Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Verdi Heroines
Angela Gheorghiu's highly-acclaimed Verdi Heroines album first appeared in 2000 and is now reinstated to the catalogue for the Verdi year. “Gheorghiu displays her Verdian skills, her formidable technique and expressive power pushed to their limits but ultimately convincing.” BBC Music Magazine, May 2013 ***** | 
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| |  | Essential Verdi
Verdi: | Libiamo, ne' lieti calici (from La Traviata) È strano! è strano!...Ah! fors è lui (from La traviata) Sempre libera (from La Traviata) Noi siamo zingarelle (from La Traviata) Di Madride noi siam mattadori (from La Traviata) Teneste la promessa...Addio, del passato (from La Traviata) Caro nome (from Rigoletto) La donna è mobile (from Rigoletto) Un di, se ben rammentomi... Bella figlia dell'amore (from Rigoletto) Tacea la notte (from Il Trovatore) Anvil Chorus (from Il Trovatore) Ah sì ben mio (from Il trovatore) Di quella pira (from Il trovatore) Surta è la notte...Ernani! Ernani, involami (from Ernani) Nel dì della vittoria … Ambizioso spirto … Vieni t'affretta! … Or tutti sorgete (Lady Macbeth) Patria oppressa (from Macbeth) O figli … Ah, la paterna mano (from Macbeth) Va, pensiero (from Nabucco) Di' tu se fedele (from Un ballo in maschera) Ecco l'orrido campo … Ma dall'arido stelo divulsa (from Un ballo in maschera) Al suon del tamburo (from La Forza del Destino) Rataplan, rataplan, della gloria (from La forza del destino) Pace, pace mio Dio! (from La forza del destino) Se quel guerrier io fossi!…Celeste Aida (from Aida) Ritorna vincitor! (from Aida) Gloria all'Egitto (from Aida) O terra, addio (from Aida) Dies Irae (from Requiem) Ingemisco (from Requiem) Fuoco di gioia (from Otello) Dio, che nell'alma infondere (from Don Carlo) Spuntato ecco il di d'esultanza (from Don Carlo) O don fatale (from Don Carlo) |
The operas of Verdi today form the mainstay of the repertoire of opera houses all over the world. Some of his music has become absorbed into popular culture from being used in TV adverts and film soundtracks, as well as being performed by the most famous classical singers of the day in concerts and on records. Pieces from the same opera are grouped together, beginning with the famous drinking song from La traviata: ‘Libiamo’, followed by other popular favourites from La traviata, Rigoletto and Il trovatore, among them being the swaggering ‘La donna è mobile’ and the powerful Anvil Chorus. The first CD concludes with extracts from two earlier operas: Ernani and Macbeth, the latter providing one of Verdi’s most impressive soprano scenas in which the scheming Lady Macbeth calls on the powers of evil to assist her in murdering King Duncan. The second CD opens with the heartfelt chorus: ‘Va, pensiero’ from Nabucco, sung by the Hebrews in exile longing for their homeland. Then come more well-known arias and choruses from Verdi’s later operas like Un ballo in maschera, La forza del destino and Aida. After extracts from his moving Requiem Mass, we hear the Fire Chorus from another of Verdi’s Shakespearian settings: Otello and the programme ends with three items from what some now consider to be Verdi’s finest work, the historical drama Don Carlo. | 
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| |  | Verdi: Opera Highlights
Verdi: | Libiamo, ne' lieti calici (from La Traviata) È strano! è strano!...Ah! fors è lui (from La traviata) Parigi, o cara (from La Traviata) Caro nome (from Rigoletto) Cortigiani, vil razza dannata (from Rigoletto) La donna è mobile (from Rigoletto) Bella figlia dell'amore (from Rigoletto) Anvil Chorus (from Il Trovatore) Il balen del suo sorriso (from Il Trovatore) Ah sì ben mio (from Il trovatore) Di quella pira (from Il trovatore) D'amor sull'ali rosee (from Il Trovatore) Ai nostri monti (from Il trovatore) Va, pensiero (from Nabucco) Nel dì della vittoria … Ambizioso spirto … Vieni t'affretta! … Or tutti sorgete (Lady Macbeth) Ah, la paterna mano (from Macbeth) Di' tu se fedele (from Un ballo in maschera) Ecco l'orrido campo … Ma dall'arido stelo divulsa (from Un ballo in maschera) O tu che in seno agli angeli (from La Forza del Destino) Rataplan, rataplan, della gloria (from La forza del destino) Pace, pace mio Dio! (from La forza del destino) Dio, che nell'alma infondere (from Don Carlo) O don fatale (from Don Carlo) O Carlo, ascolta (from Don Carlo) Celeste Aida (from Aida) Ritorna vincitor! (from Aida) O terra, addio (from Aida) Era la notte (from Otello) Ave Maria (from Otello) L'onore! Ladri! (from Falstaff) Del tuo barbero diagnostico (from Falstaff) |
Renata Scotto, Montserrat Caballe, Mirella Freni, Leontyne Price, Beverly Sills, Elisabeth Schwarzkopf (sopranos), Fiorenza Cossotto (mezzo), Placido Domingo, Alfredo Kraus, Jon Vickers, Carlo Bergonzi (tenors), Sherrill Milnes, Tito Gobbi (baritones) Riccardo Muti, Carlo Maria Giulini, Herbert von Karajan | 
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| |  | Aleksandra Kurzak: Gioia!
The lyric soprano Aleksandra Kurzak is one of the most exciting young singers on the international stage - thrilling press and public alike with her performances in Europe and the US. "Gioia", her debut on Decca, is the eagerly anticipated proof of her excellence. This debut is capturing the current state of Aleksandra's voice by contrasting lyric and coloratura arias, focusing on roles which she has performed on stage. The album features much-loved Puccini arias from La Bohème and Gianni Schicchi, bel canto showpieces from I Puritani and Lucia di Lammermoor and the taxing First Act aria from La traviata "Sempre libera" which showcases both her effortless agility and the full, warm intensity of a Verdi lyric soprano. “A rising-star soprano with flashing eyes and cover-girl looks” (The Observer). “Kurzak impresses as a coloratura soprano of the old school” BBC Music Magazine, September 2011 *** “So, what's special? The tone quality of the voice, in which an apparently endless sparkle is subtly coloured by darker, East European tints. The accuracy of pitch and intervals...The ability to act with the voice (Adele and Lauretta, which follow each other here, sound really radically different). Also, and it's not as common as you may think, she conveys a real understanding of the text.” Gramophone Magazine, October 2011 “there’s no doubt that her voice is stupendous: firm, true, crystal-clear in coloratura, beautifully rich in legato. I enjoyed this far more than recent releases by more famous sopranos.” The Times, 21st January 2012 **** “There's a gamine appeal about young Polish soprano Aleksandra Kurzak, who brings an innocent enthusiasm to the arias on this debut collection, negotiating the richly ornamented phrases with an almost exultant relish. Her joie de vivre is well-suited to the "laughing aria" from Die Fledermaus...while her vibrato during "Regnava nel silenzio"...is so controlled it's astonishing to learn she received no vocal training till she was 19.” The Independent, 27th January 2012 “Kurzak's technique is well honed, scale-work clearly surmounted, no slovenly sliding through the fioritura, and her timbre is most agreeable, having no rawness to spoil the euphony. One can say that her voice does not have the number of colours that a soprano with a larger voice might display, but I did not find that I was bored at any time.” International Record Review, February 2012 “her musical intelligence ensures that there is no hint of monotony here even in some over-exposed repertoire...She achieves everything without resorting to show-off tactics; indeed, a few numbers might almost be described as reserved. Every track gives pleasure, but highlights include a seductive ‘Deh vieni’” Opera | | | In stock - usually despatched within 1 working day. |
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| |  | The Callas Effect (Deluxe Edition)2CD / 1DVD
Bellini: | Casta Diva (from Norma) Col sorriso d'innocenza (from Il Pirata) | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) Carreau! Pique! La mort! (from Carmen) | Catalani: | Ebben? Ne andrò lontana (from La Wally) | Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) | Giordano, U: | La mamma morta (from Andrea Chénier) | Gluck: | Divinités du Styx (from Alceste) | Gounod: | Ah! Je ris de me voir (from Faust) | Mozart: | In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) | Ponchielli: | Suicidio! (from La Gioconda) | Puccini: | O mio babbino caro (from Gianni Schicchi) Si, mi chiamano Mimi (from La Bohème) In questa reggia (from Turandot) Vissi d'arte (from Tosca) Un bel di vedremo (from Madama Butterfly) Senza mamma, o bimbo (from Suor Angelica) Sola, perduta, abbandonata (from Manon Lescaut) | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) | Saint-Saëns: | Amour, viens aider ma faiblesse (Samson et Dalila) | Thomas, Ambroise: | Ah, pour ce soir...Je suis Titania (from Mignon) | Verdi: | Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) Caro nome (from Rigoletto) Ah, fors'è lui che l'anima (from La Traviata) La luce langue (from Macbeth) D'amor sull'ali rosee (from Il Trovatore) Surta è la notte...Ernani! Ernani, involami (from Ernani) Ritorna vincitor! (from Aida) Tu che la vanità (from Don Carlo) |
DVD 'The Callas Effect' 1. Introduction 2. Humble Beginnings 3. The New Star 4. Norma at Covent Garden 5. Records and Romance 6. La Traviata 7. Il Trovatore 8. Bringing drama to the opera stage: Tosca 9. Concerts 10. Audience Response 11. High Society and Fashion 12. Losing Voice 13. 'Sola, perduta, abbandonata' 14. The Callas Effect today 15. Conclusion
Maria Callas is the ultimate and original diva. Widely regarded as the greatest Opera singer and performer of all time whose life, voice and performances have intrigued, thrilled and inspired all others. Maria Callas 34 years after her death Maria Callas remains the definition of a diva. She is not only the world's bestselling soprano but also EMI Classic's bestselling artist of all time. Widely regarded for her intense characterisation and unique interpretations she has become a cultural icon whose music and life continues to influence today. “Her reputation, extremely high when she died, has become ever greater in the years since her death. As a personality she remains controversial, but as an artist hardly at all: her genius is recognised as supreme by virtually all opera lovers, indeed it is often from listening to her many recordings that people discover what an incredibly potent art form opera can be.” BBC Music Magazine The Music This wonderfully constructed 2CD collection of opera arias highlights Callas’s spectacular climb to fame tracking her move from innocent young woman to the tragic heroine in her later years through the opera arias she recorded. Featuring the most special and exquisitely interpreted arias of her output this collection brings together such opera favourites as O mio babbino caro, Vissi d’arte and Casta diva. Callas’s recordings have featured prominently in many critically acclaimed movies including Academy Award winner Philadelphia and Academy Award Nominated Milk Callas is the immortal diva whose music transcends time and sounds as unique and inspired today. Many noted musicians have quoted Callas as a musical influence including Linda Ronstadt, Patti Smith, Emmylou Harris, Celine Dion, Jason Mraz and Rufus Wainwright. Documentary EMI Classics has made The Callas Effect because there are powerful first-hand accounts that have not before been revealed of how and why Callas has exerted a unique and extraordinary effect – on other celebrity opera singers, on distinguished stage directors, on actors and actresses, on backstage theatre crews, on recording staff, on impresarios, on audiences who queued up for days and nights to see her, and now on young music-lovers who are captivated by her CDs and DVDs. People from all these walks of life, newly captured just for this memoir and including some who personally knew her, are the passionate witnesses of Maria Callas’s genius in The Callas Effect, which also includes extracts from her performances, recordings and interviews. “memorable artistry is evident everywhere - utterly exemplary in its musical intelligence, stirring in its interpretative eloquence. The technique dazzles in marvellously expressive trills...and everywhere, of course, the uniquely penetrating dramatic involvement.” International Record Review, January 2012 “This makes a good Callas set for beginners. It contains arias that showcase a good section of her most successful repertoire and it captures her voice at its best.Exactly when it is captured remains a mystery, however: the set’s main problem for pre-existing fans and aficionados is that, while it contains information about where and with whom each track was recorded, we are not given any dates.” MusicWeb International, January 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | The Callas Effect (Experience Edition)
Bellini: | Casta Diva (from Norma) Col sorriso d'innocenza (from Il Pirata) | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) Carreau! Pique! La mort! (from Carmen) | Catalani: | Ebben? Ne andrò lontana (from La Wally) | Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) | Giordano, U: | La mamma morta (from Andrea Chénier) | Gluck: | Divinités du Styx (from Alceste) | Gounod: | Ah! Je ris de me voir (from Faust) | Mozart: | In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) | Ponchielli: | Suicidio! (from La Gioconda) | Puccini: | O mio babbino caro (from Gianni Schicchi) Si, mi chiamano Mimi (from La Bohème) In questa reggia (from Turandot) Vissi d'arte (from Tosca) Un bel di vedremo (from Madama Butterfly) Senza mamma, o bimbo (from Suor Angelica) Sola, perduta, abbandonata (from Manon Lescaut) | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) | Saint-Saëns: | Amour, viens aider ma faiblesse (Samson et Dalila) | Thomas, Ambroise: | Ah, pour ce soir...Je suis Titania (from Mignon) | Verdi: | Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) Caro nome (from Rigoletto) Ah, fors'è lui che l'anima (from La Traviata) La luce langue (from Macbeth) D'amor sull'ali rosee (from Il Trovatore) Surta è la notte...Ernani! Ernani, involami (from Ernani) Ritorna vincitor! (from Aida) Tu che la vanità (from Don Carlo) |
This wonderfully constructed 2CD collection of opera arias highlights Callas’s spectacular climb to fame tracking her move from innocent young woman to the tragic heroine in her later years through the opera arias she recorded. Featuring the most special and exquisitely interpreted arias of her output this collection brings together such opera favourites as O mio babbino caro, Vissi d’arte and Casta diva. “memorable artistry is evident everywhere - utterly exemplary in its musical intelligence, stirring in its interpretative eloquence. The technique dazzles in marvellously expressive trills...and everywhere, of course, the uniquely penetrating dramatic involvement.” International Record Review, January 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | La bellezza del canto
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| |  | Joan Sutherland “La Stupenda”
Arditi: | Il Bacio with Instrumental Accompaniment | Donizetti: | Ancor non giunse! ... Regnava nel silenzio…Quando rapito in estasi (from Lucia di Lammermoor) Paris Conservatoire Orchestra, Nello Santi Ardon gli incensi (from Lucia di Lammermoor) Paris Conservatoire Orchestra, Nello Santi Ah! tardai troppo...O luce di quest'anima (from Linda di Chamounix) Paris Conservatoire Orchestra, Nello Santi | Gounod: | Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) rchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | Thomas, Ambroise: | A vos jeux, mes amis (from Hamlet) | Verdi: | È strano! è strano!...Ah! fors è lui (from La traviata) Caro nome (from Rigoletto) Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) Mia madre aveva...Piangea cantando...Ave Maria (from Otello) Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli |
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| |  | Joan Sutherland: The Voice of the Century
Bellini: | Casta Diva (from Norma) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli O rendetemi la speme...Qui la voce sua soave...Vien, diletto (from I Puritani) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli Ah! non giunge uman pensiero (from La Sonnambula) Recorded 1962 Orchestra del maggio Musicale Fiorentino, Richard Bonynge Eccomi pronta...Deh, se un'urna (from Beatrice di Tenda) Recorded 1962 London Symphony Orchestra, Richard Bonynge | Bizet: | Vasco da Gama: La marguerite a fermé sa corolle … Ouvre ton coeur Recorded 1969 Orchestre de la Suisse Romande, Richard Bonynge | Coward, N: | This is a changing world (from Pacific 1860) Recorded 1966 Richard Bonynge | Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | Donizetti: | Il dolce suono mi colpì di sua voce! … Spargi d'amaro pianto (from Lucia di Lammermoor) Recorded 1962 Rinaldo Pelizzoni (Normanno), Cesare Siepi (Raimondo), Robert Merrill (Enrico) Orchestra dell’Accademia de Santa Cecilia, Rome, John Pritchard Pour ce contrat fatal...Salut à la France (from La fille du régiment) Recorded 1967 Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge Una parola…Chiedi all'aura (from L'elisir d'amore) Recorded 1970 Luciano Pavarotti (Nemorino) English Chamber Orchestra, Richard Bonynge Da tutti abbandonata (from Maria Stuarda) Recorded 1975 Luciano Pavarotti (Leicester) Orchestra del Teatro Comunale di Bologna, Richard Bonynge Figlio, e spento...Era desso il figlio mio (from Lucrezia Borgia) Recorded 1978 National Philharmonic Orchestra, Richard Bonynge Ancor non giunse...Torna, torna, o caro oggetto (from Rosmonda d’Inghilterra) Recorded 1961; bonus track Orchestre de la Suisse Romande, John Pritchard | Gounod: | Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli Ah! Je ris de me voir (from Faust) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | Heuberger: | Gehen wir ins Chambre séparée) from The Opera Ball Recorded 1966 New Philharmonia, Richard Bonynge | Lehár: | Wär' es auch nichts als ein Augenblick (Eva) Recorded 1966 New Philharmonia, Richard Bonynge | Massenet: | De cet affreux combat…Pleurez, mes yeux ! (from Le Cid) Recorded 1962 London Symphony Orchestra, Richard Bonynge | Offenbach: | Les oiseaux dans la charmille (from Les Contes d'Hoffmann) Recorded 1969 Orchestre de la Suisse Romande, Richard Bonynge | Puccini: | In questa reggia (from Turandot) Recorded 1972 Luciano Pavarotti (Calaf) London Philharmonic Orchestra, Zubin Mehta | Rossini: | Bel raggio lusinghier (from Semiramide) Recorded 1966 London Symphony Orchestra, Richard Bonynge | Strauss, J, II: | Nun's Chorus from Casanova Recorded 1966 New Philharmonia, Richard Bonynge | Verdi: | È strano! è strano!...Ah! fors è lui (from La traviata) Sempre libera (from La Traviata) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli Che! e segnar questa mano potrebbe l’onta mia (from Luisa Miller) Tu puniscimi, o Signore … A brani, a brani, o perfido (from Luisa Miller) Recorded 1963 London Symphony Orchestra, Richard Bonynge È il sol dell'anima (from Rigoletto) Recorded 1971 Luciano Pavarotti (Duca) London Symphony Orchestra, Richard Bonynge Caro nome (from Rigoletto) Recorded 1971 London Symphony Orchestra, Richard Bonynge |
In tribute to one of Decca’s very greatest artists, a 2-for-1 double jewel-case version of Dame Joan Sutherland’s classic ‘The Voice of the Century’ 2-disc compendium is now available for release. The track contents are identical those of the original hardback version of ‘The Voice of the Century’ (4757981), and include arias from Lucia di Lammermoor, La sonnambula, Norma, Lakmé, Semiramide, La Fille du Régiment, Turandot, and many more. | | | In stock - usually despatched within 1 working day. |
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| |  | Maria Callas: Love SongsArias by Verdi, Puccini, Ponchielli, Giordano, Catalani, Wagner & Donizetti
Rigoletto - Gualtier malde! Caro nome Madame Butterfly - Un bel di vedremo La Boheme - Si, mi chiamano mimi Turandot - Signore, ascolta Lucia Di Lammermoor - Il dolce suono Tristan und Isolde - Dolce e calmo
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