonies Nos. 1-9 (complete)


One of the first Beethoven cycles to marry modern instruments and period sensibility - a wholly convincing way allowing the greatness of the music to speak out unimpeded - James Jolly, Gramophone 1000th issue

“Brimful of intrepid character and interpretative incident, this is surely one of the most stimulating Beethoven symphony cycles of recent times. As Harnoncourt himself states in the booklet: 'It has always been my conviction that music is not there to soothe people's nerves…but rather to open their eyes, to give them a good shaking, even to frighten them.' So it transpires that there's a re-creative daring about Harnoncourt's conducting – in essence an embracement of recent scholarly developments and his own pungent sense of characterisation – which is consistently illuminating, thus leaving the listener with the uncanny sensation that he or she is encountering this great music for the first time. In all this Harnoncourt is backed to the hilt by some superbly responsive, miraculously assured playing from the COE: their personable, unforced assimilation of his specific demands, allied to his intimate knowledge of the inner workings of these scores, make for wonderfully fresh, punchy results. In this respect Nos 6-8 in particular prove immensely rewarding, but the Eroica and the Fourth, too, are little short of superb. This is a cycle which excitingly reaffirms the lifeenhancing mastery of Beethoven's vision for many years to come.” Gramophone Classical Music Guide, 2010

GGramophone Awards 1992

Record of the Year

GGramophone Magazine

100 Greatest Recordings

Building a Library

Budget Choice - July 2005

Teldec - 0927497682

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