This page lists all recordings of Klänge der Heimat (from Die Fledermaus) (Rosalinde's aria, Czardas), by Johann Strauss (1825-99) on CD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | The Very Best of Elisabeth Schwarzkopf
Bach, J S: | Cantata BWV51 'Jauchzet Gott in allen Landen': Aria Bist du bei mir, BWV508 | Beethoven: | O wär' ich schon mit dir vereint (Marzelline) | Heuberger: | Gehen wir ins Chambre séparée) from The Opera Ball | Humperdinck: | Brüderchen, komm tanz mit mir (Dance Duet from Hänsel und Gretel) | Lehár: | Viljalied (from Die lustige Witwe) | Mozart: | Non so più cosa son, cosa faccio (from Le nozze di Figaro) Porgi amor (from Le nozze di Figaro) E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Come scoglio (from Così fan tutte) Ridente la calma, K152 | Schubert: | An die Musik D547 Das Lied im Grünen, D917 Nachtviolen D752 (Mayrhofer) Der Musensohn, D764 (Goethe) | Siecynski: | Wien, du Stadt meiner Traüm | Smetana: | Endlich allein (from Die verkaufte Braut) | Strauss, J, II: | Klänge der Heimat (from Die Fledermaus) | Strauss, R: | Da geht er hin (from Der Rosenkavalier, Op. 59) Es gibt ein Reich (from Ariadne auf Naxos) Das war sehr gut, Mandryka (from Arabella) Frühling (from Vier Letzte Lieder) Im Abendrot (from Vier Letzte Lieder) Muttertändelei, Op. 43 No. 2 Zueignung, Op. 10 No. 1 | trad.: | Gsätzli | Wagner: | Einsam in trüben Tagen (from Lohengrin) | Weber: | Wie nahte mir der Schlummer … Leise, leise, fromme Weise (from Der Freischütz) | Wolf, H: | Auch kleine Dinge (No. 1 from Italienisches Liederbuch) Mein Liebster hat zu Tische mich geladen (No. 25 from Italienisches Liederbuch) Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch) Verschling der Abgrund meines Liebsten Hütte Wiegenlied im Sommer (from Sechs Lieder für eine Frauenstimme) In dem Schatten meiner Locken (No. 2 from Spanisches Liederbuch: Weltliche Lieder) Mignon IV 'Kennst du das Land' (No. 9 from Goethe-Lieder) Mausfallen-Sprüchlein (from Lieder für eine Frauenstimme) |
Multi-award winning opera singer Elisabeth Schwarzkopf, praised for the ‘pristine beauty of her lyric soprano’ (The Guardian), was revered in opera houses worldwide and is perhaps most famous for her Mozart roles. However, she was also at home on the concert stage and this collection combines her acclaimed portrayals of Donna Elvira, Countess Almaviva and Richard Strauss’s Marschallin, among others, with her affecting interpretations of lieder and song-cycles. | 
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| |  | The Best of Elisabeth Schwarzkopf
anon.: | S'Schatzli Gerald Moore (piano) | Dvorak: | Songs My Mother Taught Me, Op. 55 No. 4 Gerald Moore (piano) | Humperdinck: | Abendsegen 'Abends will ich schlafen gehn' (Hänsel und Gretel) Elisabeth Grummer (Hansel) Philharmonia Orchestra, Herbert von Karajan | Lehár: | Meine Lippen sie Kussen so heiss (from Giuditta) Philharmonia Orchestra, Otto Ackermann Viljalied (from Die lustige Witwe) Philharmonia Orchestra, Otto Ackermann | Mozart: | Porgi amor (from Le nozze di Figaro) Vienna Philharmonic Orchestra, Herbert von Karajan Dove sono i bei momenti (from Le nozze di Figaro) Vienna Philharmonic Orchestra, Herbert von Karajan Come scoglio (from Così fan tutte) Philharmonia Orchestra, Herbert von Karajan In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Philharmonia Orchestra, Carlo Maria Giulini | Quilter: | Drink to me only Gerald Moore (piano) | Schubert: | Der Musensohn, D764 (Goethe) Edwin Fischer (piano) Gretchen am Spinnrade, D118 Edwin Fischer (piano) Die Forelle, D550 Edwin Fischer (piano) | Schumann: | Der Nussbaum, Op. 25 No. 3 Gerald Moore (piano) | Strauss, J, II: | Klänge der Heimat (from Die Fledermaus) Philharmonia Orchestra, Herbert von Karajan | Strauss, R: | Wiegenlied, Op. 41 No. 1 Gerald Moore (piano)
12. Viljalied (Die Lustige Witwe:Lehár) 5:13 Da geht er hin (from Der Rosenkavalier, Op. 59) Philharmonia Orchestra, Herbert von Karajan | Zeller: | Der Obersteiger: Sei nicht bös’ from Der Vogelhändler Philharmonia Orchestra, Otto Ackermann |
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| |  | New Year's Concert 1994
Lanner: | Die Schönbrunner Waltzer, Op. 200 | Strauss, E: | Mit Chic, Op. 221 | Strauss, J, I: | Radetsky March, Op. 228 | Strauss, J, II: | Accelerationen, Op. 234 Caroussel-Marsch, Op. 133 Lieder-Quadrille, Op. 275 Ein Herz, ein Sinn! - polka-mazurka, Op. 323 Klänge der Heimat (from Die Fledermaus) version for orchestra Geschichten aus dem Wienerwald, Op. 325 An der schönen, blauen Donau, Op. 314 Lucifer-polka, Op. 266 L'Enfantillage, Op. 202 - Zepperlpolka | Strauss, Josef: | Aus der Ferne - Polka mazur, Op. 270 Feuerfest (Fireproof), Op. 269 Feuerfest (Fireproof), Op. 269 Ohne Sorgen! - polka schnell, Op. 271 |
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| |  | Elisabeth Schwarzkopf: Operetta Arias & Duets
Lehár: | Bitte meine Herren (from Die Lustige Witwe) Viljalied (from Die lustige Witwe) Heia, Madel, aufgeschauf (from Die Lustige Witwe) Ganz a Pariser art Lippen schweigen (from Die Lustige Witwe) Ich danke fur die Huldigung…Ger, gern wär’ich verliebt Es ist nicht das erstemal Bei einem Tee en deux Wer hat die Liebe uns ins Herz gesenkt Ich möcht wieder einmal die Heimat sehn (from Das Land des Lächelns) | Strauss, J, II: | Frutti di mare Annina! Caramello Was mir der Zufall gab Hör mich, Annina Gruss dich Gott, du liebes Nesterl Wiener Blut Waltz, Op. 354 Mein Herr Marquis (from Die Fledermaus) Dieser Anstand, so manierlich (from Die Fledermaus) Klänge der Heimat (from Die Fledermaus) So elend und so true…O habet acht (from Der Zigeunerbaron) Schatz-Walzer, Op. 418 Wer uns getraut? (from Der Zigeunerbaron) |
Schwarzkopf was famed for her operetta roles and is featured here, at super budget price, in arias and duets from Merry Widow, Land of Smiles, Die Fledermaus, A Night in Venice, Gypsy Baron and Vienna Blood. “The whole collection heightens admiration for the delights of the music and the quality of Schwarzkopf's soprano.” Gramophone Magazine, July 2008 |
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| |  | Nicolai Gedda & Tatiana Gedda Viennese Delights
Nicolai Gedda (tenor), Tatiana Gedda (soprano) Stockholm Philharmonic Palm Court Orchestra, Lars Almgren | | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Alois – The Boy and his Voice
Alois Mühlbacher (treble) & Franz Farnberger (piano) Alois Mühlbacher, the St. Florian choirboy has performed on the stage of the Vienna State Opera, impressing all who have heard him. On his debut CD he performs works which hitherto have been beyond the reach of any boy soprano with youthful lightheartedness and vocal genius. | | | Usually despatched in 2 - 3 working days. |
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| |  | Concert Arias: The Complete Studio Recordings
Bach, J S: | Mass in B minor, BWV232: Laudamus Te | Beethoven: | Ah! Perfido, Op. 65 Abscheulicher! Wo eilst du hin? (from Fidelio) | Brahms: | Ihr habt nun Traurigkeit (Ein Deutsches Requiem, Op. 45) | Humperdinck: | Der kleine Sandmann bin ich (from Hänsel und Gretel) Wo bin ich? (from Hänsel und Gretel) | Mozart: | Martern aller Arten (from Die Entführung aus dem Serail) Porgi amor (from Le nozze di Figaro) E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Come scoglio (from Così fan tutte) Per pietà (from Così fan tutte) | Puccini: | Si, mi chiamano Mimi (from La Bohème) O mio babbino caro (from Gianni Schicchi) | Strauss, J, II: | Klänge der Heimat (from Die Fledermaus) | Strauss, R: | Herr Gott in Himmel! (from Der Rosenkavalier) Four Last Songs Es gibt ein Reich (from Ariadne auf Naxos) Da geht er hin (from Der Rosenkavalier, Op. 59) Ach, du bist wieder da! (from Der Rosenkavalier, Op. 59) Die Zeit, die ist ein sonderbar Ding from Der Rosenkavalier,Op. 59 Mein schöner Schatz (from Der Rosenkavalier) Ich werd' jetzt in die Kirchen (from Der Rosenkavalier) |
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| |  | Joan Sutherland: Classic Australian Performances1926-2010
These performances were all recorded live at the Sydney Opera House. This collection demonstrates what a priceless legacy has been left by one of the greatest singers the world has ever known and brings together “The Best of Joan Sutherland” Vols.1 & 2 at a bargain price. It includes some of Sutherland’s famous performances such as the Mad Scene from Lucia di Lammermoor. | | | Usually despatched in 2 - 3 working days. |
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| |  | Live in Helsinki & Sibelius SongsContains ODE9682 and ODE8562
Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) | Gershwin: | Summertime (from Porgy and Bess) | Holländer: | Ich bin von Kopf bis Fuss auf Liebe eingestellt (text: Friedrich Holländer) | Madetoja: | Luulit, ma katselin sua ... Op. 68 No. 3 (You Thought I was Watching You ...) (Text: L. Onerva) | Merikanto, O: | Miksi laulan | Puccini: | Vissi d'arte (from Tosca) | Sibelius: | Flickan kom från sin älsklings möte, Op. 37, No. 5 Illalle, Op. 17 No. 6 (Forsman-Koskimies) Var det en dröm? Op. 37 No. 4 (J.J. Wecksell) Demanten på marssnön, Op. 36 No. 6 (Wecksell) Fågellek, Op. 17, No. 3 Lastu lainehilla, Op. 17, No. 7 Souda, souda, sinisorsa (Swim, duck, swim) (A.V. Forsman-Koskimies) Våren flyktar hastigt, Op. 13 No. 4 (Text: Runeberg) Den första kyssen, Op. 37 No. 1 (Text: J.L. Runeberg) Men min fågel märks dock icke, Op. 36, No. 2 Flickan kom från sin älsklings möte, Op. 37, No. 5 Arioso, Op. 3 (Text: J.L. Runeberg) Fåfäng önskan, Op. 61, No. 7 Six Songs, Op. 88 'Flower Songs' Norden, Op. 90 No. 1 (Runeberg) Kaiutar, Op. 72, No. 4 En slända, Op. 17, No. 5 Svarta rosor, Op. 36 No. 1 (Ernst Josephson) Maj, Op. 57, No. 4 Jubal, Op. 35, No. 1 Ilmo Ranta (piano) | Siegel, R: | Ich hab' noch einen Koffer in Berlin | Strauss, J, II: | Ich lade gern mir Gäste ein (from Die Fledermaus) Mein Herr Marquis (from Die Fledermaus) Klänge der Heimat (from Die Fledermaus) | Styne: | Diamonds Are a Girl's Best Friend | Verdi: | Ritorna vincitor! (from Aida) Pace, pace mio Dio! (from La forza del destino) | Wagner: | Dich, teure Halle (from Tannhauser) |
On the occasion of its 25th anniversary in 2010, Ondine releases a series of five twofers, containing best-selling titles from the back catalogue. The focus is on five of Ondine’s star artists: sopranos Soile Isokoski and Karita Mattila, baritone Jorman Hynninen, violinist Pella Kuusisto and clarinettist Kari Kriikku. These releases are specially priced (2 CDs for the price of 1) and are limited edition, running through 2010 only. | | | (also available to download from $21.25) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Csardas Forever
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