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See Terms & Conditions for p&p rates. | |  | Slavonic Souls
Mussorgsky: | Kinderstube Wiegenlied des Jerjomuschka Sorochintsy Fair: Gopak | Rachmaninov: | I await you, Op.14 No. 1 How pained I am, Op. 21 No.12 In the silence of the secret night, Op. 4 No. 3 All was taken from me, Op. 26 No. 2 I await you, Op.14 No. 1 | Rimsky Korsakov: | Quietly the evening falls, Op. 4 No. 4 Not the wind blowing from the heights, Op.43, No.2 The clouds begin to scatter (Elegy), Op. 42 No. 3 Svezh i dushist tvoy roskoshniy venok (Cool and fragrant is thy garland), Op. 43 No. 4 | Tchaikovsky: | Sred' shumnogo bala (Amid the din of the ball), Op. 38 No. 3 Rastvoril ya okno (I opened the window), Op. 63 No. 2 To bilo ranneyu vesnoy (It happened in the early spring), Op. 38 No. 2 Moy geni, moy angel, moy drug (My genius, my angel, my friend) None but the lonely heart, Op. 6 No. 6 |
Zoryana Kushpler (mezzo-soprano) & Olena Kushpler (piano) This CD explores the Russian tradition of Lieder and traces its endless refinements, helping us to get to know this centerpiece of Russian culture. These Ukrainian performers are twin sisters and together they have performed many lieder recitals. In August of this year they will perform at the Schleswig Holstein Festival. The Lieder are sung in Russian. | | | In stock - usually despatched within 1 working day. |
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| |  | In the Still of NightSongs by Rimsky-Korsakov and Tchaikovsky
Dvorak: | Songs My Mother Taught Me, Op. 55 No. 4 Encore | Rimsky Korsakov: | In the silence of the night, Op.40, No.3 Prosti! Ne pomni dney naden'ya, Op. 27, No. 4 Not the wind blowing from the heights, Op.43, No.2 Plus sonore que le chant de l’alouette, Op.43, No.1 On the hills of Georgia, Op. 3 No. 4 V tsarstvo rozï vina, Op. 8, No. 5 Zuleika's Song (Pesnya Zyuleyki) Op. 26 No. 4, 1882 (Kozlov/Byron) Eastern Song: Enslaved by the rose, the nightingale Op. 2 No. 2 The clouds begin to scatter (Elegy), Op. 42 No. 3 The Nymph Op. 56 No. 1 Son v letnyuyu noch', Op. 56, No. 2 | Strauss, R: | Cäcilie, Op. 27 No. 2 Encore | Tchaikovsky: | Skazhi, o chom v teni vetvey (Tell me, what in the shade of the branches), Op. 57 No. 1 Zabït tak skoro (So soon forgotten) Nochy bezumnïye, Op. 60 No. 6 Otchevo? (Why?), Op. 6 No. 5 O ditya, pod okoshkom tvoim (Serenade), Op. 63 No. 6 Lullaby, Op. 16 No. 1 Was I not a blade of grass?, Op. 47 No. 7 Sred mrachnïkh dnei, Op. 73, No. 5 Den' li tsarit? (Does the day reign?), Op. 47 No. 6 |
Anna Netrebko’s first live solo album and first Lieder album is accompanied by star conductor/pianist Daniel Barenboim. This was the concert event of the Salzburg Festival 2009 and your first Deutsche Grammophon priority of the year. For her Salzburg recital, Anna Netrebko programmed an all Russian evening. Companioned by Barenboim’s masterful, idiomatic playing, Anna’s voluptuous voice surrenders completely to the haunting, soulful melodies of songs by Rimsky-Korsakov, Tchaikovsky, and others. On the heels of her successful Russian Album – more than 270,000 copies sold and still selling strong – In the Still of Night is certain to soar. “Russian songs and romances may not be Barenboim’s usual repertoire, but he presents the accompaniments subtly, and with selfless generosity. More surprisingly, these superstars work very well as a team...Netrebko’s voice, fuller in tone than it has been before, dapples these miseries of love with nicely varied colours and intoxicating shots of high drama” The Times, 2nd April 2010 **** “Barenboim’s playing is exquisitely sensitive and imaginative throughout” The Telegraph, 7th April 2010 “it's a pleasure to find that [Netrebko] hasn't - unlike some other Russian singers - lost touch with her native repertoire; and not just the well-known bits...she has this music in her bones, making it a delightful recital, with agreeable Dvorak and Strauss encores.” BBC Music Magazine, May 2010 ***** “Netrebko’s supremacy in her native song repertoire can’t be challenged today...She seems to have enriched and enlarged her palette of tone colours since the birth of her son. I guess she is at her absolute peak, vocally...[Barenboim's] playing is a luxury beyond price.” Sunday Times, 2nd May 2010 ***** “[Netrebko has] a wonderfully full, firm and creamy voice, and she effectively varies the emotional pressure from one song to the next, encompassing humour and ecstasy as well as warmth and sympathy.” Gramophone Magazine, June 2010 | | | In stock - usually despatched within 1 working day. |
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| |  | Pushkin Romances
Cui: | The Fountain Statue at Tsarskoye Selo, Op. 57 No. 17 Tï I vï, Op. 57, No. 11 Zhelaniye, Op. 57, No. 25 (Desire) | Dargomïzhsky: | K druz’yam (To his friends) Yunosha I deva (A girl and a boy) | Glinka: | Priznaniye (Confession) Adel’ Ne poy, krasavitsa, pri mne (Do not sing to me, fair maiden) Ya pomnyu chudnoye mgnoven’ye (I remember the wonderful moment) I am here, Inezilla | Medtner: | Muza, Op. 29, No. 1 Roza, Op. 29, No. 6 Lish’ rozï uvyadayut, Op. 36, No. 3 Vals, Op. 32, No. 5 | Mussorgsky: | Noch' Strekotun’ya beloboka (The magpie) | Rachmaninov: | The Muse, Op. 34 No. 1 Sing not, O lovely one (Ne poi, krasavitsa, pri mne), Op. 4 No. 4 | Rimsky Korsakov: | The clouds begin to scatter (Elegy), Op. 42 No. 3 Ne poy, krasavitsa, pri mne, Op. 51, No. 2 (Do not sing to me, fair maiden) Chto v imeni tebe moyem? Op. 4, No. 1 (What does my name mean to you?) On the hills of Georgia, Op. 3 No. 4 Moy golos dlya tebya, Op. 7, No. 1 (My voice, calling you) Ekho, Op. 45, No. 1 Tï I vï, Op. 27, No. 3 | Rubinstein: | Pevets, Op. 36, No. 7 Romance in E flat major, Op. 44 No. 1 'The Night' | Shostakovich: | Yunoshu, gorku rïdaya, Op. 46, No. 2 (A girl, sobbing bitterly) | Tchaikovsky: | Pesn' Zemfiri (Zemfira's song) with Sergey Rybin The Nightingale Op. 60 No. 4 | Vlasov: | The Fountain of Bakhchisarai |
Few Russian composers could resist setting verses by Alexander Pushkin, and his influence on the development of Russian music was indirectly as great as his influence on literature. This collection demonstrates the compelling power of the poet, and the beauty of the music he inspired. It is performed by Joan Rodgers, herself an acknowledged master of Russian repertoire, and Malcolm Martineau. “To the gentlest songs… Rodgers brings as much gracefulness and subtlety as ever, and timbre as exquisitely fragrant and fine-grained.” BBC Music Magazine, Christmas 2009 **** “A treasure trove of Russian song that will reward repeated listening for years.” Gramophone Magazine, November 2009 | | | In stock - usually despatched within 1 working day. |
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| |  | Rimsky-Korsakov - Angel & Demon
Anna Samuil (soprano), Alfredo Daza (baritone) & Matthias Samuil (pianist) To commemorate the centenary of one of Russian’s greatest composers, this CD highlights a combination of the best known and rarest songs by Nicolai Rimsky-Korsakov [1844 - 1908]. Bringing their exquisite vocal talents to these songs are a Russian diva Anna Samuil and a rising star, Mexican baritone Alfredo Daza. “Anna Samuil did the role proud. The Russian soprano pulled out all the stops… Her voice was broad, full-bodied and effortless and was matched by skillful acting… ” San Francisco Chronicle “[Alfredo] Daza brings out dramatic tones, drawing out the man’s anger: all done musically… Judged from his work here, Daza should be better known.” International Record Review | | | In stock - usually despatched within 1 working day. |
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| |  | Nicolai Gedda sings Arias and Lieder
Adam: | Mes amis, écoutez l'histoire (from Le Postillon de Lonjumeau) SWR Sinfonieorchester Baden-Baden und Freiburg, Ernest Bour | Carnevali: | Stornelli capricciosi Erik Werba (piano) | Casella: | La storia della fanciulla rapita dal pirate Erik Werba (piano) | Debussy: | Beau Soir Erik Werba (piano) Mandoline (Verlaine) Erik Werba (piano) | Glinka: | A Life for the Tsar: Bratsï! V metel', v nevedomoy glushi sung in German as 'Bruder, im Sturm' SWR Sinfonieorchester Baden-Baden und Freiburg, Ernest Bour | Gluck: | Calchas, d'un trait mortel percé (from Iphigénie en Aulide) sung in German as 'Auf Kalchas falle diese Schwert' SWR Sinfonieorchester Baden-Baden und Freiburg, Ernest Bour Ô moments délicieux!...Bannis les craintes et les alarmes (from Alceste) sung in German as 'Welch Gefuhlt schwellt meine Brust' SWR Sinfonieorchester Baden-Baden und Freiburg, Ernest Bour | Mozart: | Fuor del mar ho un mar in seno (Idomeneo) SWR Sinfonieorchester Baden-Baden und Freiburg, Ernest Bour | Nin: | Granadina (from Cantos populares españoles) Erik Werba (piano) | Poulenc: | Metamorphoses: Paganini Werner Singer (piano) Airs chantés: Air Champêtre Werner Singer (piano) Airs chantés: Air grave Werner Singer (piano) | Pratella: | La strada bianca Erik Werba (piano) | Respighi: | Notte, P. 97 No. 1 Erik Werba (piano) Stornellatrice Erik Werba (piano) | Rimsky Korsakov: | The clouds begin to scatter (Elegy), Op. 42 No. 3 sung in German as 'Die fliegende Wolkenbank lichtet sich' Werner Singer (piano) Die Tanne und die Palme, Op. 3, No. 1 sung in Swedish as 'El i pal'ma' Werner Singer (piano) Plus sonore que le chant de l’alouette, Op.43, No.1 sung in German as 'Klingender ist das Lied der Lerche' Werner Singer (piano) In der Stille der Nacht, Op. 4 No. 3 Werner Singer (piano) Fragment von A. de Musset, Op. 21 No. 6 Werner Singer (piano) | Rossini: | Que les destins prospères (from Le Comte d'Ory) SWR Sinfonieorchester Baden-Baden und Freiburg, Ernest Bour | Schubert: | Im Frühling, D882 Werner Singer (piano) Die Liebe hat gelogen D751 (Platen) Werner Singer (piano) Nacht und Träume, D827 Werner Singer (piano) Der Schiffer, D536 (Mayrhofer) Werner Singer (piano) |
These historical recordings date from 1954, 1957, 1960 and 1965. This latest release in Haenssler’s Historical Series features one of the most famous singers of the 20th century. The works included illustrate the full range of his interpretive genius, with works by Mozart, Rossini, Glinka, Schubert, Poulenc, Rimsky-Korsakov and others. | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Pushkin Romances
Borodin: | Dlya beregov otchizni dal'noy (For the Shores of thy Far Native Land) | Cui: | The Fountain Statue at Tsarskoye Selo, Op. 57 No. 17 Ya vas ljubil (I loved you) | Dargomïzhsky: | Yunosha I deva (A girl and a boy) | Glinka: | Ja pomnu chudnoe mgnovenie (Oh, I recall that lovely moment) Priznaniye (Confession) V krovi gorit ogon zhelania (The Fire of Longing Burns in My Heart) Nochnoi Zefir (The Night Zephyr) | Medtner: | Ya perezhil svoi zhelania (Gone Are my Heart’s Desires), Op. 3 No. 2 Buria Mglou nebo kroet (The Snowstorm Covers the Sky with Darkness), Op. 13 No. 1 Mechtatelu (To a Dreamer) | Rachmaninov: | Sing not, O lovely one (Ne poi, krasavitsa, pri mne), Op. 4 No. 4 | Rimsky Korsakov: | The clouds begin to scatter (Elegy), Op. 42 No. 3 On the hills of Georgia, Op. 3 No. 4 | Sviridov: | Roniayet les bagrianiy svoi ubor (The Crimson Forest Sheds its Attire) | Tchaikovsky: | The Nightingale Op. 60 No. 4 | Vlasov: | The Fountain of Bakhchisarai |
“Bringing them all to life is Hvorostovsky's performance - passionate, brooding or forceful with Pushkin's flowing lines, in a manner which might be a bit overpowering in less emotional music, but is exactly right for these songs...His word-sense and diction remain exemplary...Ivari Ilja is an equally spirited accompanist.” BBC Music Magazine, August 2010 ***** “...his demonstration of finely controlled legato and evenness of tone through the registers is truly impressive.” Gramophone Magazine, September 2010 “...there's a particularly Russian ecstasy and agony in Pushkin's lyrical poetry that requires a broad musical brush to do it proper justice. This seems bred in the artistic bone for Hvorostovsky, so there's an almost conversation style...Despite his formidable horsepower [he] can be silky and subtle when required...evidently a singer for all Russian seasons!” International Record Review, July/August 2010  BBC Music Magazine
Disc of the month - August 2010 |
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| |  | Misha Maisky: VocaliseRussian Romances
anon.: | When I met you ... arr. by Ivan Semyonovich Kozlovsky | Arensky: | Do not kindle the fires Op. 38 No. 3 | Cui: | The burnt letter Op. 33 No. 4 | Dargomïzhsky: | I am sad ... | Glazunov: | Desire, Op. 60 No. 2 | Glinka: | The Lark | Gurilyov, A: | I am weary and sad ... | Mussorgsky: | Une Larme (A Tear) original for piano solo, arr. by Alexander Krein | Rachmaninov: | Sing not, O lovely one (Ne poi, krasavitsa, pri mne), Op. 4 No. 4 How fair this spot, Op. 21 No. 7 Vocalise, Op. 34 No. 14 | Rimsky Korsakov: | The clouds begin to scatter (Elegy), Op. 42 No. 3 The Nymph Op. 56 No. 1 Eastern Song: Enslaved by the rose, the nightingale Op. 2 No. 2 | Rubinstein: | Night | Tchaikovsky: | Lullaby, Op. 16 No. 1 None but the lonely heart, Op. 6 No. 6 Nochy bezumnïye, Op. 60 No. 6 Noch' (Night), Op. 60 No. 9 To bilo ranneyu vesnoy (It happened in the early spring), Op. 38 No. 2 |
Misha Maisky (cello) & Pavel Gililov (piano) | | | Usually despatched in 8 - 10 working days. |
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| |  | Russian Vocal Masterpieces
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| |  | Mischa Maisky: 10 Classic Albums
anon.: | Catalan Folksong arr. Pablo Casals with Pavel Gililov (piano) When I met you … arr. by Ivan Semyonovich Kozlovsky with Pavel Gililov (piano) | Arensky: | Do not kindle the fires Op. 38 No. 3 Recorded January 2005 with Pavel Gililov (piano) | Bach, J S: | Cello Suites Nos. 1-6, BWV1007-1012 Recorded July & August 1999 | Bizet: | Adieux de l'hotesse Arabe Recorded May 1999 with Daria Hovora (piano) | Brahms: | Wiegenlied, Op. 49 No. 4 (Lullaby) arr. Mischa Maisky with Pavel Gililov (piano) | Chausson: | Quatre Mélodies Op. 13: 2. Sérénade (Jean Lahor) Recorded May 1999 with Daria Hovora (piano) Cantique à l'épouse, Op. 36 No. 1 (Jounet) Recorded May 1999 with Daria Hovora (piano) Le temps des lilas Recorded May 1999 with Daria Hovora (piano) | Chopin: | Prelude Op. 28 No. 6 in B minor Russian Arrangement for Cello and Piano with Pavel Gililov (piano) | Cui: | The burnt letter Op. 33 No. 4 Recorded January 2005 with Pavel Gililov (piano) | Dargomïzhsky: | I am sad ... Recorded January 2005 with Pavel Gililov (piano) | Debussy: | Beau Soir Recorded May 1999 with Daria Hovora (piano) | Duparc: | Soupir Recorded May 1999 with Daria Hovora (piano) Chanson triste Recorded May 1999 with Daria Hovora (piano) Extase Recorded May 1999 with Daria Hovora (piano) | Dvorak: | Cello Concerto in B minor, Op. 104 Recorded December 2002 Live recording Berliner Philharmoniker, Zubin Mehta | Elgar: | Cello Concerto in E minor, Op. 85 Recorded March 1990 Philharmonia Orchestra, Giuseppe Sinopoli | Falla: | Nana (No. 5 from Siete canciones populares españolas) arr. by Mischa Maisky with Pavel Gililov (piano) | Fauré: | Après un rêve, Op. 7 No. 1 arr. for Cello and Piano by Mischa Maisky with Pavel Gililov (piano) Après un rêve, Op. 7 No. 1 arr. Pablo Casals for Cello and Piano with Daria Hovora (piano) Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Recorded May 1999 with Daria Hovora (piano) Les berceaux, Op. 23 No. 1 Recorded May 1999 with Daria Hovora (piano) Tristesse, Op. 6 No. 2 Recorded May 1999 with Daria Hovora (piano) | Glazunov: | Desire, Op. 60 No. 2 Recorded January 2005 with Pavel Gililov (piano) | Glinka: | The Lark Recorded January 2005 with Pavel Gililov (piano) | Gluck: | Orfeo ed Euridice (Orphée et Euridice): Dance of the Blessed Spirits arr. for cello and piano with Pavel Gililov (piano) | Gounod: | Ave Maria arr. Mischa Maisky with Pavel Gililov (piano) | Gurilyov, A: | I am weary and sad ... Recorded January 2005 with Pavel Gililov (piano) | Hahn, R: | L'heure exquise Recorded May 1999 with Daria Hovora (piano) | Handel: | Sonata in D major for violin and continuo, HWV371, Op. 1 No. 13: Larghetto arr. by Mischa Maisky for Cello and Piano with Pavel Gililov (piano) | Kreisler: | Liebesleid arr. Mischa Maisky with Pavel Gililov (piano) | Lully: | Gavotte arr. for Cello and Piano with Pavel Gililov (piano) | Massenet: | Elégie arr. Mischa Maisky with Pavel Gililov (piano) Elégie Recorded May 1999 with Daria Hovora (piano) | Mendelssohn: | Cello Sonata No. 1 in B flat major, Op. 45 Recorded February 2002 with Sergio Tiempo (piano) Cello Sonata No. 2 in D major, Op. 58 Recorded February 2002 with Sergio Tiempo (piano) Variations concertantes Op. 17 Recorded February 2002 with Sergio Tiempo (piano) Song without Words for Cello & Piano, Op. 109 Recorded February 2002 with Sergio Tiempo (piano) Song without Words, Op. 62 No. 1 in G major 'May Breezes' Recorded February 2002 with Sergio Tiempo (piano) Song without Words, Op. 62 No. 6 in A major 'Spring Song' Recorded February 2002 with Sergio Tiempo (piano) Auf Flügeln des Gesanges, Op. 34 No. 2 Recorded February 2002 with Sergio Tiempo (piano) Schilflied, Op. 71 No. 4 Recorded February 2002 with Sergio Tiempo (piano) Suleika (Goethe/von Willemer) Op. 34 No. 4 Recorded February 2002 with Sergio Tiempo (piano) Die Liebende schreibt (Goethe) Op. 86 No. 3 Recorded February 2002 with Sergio Tiempo (piano) Song without Words for Cello & Piano, Op. 109 with Pavel Gililov (piano) | Mussorgsky: | Une Larme (A Tear) original for piano solo, arr. by Alexander Krein with Pavel Gililov (piano) | Poulenc: | Violon Recorded May 1999 with Daria Hovora (piano) Métamorphoses: C'est ainsi que tu es Recorded May 1999 with Daria Hovora (piano) La Courte Paille: 3. La Reine de coeur Recorded May 1999 with Daria Hovora (piano) Deux Poems de Louis Aragon: 1. "C" Recorded May 1999 with Daria Hovora (piano) Les chemins de l'amour Recorded May 1999 with Daria Hovora (piano) | Rachmaninov: | Vocalise, Op. 34 No. 14 for cello and Piano with Pavel Gililov (piano) Sing not, O lovely one (Ne poi, krasavitsa, pri mne), Op. 4 No. 4 Recorded January 2005 with Pavel Gililov (piano) How fair this spot, Op. 21 No. 7 Recorded January 2005 with Pavel Gililov (piano) Vocalise, Op. 34 No. 14 Recorded January 2005 with Pavel Gililov (piano) | Ravel: | Vocalise-étude en forme de habanera with Pavel Gililov (piano) Deux mélodies hébraïques Recorded May 1999 with Daria Hovora (piano) Là-bas, vers l’eglise Recorded May 1999 with Daria Hovora (piano) Vocalise-étude en forme de habanera Recorded May 1999 with Daria Hovora (piano) | Rimsky Korsakov: | The clouds begin to scatter (Elegy), Op. 42 No. 3 Recorded January 2005 with Pavel Gililov (piano) The Nymph Op. 56 No. 1 Recorded January 2005 with Pavel Gililov (piano) Eastern Song: Enslaved by the rose, the nightingale Op. 2 No. 2 Recorded January 2005 with Pavel Gililov (piano) | Rubinstein: | Night Recorded January 2005 with Pavel Gililov (piano) | Saint-Saëns: | Cello Concerto No. 1 in A minor, Op. 33 Recorded March 1997 Orpheus Chamber Orchestra Le carnaval des animaux: Le Cygne Recorded March 1997 Orpheus Chamber Orchestra Allegro Appassionato in B minor Op. 43 Recorded March 1997 Orpheus Chamber Orchestra Romance in F major, Op. 36 Recorded March 1997 Orpheus Chamber Orchestra Suite for Cello & Piano, Op. 16 Recorded March 1997 Orpheus Chamber Orchestra Cello Sonata No. 1 in C minor Op. 32 Recorded March 1998 with Daria Hovora (piano) Le carnaval des animaux: Le Cygne transcription for Cello and Piano with Pavel Gililov (piano) | Schubert: | Ave Maria, D839 arr. Johannes Palaschko with Pavel Gililov (piano) | Schumann: | Fantasiestücke, Op. 73 Recorded December 1999 with Martha Argerich (piano) Adagio and Allegro in A flat major, Op. 70 Recorded December 1999 with Martha Argerich (piano) Stücke im Volkston (5), Op. 102 Recorded December 1999 with Martha Argerich (piano) Cello Concerto in A minor, Op. 129 Recorded March 1997 Orpheus Chamber Orchestra Kinderszenen, Op. 15: Traümerei for cello and Piano with Pavel Gililov (piano) | Shostakovich: | Cello Concerto No. 1 in E flat major, Op. 107 Recorded August 1993 London Symphony Orchestra, Michael Tilson Thomas Cello Concerto No. 2 in G minor, Op. 126 Recorded August 1993 London Symphony Orchestra, Michael Tilson Thomas | Strauss, R: | Don Quixote, Op. 35 Recorded December 2002 Live recording with Tabea Zimmermann (viola) Berliner Philharmoniker, Zubin Mehta | Tchaikovsky: | Variations on a Rococo Theme, Op. 33 Recorded March 1990 Philharmonia Orchestra, Giuseppe Sinopoli Nocturne for cello & small orchestra (or cello & piano), Op. 19 No. 4 arr. Tchaikovsky for cello and piano with Pavel Gililov (piano) Lullaby, Op. 16 No. 1 Recorded January 2005 with Pavel Gililov (piano) None but the lonely heart, Op. 6 No. 6 Recorded January 2005 with Pavel Gililov (piano) Nochy bezumnïye, Op. 60 No. 6 Recorded January 2005 with Pavel Gililov (piano) Noch' (Night), Op. 60 No. 9 Recorded January 2005 with Pavel Gililov (piano) To bilo ranneyu vesnoy (It happened in the early spring), Op. 38 No. 2 Recorded January 2005 with Pavel Gililov (piano) |
Mischa Maisky will be 65 on 10 January 2013; he made his first recording for Deutsche Grammophon 30 years ago; and he left the Soviet Union 40 years ago. 10 Classic DG Albums, balanced carefully between his great concerto and recital CDs and presented in Original Jacket artwork. Elegant slipcase presentation, with 10 mint-packs offering gatefold presentation for each album inside. This release is not a limited edition. | 
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