Browse: Handel - Brilla nell' alma un non inteso ancor (from Alessandro)

Freeman-Attwood’s sound is mellifluous and gentle, delicately inflected with vibrato, especially in ‘With thee th’unsheltered moor I’d tread’ from Solomon. He is complemented by Szałucka’s deft... — BBC Music Magazine, February 2024, 4 out of 5 stars (Performance) / 5 out of 5 stars (Recording) More…

DiDonato and Alan Curtis...have unearthed some Baroque rarities. Instead of Handel's Berenice, we have Orlandini's Berenice, whose 'Da torbida procella' is an ideal fit for DiDonato's spitfire... — BBC Music Magazine, Christmas 2012, 4 out of 5 stars More…

Sandrine Piau and Christophe Rousset have been consistently stylish and perceptive Handelians together. Their musical flair and dramatic intelligence is marvellously captured here, and they have... — Gramophone Classical Music Guide, 2010 More…

the French soprano is at the heart of a everything that is stylish and commanding here. Her accomplished technique, and the clarity of her vocal production, is audible from the off...Thus she... — MusicWeb International, 12th November 2013 More…

I do not always sense tangible engagement with dramatic characterisations, but the nuanced vibrancy from Staskiewicz and Les Ambassadeurs in the tempestuous 'Siam navi all'onde algenti' from... — Gramophone Magazine, July 2015 More…