Scarlatti, D: Keyboard Sonata K202 in B flat major

Domenico Scarlatti, the sixth child of the celebrated composer Alessandro Scarlatti, was a prolific keyboard composer, and is best known today for his 555 sonatas for keyboard. Domenico was employed by various members of European royalty and nobility in Italy, Spain and Portugal throughout his career. His style was unusual and innovative, but very few of his works were published during his lifetime.

The disc combines several of Scarlatti's keyboard sonatas with Neapolitan songs by various composers of the era, exploring the influences of these songs on Scarlatti's sonatas. Scarlatti's style is notable for its improvisatory nature as well as its incorporation of elements of Spanish and Portuguese folk music (the composer having spent time in Lisbon, Seville and Madrid), and among the Neapolitan songs featured on the disc is the immensely popular Lo guarracino, a fast-talking and high-spirited number that narrates the story of a fish, and the lilting La Nova Gelosia. Two extracts from operas -- 'So' li sorbe e le nespole amare' from Leonardo Vinci's Lo cecato fauzo and 'Chi disse ca la femmena' from Giovanni Battista Pergolesi's Lo frate 'nnamorato -- are also present, both of which feature a light-hearted portrayal of women. Out of the many versions of the song Quanno nascette ninno, the one by the Nuova Compagnia di Canto Popolare was chosen for this disc, thanks to its fascinating minor modulation.

Acclaimed harpsichordist Francesco Cera is considered one of Italy's foremost interpreters of early music. He has toured all over the world and his recordings include interpretations of 17th-century keyboard sonatas, French suites and harpsichord concertos by J.S. Bach. Italian soprano Letizia Calandro's repertoire includes Neapolitan songs alongside the more traditional oeuvres of the Classical and Baroque periods. Having studied at the Santa Cecilia Conservatory in Rome, she won the Spoleto Award and has performed the lead role in operas by composers as diverse as Monteverdi, Mozart and Verdi.

New recording, recorded September 2009, Chisea di S. Anatolia, Colle di Tora, Rieti, Italy.

An original concept: harpsichord sonatas by Scarlatti, alternated by Neapolitan songs.

Domenico Scarlatti, a child of his time, was strongly influenced by the music of his home town Naples, where he heard opera buffa in Neapolitan dialect, tarantellas and ofcourse the characteristic Neapolitan songs. In this recording harpsichord sonatas are alternated by Neapolitan songs by contemporary composers, such as de Liguori, Pergolesi, Vinci and other anonymous composers.

Beautifully sung by soprano Letizia Calandra, and played on the harpsichord by the eminent Francesco Cera.

Harpsichord by Roberto Livi, Pesaro 1995, after Italian anonymous, Naples c.1650 (now housed in the Gemeentemuseum, The Hague). Guitar by Anna Radice, Bologna, after Italian anonymous, early 17th century.

Extensive liner notes included in English and Italian. Sung texts available on the Brilliant Classics website.

“It was with Wanda Landowska on the harpsichord, on an old black record, that I first heard the sonatas of Domenico Scarlatti. My favourites were those that showed some Spanish influence: that rugged pride, those implacable rhythms, that mad vitality, what splendour! I have chosen mostly sonatas that are joyful or humorous in character, though among them I have slipped two little masterpieces of miraculous simplicity (K32, K40) as well as a few compelling meditations (K8, K69, K144). Wandering from nostalgia to sorrow, as though improvised, these last, void of any pathos, are yet bathed in the radiant beauty of the sunny climes of Italy and Spain.” Alice Ader

A selection from the 600 sontas by Domenico Scarlatti (1685-1757) that illustrate two facets of his musical personality.

CD1 depicts the genius of the composer – some of his greatest and most remarkable sonatas have been selected by Carbonara. These works illustrate the exploratory and innovative nature of the sonatas. CD2 gathers together a selection of sonatas that illustrate the gambler, or the reckless side of the composer. These sonatas are just as innovative as those on CD1, but there is a devil may care craziness to some of the music. These are dramatic extreme works that give some idea of the incredible technique Scarlatti possessed as a player, and of his remarkably fertile imagination.

2CDs of Scarlatti sonatas containing some unknown and rarely recorded works.

New recordings made in 2009.

Extensive booklet essay by the artist on each sonata.

Carbonara has recorded Ravel’s complete piano music for Brilliant Classics, and a CD of piano music by Nino Rota. He studied with Andreas Staier, Alicia de Larrocha and Leon Fleischer.

This is the second volume of Music and Arts’ complete Scarlatti project and is a co-production with Bösendorfer, Vienna. Carlo Grante plays a Bösendorfer Imperial piano. The set includes a biography of the composer by Eva Badura-Skoda and an essay on the music by Carlo Grante.