All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Vaughan Williams
Vaughan Williams: | Fantasia on a Theme by Thomas Tallis Sinfonia of London, Sir John Barbirolli Fantasia on Greensleeves Sinfonia of London, Sir John Barbirolli The Wasps Overture London Philharmonic Orchestra, Vernon Handley The Lark Ascending Sarah Chang (violin) London Philharmonic Orchestra, Bernard Haitink Flos Campi Christopher Balmer Royal Liverpool Philharmonic Orchestra, Royal Liverpool Philharmonic Choir, Vernon Handley Five Variants of ‘Dives and Lazarus' Jacques Orchestra, Sir David Willcocks Norfolk Rhapsody No. 1 New Philharmonia Orchestra, Sir Adrian Boult On Wenlock Edge Ian Partridge Music Group of London Silent Noon Anthony Rolfe Johnson, David Willison Songs of Travel Anthony Rolfe Johnson, David Willison Serenade to Music (original version with 16 soloists) Norma Burrowes, Sheila Armstrong, Susan Longfield, Marie Hayward (soprano), Alfreda Hodgson, Gloria Jennings, Shirley Minty, Meriel Dickinson (contralto), Ian Partridge, Bernard Dickerson, Wynford Evans, Kenneth Bowen (tenor), Richard Angas, John Carol Case, John Noble & Christopher Keyte (bass) London Philharmonic Orchestra, Sir Adrian Boult |
Now rightfully acknowledged as a towering figure, Vaughan Williams was the first composer to write in the English language, using folksong in the Norfolk Rhapsody, a Tudor hymn in the Fantasia on a Theme by Thomas Tallis, and absorbing and transforming his influences in the stunningly beautiful Serenade to Music. During the 16th and 17th centuries England had been a leading participant in the delevopment of European music, but after the early death of Purcell in 1695, music in England came to be dominated by musicians of foreign origin: notably Handel and Mendelssohn. Ralph Vaughan Williams (1872-1958) is the best-known of a new generation of composers that came after Elgar and made up what became known as the English Musical Renaissance. Along with Gustav Holst, Vaughan Williams travelled the country collecting and preserving English folksong traditions, and was largely responsible for the revival of interest in folksong. So strong was his interest in the subject that, like Holst, folksong was absorbed into his compositional style and was to influence his concert music, giving it a uniquely English quality. Starting with the evocative Thomas Tallis Fantasia, (RVW's look back at his great 16th-century predecessor) this set contains some of the composer's best-known and most-loved music, including the popular Fantasia on Greensleeves and the beautiful Lark Ascending. | | | In stock - usually despatched within 1 working day. |
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| |  | André Previn - An 80th Birthday Celebration
Gershwin: | A Foggy Day (In London Town) Frank Capp (drums), Red Mitchell (bass) & André Previn (piano) | Henderson, Ray: | Bye Bye Blackbird Ray Brown (bass), André Previn (piano), Herb Ellis (guitar) & Shelly Manne (drums) | Previn: | Concerto for Guitar John Williams (guitar) London Symphony Orchestra, André Previn Theme from "Four Horsemen of the Apocalypse" Itzhak Perlman (violin) Pittsburgh Symphony Orchestra, John Williams The Subterraneans Carl Allen (drums), Reginald Veal (double bass), Joe Henderson (tenor saxophone), Kenny Kirkland (piano) & Terence Blanchard (trumpet) Orchestra, J.A.C.Redford Vocalise Sylvia McNair (soprano), Yo-Yo Ma (cello) & André Previn (piano) | Vaughan Williams: | The Wasps Overture London Symphony Orchestra, André Previn | Weill, K: | Bilbao Song (from Happy End) André Previn (piano), J.J.Johnson (trombone), Red Mitchell (bass) & Frank Capp (drums) Moritat von Mackie Messer (from The Threepenny Opera) André Previn (piano), J.J.Johnson (trombone), Red Mitchell (bass) & Frank Capp (drums) |
Even among the wide-ranging and singularly American talents of the past sixty years, André Previn stands out for his career as a celebrated film composer, incomparable jazz pianist and respected conductor and concert music composer. On the occasion of his 80th birthday, Sony Masterworks celebrates a lifetime of achievement with the release of André Previn: An 80th Birthday Celebration. A showcase of the composer and performer at his most varied and inspired, the pieces in this collection belong to a variety of genres and highlight his musical personality- lightly playful, keenly smart and elegantly precise. The release features Previn playing piano in jazz band renditions of Ray Henderson’s “Bye Bye Blackbird,” Gershwin’s “A Foggy Day,” and Weill’s “Mack the Knife” and “Bilbao Song.” Previn’s film compositions are represented by the theme from The Four Horsemen of the Apocalypse and The Subterraneans. He conducts Vaughan Williams’s The Wasps: Overture and his own Concerto for Guitar and Orchestra, in a recording with guitarist John Williams, available for the first time on CD. Also included is “Vocalise,” with soprano Sylvia McNair and cellist Yo-Yo Ma. The Glenn Gould Foundation awarded its Glenn Gould Prize 2005 to André Previn: "This award exemplifies the musical excellence of a rare few, and Maestro Previn’s remarkable body of work and wide range of talents certainly make him a member of this exclusive club," said Foundation President Merle Kriss. Past laureates include Pierre Boulez (2002); Yo-Yo Ma (1999); Toru Takemitsu (1996); Oscar Peterson C.C. (1993); Lord Yehudi Menuhin (1990); and R. Murray Schafer (1987). Previn was also given the Lifetime Achievement Award at the 2008 Gramophone Awards. “Celebrating André Previn's 80th birthday, a first CD release for his imaginative 1971 Guitar Concerto for John Williams - supplemented by glimpses of Previn as conductor (Vaughan Williams's Wasps buzzing fiercely), film composer, and jazz pianist.” BBC Music Magazine, Christmas 2009 ***** “The opening 1971 LSO recording of Vaughan Williams' overture to The Wasps is fine.” The Independent, 19th June 2009 *** | | | In stock - usually despatched within 1 working day. |
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| |  | Vaughan Williams - Symphonies Nos. 4-6
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| |  | Vaughan Williams - Symphony No. 5 & Serenade to Music
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| |  | The Essential Vaughan Williams
Vaughan Williams: | The Lark Ascending Hugh Bean (violin) New Philharmonia Orchestra, Sir Adrian Boult Linden Lea words by William Barnes) Dame Janet Baker (mezzo-soprano) & Gerald Moore (piano) Fantasia on Greensleeves Sinfonia of London, Sir John Barbirolli Silent Noon Ian Bostridge (tenor) & Julius Drake (piano) English Folk Song Suite (orch. Gordon Jacob) London Symphony Orchestra, Sir Adrian Boult The Vagabond (from Songs of Travel) Anthony Rolfe Johnson (tenor) & David Willison (piano) Serenade to Music (original version with 16 soloists) Norma Burrowes, Sheila Armstrong, Susan Longfield, Marie Hayward (soprano), Alfreda Hodgson, Gloria Jennings, Shirley Minty, Meriel Dickinson (contralto), Ian Partridge, Bernard Dickerson, Wynford Evans, Kenneth Bowen (tenor), Richard Angas, John Carol Case, John Noble & Christopher Keyte (bass) London Philharmonic Orchestra, Sir Adrian Boult Prelude on 'Rhosymedre' Academy of St Martin-in-the-Fields, Sir Neville Marriner Fantasia on a Theme by Thomas Tallis Sinfonia of London, Sir John Barbirolli The Wasps Overture London Philharmonic Orchestra, Sir Adrian Boult Loch Lomond Ian Partridge (tenor) London Madrigal Singers, Christopher Bishop Ca' the Yowes Ian Partridge (tenor) London Madrigal Singers, Christopher Bishop Five Variants of ‘Dives and Lazarus' Jacques Orchestra, Sir David Willcocks O Taste and See James Lancelot (organ) & Ivan Sharpe (treble) Winchester Cathedral Choir, Martin Neary Bushes and Briars Baccholian Singers of London Wassail Song Baccholian Singers of London For all the saints (Sine nomine) John Scott Whiteley (organ) York Minster Choir, Philip Moore The truth sent from above Choir of King's College, Cambridge, David Willcocks Little town of Bethlehem (Forest Green) The Lamb Ian Partridge (tenor) & Janet Craxton (oboe) Scherzo from Symphony No. 7 'Sinfonia antartica' London Philharmonic Orchestra, Sir Adrian Boult Orpheus With His Lute (first setting) David Daniels (countertenor) & Martin Katz (piano) Mass in G minor – Kyrie John Eaton (treble), Nigel Perrin (alto), Robin Doveton (tenor) & David van Asch (bass) Choir of King’s College, Cambridge, Sir David Willcocks The blessed Son of God Bach Choir, Sir David Willcocks Come down, O Love divine (Down Ampney) (trans. R. F. Littledale – v.4 arr. Williamson) Thomas Williamson (organ) The Old Hundredth Psalm Tune 'All people that on earth do dwell' (William Kethe – Louis Bourgeois arr. RVW; version for brass ensemble and organ by Roy Douglas) Benjamin Bayl (organ) Choir of King’s College, Cambridge, Stephen Cleobury |
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| |  | Vaughan Williams: A Sea Symphony
live recording “The choral singing is as alert and secure as one would expect from Hickox, and the balance with the orchestra is well judged too… Gerald Finley…a noble, warm-toned baritone soloist…” BBC Music Magazine, March 2007 **** “Gritton’s fearless and star-bright soprano waved the flags of the nations, and with [Geralrd] Finley, finally hoisted the anchor to set free the voyaging soul.” The Times, 6th June 2006 | | | (also available to download from $10.50) | In stock - usually despatched within 1 working day. |
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| |  | Vaughan Williams - Symphony No. 2
“Bakels draws ravishing sounds from the Bournemouth Symphony Orchestra, notably the strings…A thrilling experience…this is a performance to stimulate the ear.” Penguin Guide | | | (also available to download from $6.00) | In stock - usually despatched within 1 working day. |
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Sir Neville Marriner and his Academy made some of the most priceless recordings of Vaughan Williams for Decca and Philips, and this collection restores to circulation his Philips traversal of music by this composer, with the addition of five pieces made for Decca - the Romance for harmonica (with Tommy Reilly), possibly the best version of The Lark Ascending ever recorded (with the late Iona Brown), his second recording of Fantasia on Greensleeves, the Concerto Grosso and the English Folk Song Suite. The collection is filled out with the nine perky folk song arrangements he recorded, receiving their first international release on CD. “the beauty of the playing is a constant source of delight” Gramophone Magazine | | | In stock - usually despatched within 1 working day. |
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| |  | Elgar: Enigma Variations
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