Tchaikovsky: Variations on a Rococo Theme, Op. 33

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Tchaikovsky: Symphony No. 6

Tchaikovsky: Symphony No. 6


Tchaikovsky:

Swan Lake, Op. 20 (excerpts)

Symphony No. 6 in B minor, Op. 74 'Pathétique'

Variations on a Rococo Theme, Op. 33

Maurice Gendron (cello)


The three 2-CD Tchaikovsky/Ansermet sets The Sleeping Beauty, The Nutcracker and Swan Lake represent his complete Tchaikovsky recordings for Decca. For many, Ansermet's recording of The Nutcracker is in a league of its own, and many will find fascinating his own sequencing of numbers from Swan Lake and The Sleeping Beauty. Refined, yet passionate, many of the pieces on these recordings make their first international appearance on CD.

Australian Eloquence - ELQ4800563

(CD - 2 discs)

$12.00

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Russian Masterpieces for Cello and Orchestra

Russian Masterpieces for Cello and Orchestra


Shostakovich:

Cello Concerto No. 1 in E flat major, Op. 107

Tchaikovsky:

Variations on a Rococo Theme, Op. 33

Pezzo capriccioso, Op. 62 for cello & orchestra (or cello & piano)

Nocturne for cello & small orchestra (or cello & piano), Op. 19 No. 4


Zuill Bailey, the dynamic and exhilarating American cellist, makes his Telarc debut with the release of Russian Masterpieces for Cello. The recording includes Tchaikovsky’s Variations on a Rococo Theme Pezzo Capriccioso and Nocturne in D Minor Op. 19 No. 4, and Shostakovich’s Cello Concerto No. 1 in E-Flat Major, Op. 107. Zuill Bailey’s rare combination of compelling artistry, technical finesse and engaging personality have secured his place as one of the most sought-after cellists today. Bailey performs regularly with long-time duo partner, pianist Awadagin Pratt, as well as with pianist Simone Dinnerstein. He is also a member of the acclaimed Perlman-Schmidt-Bailey Trio, which also includes pianist Navah Perlman and violinist Giora Schmidt.

The voice of the cello is uniquely suited to the qualities of passion and melancholy that makes Russian music so provocative to listeners. Tchaikovsky’s Rococo Variations was written for the German-born cellist Wilhelm Fitzenhagen, a professor at the Moscow Conservatory. When Tchaikovsky left Russia for a lengthy stay in Western Europe, he gave Fitzenhagen a free hand in composition, which resulted in significant structural alterations to the piece. The cellist premiered his version of the Rococo Variations at a Moscow concert conducted by Nikolai Rubinstein in 1877. Tchaikovsky was displeased with the alterations, but later said, “The devil take it. Let it stay as it is.” The Fitzenhagen score is heard in Bailey’s rendition, and is considered an effective presentation of Tchaikovsky’s material.

Shostakovich wrote his first cello concerto in 1959 for the distinguished cellist Mstislav Rostropovich, who had frequently performed Shostakovich’s Sonata for Cello and Piano with the composer at the piano. It was premiered in Leningrad with the Leningrad Philharmonic and Rostropovich. When Shostakovich gave his only public performance as a conductor in 1962, the Concerto appeared on the programme.

“Overall the programme balances nicely enough as a calling-card for the stylish… soloist. …Zuill Bailey plays with impressive technical mastery… He is unfazed by the taxing double-stopping Shostakovich frequently employs in the faster passages while finding commendable depth and solemnity in the slow movement.” Gramophone Magazine, March 2009

Telarc - CD80724

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$13.50

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Dvorak & Tchaikovsky: Works for Cello & Orchestra

Dvorak & Tchaikovsky: Works for Cello & Orchestra


Dvorak:

Cello Concerto in B minor, Op. 104

Tchaikovsky:

Variations on a Rococo Theme, Op. 33


“There have been a number of outstanding recordings of the Dvorák Concerto since this DG record was made, but none to match it for the warmth of lyrical feeling, the sheer strength of personality of the cello playing and the distinction of the partnership between Karajan and Rostropovich. Any moments of romantic licence from the latter, who's obviously deeply in love with the music, are set against Karajan's overall grip on the proceedings. The orchestral playing is superb.
You've only to listen to the beautiful introduction of the secondary theme of the first movement by the principal horn to realise that the BPO is going to match its illustrious soloist in eloquence, while Rostropovich's many moments of poetic introspection never for a moment interfere with the sense of a spontaneous forward flow. The recording is as near perfect as any made by DG in that vintage analogue era. It gives the cello a highly realistic presence, and if the passionate fortissimo violins lose just a fraction in fullness, and there seems to be, comparably, just a slight loss of resonance in the bass, the sound picture has an impressively clear and vivid focus.
In the coupled Tchaikovsky Rococo Variations, Rostropovich uses the published score rather than the original version. However, he plays with such masterly Russian fervour and elegance that any criticism is disarmed. The music itself continually demonstrates Tchaikovsky's astonishing lyrical fecundity, as one tune leads to another, all growing organically from the charming 'rococo' theme. The recording is marvellously refined.
The description 'legendary' isn't a whit too strong for a disc of this calibre.”
Gramophone Classical Music Guide, 2010

“two great musicians performing with complete sympathy for each other: Rostropovich on top form and Karajan an attentive partner” Gramophone Magazine (James Jolly)

“The intensity of lyrical feeling and the spontaneity of the partnership between Karajan and Rostropovich ensures the position of their DG disc at the top of the list of recommendations.” Penguin Guide, 2011 edition

Presto Greatest Recordings

1960s

GGramophone Magazine

100 Greatest Recordings

Penguin Guide

Rosette Winner

DG Originals - 4474132

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$9.50

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Nina Kotova - Tchaikovsky

Nina Kotova - Tchaikovsky


Tchaikovsky:

Pezzo capriccioso, Op. 62 for cello & orchestra (or cello & piano)

Variations on a Rococo Theme, Op. 33

Serenade for strings in C major, Op. 48


Nina Kotova (cello)

Tchaikovsky Symphony Orchestra, Vladimir Fedoseyev

“… a strong and individual artist whose depth of feeling and technical control are never in doubt” (Gramophone)

This lush and lovely album offers beguiling masterpieces for cello and orchestra by Russia’s most revered composer—played to perfection by the musical team of renowned Russian-American cellist Nina Kotova, with the legendary Russian maestro Vladimir Fedoseyev leading Moscow’s Tchaikovsky Symphony Orchestra: all musicians who have these soulful pieces in their very bones.

Kotova and company begin with Tchaikovsky’s lively Pezzo capriccioso before serving listeners the main course: one of the world’s most beloved works for cello and orchestra, the gorgeous Variations on a Rococo Theme. Then the cellist bows out as we are treated to one of the composer’s greatest orchestral pieces of smaller scale, the shimmering Serenade for Strings. In all, it’s a program filled with soaring melodies and sheer musical delight.

Released or re-released in last 6 months

Delos - DE3531

(CD)

$14.25

Scheduled for release on 8 September 2017. Order it now and we will deliver it as soon as it is available.

Schumann: Cello Concerto & Tchaikovsky: Rococo Variations (The Russian Years)

Schumann: Cello Concerto & Tchaikovsky: Rococo Variations (The Russian Years)


Beethoven:

Triple Concerto for Piano, Violin, and Cello in C major, Op. 56 - Allegro

Sviatoslav Richter (piano), David Oistrakh (violin)

Moscow Philharmonic Orchestra, Kirill Kondrashin

Schumann:

Cello Concerto in A minor, Op. 129

USSR State Symphony Orchestra, Gennady Rozhdestvensky

Tchaikovsky:

Variations on a Rococo Theme, Op. 33

USSR State Symphony Orchestra, Gennady Rozhdestvensky


Warner Classics - Mstislav Rostropovich Cellist of the Century - Rostropovich The Russian Years - 9029587207

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Dvorák: Cello Concerto & Tchaikovsky: Variations on a Rococo theme

Dvorák: Cello Concerto & Tchaikovsky: Variations on a Rococo theme


Dvorak:

Cello Concerto in B minor, Op. 104

Tchaikovsky:

Variations on a Rococo Theme, Op. 33


Warner Classics - Mstislav Rostropovich Cellist of the Century - 9029587226

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Tchaikovsky: Orchestral Works

Tchaikovsky: Orchestral Works


Tchaikovsky:

Symphony No. 6 in B minor, Op. 74 'Pathétique'

Moscow Philharmonic Orchestra

Variations on a Rococo Theme, Op. 33

Daniil Shafran (cello)

Moscow Philharmonic Orchestra

Romeo & Juliet - Fantasy Overture

Moscow Philharmonic Orchestra

Sérénade Mélancolique for Violin & Orchestra in B minor, Op. 26

Leonid Kogan (violin)

Philharmonia Orchestra

Suite No. 3 in G major, Op.55

Moscow Philharmonic Orchestra


With the famous Symphony No. 6, this album contains a lesser-known part of Tchaikovsky's repertoire - the Sérenade mélancolique, with the extraordinary Leonid Kogan playing the solo violin - the Variations Rococo, with Danil Shafran playing the cello and especially the Suite No. 3 for Orchestra, a composition wrongly forgotten by the common discography of the Russian composer. This release is a tribute to one of the biggest Russian conductors of the 20th century, gathered at the top of his career.

Urania Widescreen Collection - WS121312

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Schumann: Cello Concerto & Tchaikovsky: Rococo Variations

Schumann: Cello Concerto & Tchaikovsky: Rococo Variations


Schumann:

Cello Concerto in A minor, Op. 129

Tchaikovsky:

Variations on a Rococo Theme, Op. 33


Jürnjakob Timm (cello)

Gewandhausorchester Leipzig, Kurt Masur

Kurt Masur and Jürnjakob Timm – Masterworks For Violoncello

Jürnjakob Timm was for many decades Principal Solo Cellist with the Gewandhaus Orchestra of Leipzig and is today a member of the Gewandhaus Quartet. The cellist has performed as soloist with orchestras in Germany, other European countries, Japan, South America and the USA. In the course of numerous concert tours with the Gewandhaus Orchestra he played cello concertos of the Classical, Romantic and modern eras under the baton of Kurt Masur. The present recording was the first orchestra recording by Jürnjakob Timm for the classical Eterna label. Together with Kurt Masur, the Gewandhaus Orchestra’s director for many years, he recorded two standard works for cello and orchestra in the Paul Gerhardt Church in Leipzig in 1983: Schumann’s Cello Concerto in A minor and Tchaikovsky’s famous Rococo Variations.

December 2015 was marked by the death of the long-serving Principal Conductor of the Gewandhaus Orchestra and artist of world renown Kurt Masur. “He won over his critics in the course of his long life as a personality distinguished by his bearing, which surpassed music, and as a conductor whose ever more finely nuanced pragmatism of interpretation made the language of the orchestra intelligible, comprehensible, tangible. He was thus a maestro with the human touch, who could move people profoundly.” (Ralf Dombrowski, Der Spiegel)

BONUS: Bach‘s Cello Suites No. 1 & 2, played by Jürnjakob Timm

“Timm, former principal cellist of the Leipzig Gewandhaus, gives beautifully nuanced readings. Masur secures strongly characterised accompaniments.” BBC Music Magazine, April 2017 ****

Berlin Classics Established 1947 - 0300842BC

(CD)

$14.25

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Schumann: Cello Concerto & Tchaikovsky: Rococo Variations - Vinyl Edition

Schumann: Cello Concerto & Tchaikovsky: Rococo Variations - Vinyl Edition


Schumann:

Cello Concerto in A minor, Op. 129

Tchaikovsky:

Variations on a Rococo Theme, Op. 33


Jürnjakob Timm (cello)

Gewandhausorchester Leipzig, Kurt Masur

Kurt Masur and Jürnjakob Timm – Masterworks For Violoncello

Jürnjakob Timm was for many decades Principal Solo Cellist with the Gewandhaus Orchestra of Leipzig and is today a member of the Gewandhaus Quartet. The cellist has performed as soloist with orchestras in Germany, other European countries, Japan, South America and the USA. In the course of numerous concert tours with the Gewandhaus Orchestra he played cello concertos of the Classical, Romantic and modern eras under the baton of Kurt Masur. The present recording was the first orchestra recording by Jürnjakob Timm for the classical Eterna label. Together with Kurt Masur, the Gewandhaus Orchestra’s director for many years, he recorded two standard works for cello and orchestra in the Paul Gerhardt Church in Leipzig in 1983: Schumann’s Cello Concerto in A minor and Tchaikovsky’s famous Rococo Variations.

December 2015 was marked by the death of the long-serving Principal Conductor of the Gewandhaus Orchestra and artist of world renown Kurt Masur. “He won over his critics in the course of his long life as a personality distinguished by his bearing, which surpassed music, and as a conductor whose ever more finely nuanced pragmatism of interpretation made the language of the orchestra intelligible, comprehensible, tangible. He was thus a maestro with the human touch, who could move people profoundly.” (Ralf Dombrowski, Der Spiegel)

BONUS: Bach‘s Cello Suites No. 1 & 2, played by Jürnjakob Timm

Berlin Classics Established 1947 - 0300846BC

(Vinyl)

$29.00

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Leonard Rose plays Dvorak, Tchaikovsky, Beethoven & Saint-Saëns

Leonard Rose plays Dvorak, Tchaikovsky, Beethoven & Saint-Saëns


Beethoven:

Cello Sonata No. 5 in D major, Op. 102 No. 2

Live performance, Stratford Summer Festival, Canada, 1969

with Eugene Istomin (piano)

Cello Sonata No. 3 in A major, Op. 69

Live broadcast, WQXR Radiostudio, New York, Presented by Robert Sherman, January, 1973

with Nadia Reisenberg (piano)

Cello Sonata No. 3 in A major, Op. 69 - Scherzo (Allegro molto)

Encore. Live broadcast, WQXR Radiostudio, New York, Presented by Robert Sherman, January, 1973

with Nadia Reisenberg (piano)

Brahms:

Cello Sonata No. 1 In E Minor, Op. 38

Live broadcast, WQXR Radiostudio, New York, Presented by Robert Sherman, January, 1973

with Nadia Reisenberg (piano)

Dvorak:

Cello Concerto in B minor, Op. 104

Live performance, Théâtre des Champs-Élysées, Paris, December 6, 1967

Orchestre National de l'ORTF, Charles Dutoit

Saint-Saëns:

Cello Concerto No. 1 in A minor, Op. 33

Live, Radiostudio Luxembourg, November 15, 1961

Radio Luxembourg Orchestra, Louis de Froment

Tchaikovsky:

Variations on a Rococo Theme, Op. 33

Live, Radiostudio Luxembourg, November 17, 1961

Radio Luxembourg Orchestra, Louis de Froment


Leonard Rose (cello)

Lynn Harrell wrote of Leonard Rose, his teacher, that he was “a perfect combination of the most remarkable virtuoso and caring and profoundly knowledgeable teacher”. Considered one of the greatest American cellists of the 20th century, Leonard Rose achieved prominence in practically every facet of music making. The material featured on this new DOREMI release is seeing the light of day for the first time.

Doremi - DHR8038-39

(CD - 2 discs)

$22.75

(also available to download from $20.00)

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