Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Hyperion Schubert Edition - Complete Songs Volume 26An 1826 Schubertiad
Schubert: | Der Einsame, D800 Des Sängers Habe D832 (Schiechta) Gesange Aus 'wilhelm Meister' D877 (Goethe) Totengräberweiss D869 (Schlechta) Das Echo D990C, formerly D868 (Castelli) An Sylvia, D891 Ständchen 'Horch! Horch! die Lerch!', D889 Trinklied D888 (Shakespeare/Mayerhofer/Bauernfeld) Wiegenlied D867 (Seidl) Widerspruch D865 (Seidl) Der Wanderer an den Mond D870 (Seidl) Grab und Mond, D893 Nachthelle, D892 (Seidl) Abschied von der Erde, D829 Mondenschein, D875 Lied der Delphine, D857 No. 1 Lied des Florio, D857 No. 2 |
'A wondrous addition to this unique venture, it is hard to know where to begin in its praise' (Gramophone) “It's hard to know where to begin in praise of this disc. It has several centres of excellence, the first being Schäfer's beseeching, urgent account of the Mignon settings from Goethe's WilhelmMeister that make plain her pre-eminence today among sopranos in Lieder. Next comes Ainsley's winningly fresh account of An Silvia. You may be surprised at how wholly new-minted Ainsley's ardent tones and Johnson's elating piano manage to make of such a hackneyed song. Schäfer and Johnson do the same service for Horch,horch! die Lerch'. Then comes the extraordinary discovery of this volume. As a rule, Johnson has excluded unaccompanied vocal pieces from his project; happily, he has made an exception in the case of the astonishingly original Seidl setting Grab und Mond, which touches on eternal matters, or rather the permanence of death, a message starkly expressed in typically daring harmony. The London Schubert Chorale gives it a spellbinding interpretation and also contributes positively to a performance of another Seidl setting, the better-known Nachthelle, where the high-lying tenor lead provides no problems for Ainsley. There have to be reservations over the work of Richard Jackson; his tone is inadequate to the demands of Der Einsame, the unjustly neglected Totengräberweise and Der Wanderer anden Mond, which call for a richer sound-palette. Throughout, Johnson's playing is a source of pleasure and enlightenment. The recording is well-nigh faultless.” Gramophone Classical Music Guide, 2010 | | | In stock - usually despatched within 1 working day. |
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| |  | Serenade: Songs of night and loveRomantic partsongs for male choir
Camerata Musica Limburg, Jan Schumacher The highly successful Camerata Musica Limburg features Romantic vocal repertoire on their latest release, including works by Schubert, Vaughan Williams and Sjöberg. The warm timbre of the male chorus and the four fantastic French horns glow like stars in the night and the excellent soloists are well supported. | |
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| |  | Schubert: Nachtmusik
Schubert: | Vorüber die stöhnende Klage, D53 Ein jügendlicher Maienschwung, D61 Geist der Liebe D747 (Matthisson) German Dance D365 No. 19 German Dance D365 No. 2 'Trauerwalzer' German Dance D365 No. 29 Der Gondelfahrer, D809 Der Entfernten D331 (Salis-Seewis) German Dance D783 No. 10 Deutsche Tanze D969 No. 9 Ruhe, schönstes Glück der Erde D657 Minuet in A major, D334 Wein und Liebe D901 Nachthelle, D892 (Seidl) German Dance D365 No. 36 German Dance D365 No. 34 German Dance D365 No. 35 Räuberlied, D435 No. 13 Die Nacht, D983c Piano Sonata No. 13 in A major, D664: Andante Grab und Mond, D893 Ländler D790 No. 5 Ländler D790 No. 6 German Dance D783 No. 15 Der Geistertanz D494 (Matthisson) Das Grab D330 (Salis-Seewis) Waltz D844 |
This CD features Schubert's choral songs. He used emotionally charged texts dealing with romantic topics and the themes of the songs are often highly melancholic or even despondent. Schubert is able to express the atmosphere and contents of a poem in a concise way which is well illustrated by these performances. | | | Usually despatched in 2 - 3 working days. |
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| |  | Sehnsucht - The Gents
Röntgen: | Hoffnung ('Letzte Lust und letzte Blüten') Fiesole ('Alles Tosen ist zerstoben') | Schubert: | Sehnsucht (Nur wer die Sehnsucht kennt), D656 Die Nacht, D983c Ständchen 'Zögernd leise', D920/921 Grab und Mond, D893 Der Entfernten D331 (Salis-Seewis) Nachtviolen D752 (Mayrhofer) Nachtstück, D672 (Mayrhofer) Abendstern, D806 An Sylvia, D891 | Schumann: | Die Lotosblume, Op. 33 No. 3 Die Rose stand im Tau, Op. 65 No. 1 Der träumende See Op. 33 Nr. 1 | Strauss, R: | Vor den Türen, Op. 123 No. 1 Traumlicht, No. 2 of Drei Männerchöre AV123 | Wolf, H: | Sechs Geistliche Lieder |
The nineteenth century was a golden age for choral singing in Germany and Austria. Beginning in 1810, singing clubs, and later on, choral societies, shot up all over this part of the world like mushrooms. You could join a Liedertafel, Liederkranz, or Männersangverein. Carl Friedrich Zelter, Mendelssohn’s teacher and the leader of the Berliner Singverein, was the first person to use the term “Liedertafel” in 1808. The term was used to indicate an informal meeting of poets, composers, and singers who came together to sing German partsongs. In a letter addressed to Goethe, Zelter explained that the 25 members of his Liedertafel were accustomed to sit down at a well-furnished table for a sumptuous dinner followed by an evening of singing. Zelter’s group preferred original works, so freshly composed that the ink was still wet. The goal was stimulation and promotion of German poetry and music. The Gents is unique All-male Dutch vocal ensemble that obtained in a very short period a prominent place within the international music world. The group of young singers is praised because of their special sound, the large degree of flexibility and the unequalled interpretation of the very divergent vocal repertoire. Whether it concerns religious music from the Renaissance, romantic English music, arrangements of contemporary jazz and pop songs or especially composed works for the ensemble, the concerts of The Gents are always an extraordinary experience. The concerts can count therefore on enthusiastic public and positive criticisms in the press. “The 18-strong Dutch ensemble bring to their enterprising programme the essential technical finesse: a rounded, unforced sonority, refined chording and balance (un-hooty male altos blend euphoniously with the high tenors on the top lines), and near-perfect intonation...They are always alive to the sound and sense of the words” Gramophone Magazine, August 2010 “Hypnotically homogenous of timbre, hushed and soft-focused, The Gents clearly relish Schubert's songs of night and of yearning” BBC Music Magazine | | | Usually despatched in 4 - 5 working days. |
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| |  | Schubert - StandchenWorks for men's choir
Schubert: | Der Gondelfahrer, D809 Mondenschein, D875 Gondelfahrer, D808 Fruhlingslied D914 Fruhlingsgesang D740 Ständchen 'Zögernd leise', D920/921 Wein und Liebe D901 Grab und Mond, D893 Nachthelle, D892 (Seidl) Widerspruch D865 (Seidl) Nachtgesang im Walde, D913 Wehmut, D825 Ewige Liebe, D825a Flucht, D825b |
| | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | O Seligkeit! (Schubert - Partsongs)
Schubert: | Das Dörfchen, D641 Schicksalslenker, blicke nieder, D763 Ständchen 'Zögernd leise', D920/921 Sehnsucht (Nur wer die Sehnsucht kennt), D656 Nachthelle, D892 (Seidl) Nachtstück, D672 (Mayrhofer) Mondenschein, D875 Wandrers Nachtlied II 'Über allen Gipfeln ist Ruh', D768 Grab und Mond, D893 Totengräberlied, D38 Die Geselligkeit (Lebenslust) D609 (Unger) Liebe, D983a Der Tanz D826 (Meerau?) Sonatina in A minor, D385 (Op. posth. 137 No. 2) |
| | | Usually despatched in 2 - 3 working days. |
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| |  | Liedertafel
Mendelssohn: | Wasserfahrt, Op. 50 No. 4 Sommerlied 'Wie Feld und Au' so blinkend im Thau', Op. 50 No. 3 Abendständchen Op. 75 Nr. 2 | Schubert: | Die Nachtigall, D724 Der Entfernten D331 (Salis-Seewis) Widerspruch D865 (Seidl) Trinklied D148 (Castelli) Trinklied aus dem 16. Jahrhundert D847 Op. post. 155 Trinklied, D75 Im Gegenwärtigen Vergangenes, D710 Grab und Mond, D893 Der Gondelfahrer, D809 Die Nacht, D983c Abendfrieden La Pastorella, D513 Zur guten Nacht, Op. 81 No. 3 D903 | Schumann: | Der träumende See Op. 33 Nr. 1 Die Minnesänger, Op. 33 Nr. 2 Die Lotosblume, Op. 33 No. 3 | Silcher: | Loreley Frisch gesungen Entschuldigung Der lustigen Doktoren Leibliedlein Untreue ('In einem kühlen Grunde') |
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| |  | Schubert Male Choruses
Schubert: | Nachtgesang im Walde (E major), Op. 139 (Text: Johann Gabriel Seidl) Die Nacht (D major), Op. 17 No. 4 (Text?: Friedrich Krummacher) Der Gondelfahrer, D809 Sehnsucht (Nur wer die Sehnsucht kennt), D656 Im Gegenwärtigen Vergangenes, D710 Liebe (D major) (Text: Friedrich von Schiller) Ständchen 'Zögernd leise', D920/921 Grab und Mond, D893 Psalm 23 'Gott ist mein Hirt', D706 Die Einsiedelei (G minor), D337 (Text: J. G. von Salis-Seewis) Nachthelle, D892 (Seidl) Trinklied aus dem 14ten Jahrhundert (Edit Nonna ...) (C major), Op. 155 Dreifach ist der Schritt der Zeit, D43 (Text: Schiller) Geist der Liebe D747 (Matthisson) Gesang der Geister über den Wassern, D714 |
| | | (also available to download from $10.75) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Schubert: Complete Part Songs for Male Voices, Vol. 3
Schubert: | Wein und Liebe D901 Ruhe, schönstes Glück der Erde D657 Verschwunden sind die Schmerzen, D88 Bardengesang, D147 Räuberlied, D435 No. 13 Nächtliches Ständchen D635 Ewige Liebe, D825a Flucht, D825b Wehmut, D825 Lacrimoso son io, D131 Das Leben ist ein Traum D269 (Wannovius) Die Nacht, D983c Nachtmusik, D848 Trinklied aus dem 16. Jahrhundert D847 Op. post. 155 Fruhlingslied D914 Das stille Lied, D916 Frühlingsgesang, D709 Grab und Mond, D893 |
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| |  | Franz Schubert - Part-Songs
Schubert: | Ständchen 'Zögernd leise', D920/921 Die Nacht, D983c Die Nachtigall, D724 Nachthelle, D892 (Seidl) Grab und Mond, D893 Im Gegenwärtigen Vergangenes, D710 La Pastorella, D513 Gesang der Geister über den Wassern, D714 Geist der Liebe D747 (Matthisson) Mondenschein, D875 Der Gondelfahrer, D809 Psalm 23 'Gott ist mein Hirt', D706 Widerhall, D428 Sehnsucht, D636 (Schiller) Nachtgesang im Walde, D913 |
Utrecht Vocal Soloists, Ronald Brautigam (piano) Udo Reinemann - Solo and Direction | | | Usually despatched in 2 - 3 working days. |
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