Jenkins, J: Pavane

This page lists all recordings of Pavane, by John Jenkins (1592-1678) on CD & download (MP3 & FLAC).

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Jenkins - Consort Music

Jenkins - Consort Music


Jenkins, J:

Fantasy Suite (No.1) in G minor

Fantasia Suite In F Major

Fantasia Suite In E Minor

Fantasia Suite In A Minor

Newark Siege

Gaillarde

Pavane

Ayre (No.31)

Corant (No.44)

Saraband

Fancy & Ayre a4 (1630-1650)

Pavan (No.2) in G minor

Fantasia (No.3) in G minor

Fantasia Suite In D Major

In Nomine (No.1) in G minor


The Consort of Musicke, Trevor Jones

Recorded - St George the Martyr, London 11 & 12 May, & 20 August, 1981

“The Consort of Musicke under the direction of Trevor Jones play it with dedication and communicate its freshness and lyricism… the recorded sound is excellent.” Penguin Guide

Explore Records - EXP0010

(CD)

$7.75

Usually despatched in 4 - 5 working days.

Jenkins - Fantazia

Jenkins - Fantazia


Jenkins, J:

Fantasias 3, 5 & 8

In nomine 1 & 2

Suite

Pavane

Divisions for two bass viols

Newark Siege

Gaillarde


Ensemble Jérôme Hantaï

“It's common enough to find recordings of Purcell or Byrd from Continental ensembles, but to have a distinguished group such as this playing a more insular figure like John Jenkins comes as something of a pleasant surprise. English composers of his generation have something very distinctive to offer, even though they may not score as highly as some of their Continental contemporaries in terms of historical eminence.
Jenkins's idiom isn't as angular as that of his contemporary William Lawes, though he can trade in 'those sourest sharps and uncouth flats' along with the best of them, and match Lawes' energy (as in the Newark Siege, one of the gems of this collection). The generous tone of Hantaï's ensemble (in which the continuo is an audibly well-nourished presence) lends the gentler pieces a warm glow. And when required, they certainly can play their socks off: the Newark Siege sees them switch from swashbuckling truculence to more melancholy repose at the end with barely a hint of changing gear.
This is chamber-music, and chamber musicmaking, of real distinction.”
Gramophone Classical Music Guide, 2010

Naive - E8895

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