All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The Very Best of Elisabeth Schwarzkopf
Bach, J S: | Cantata BWV51 'Jauchzet Gott in allen Landen': Aria Bist du bei mir, BWV508 | Beethoven: | O wär' ich schon mit dir vereint (Marzelline) | Heuberger: | Gehen wir ins Chambre séparée) from The Opera Ball | Humperdinck: | Brüderchen, komm tanz mit mir (Dance Duet from Hänsel und Gretel) | Lehár: | Viljalied (from Die lustige Witwe) | Mozart: | Non so più cosa son, cosa faccio (from Le nozze di Figaro) Porgi amor (from Le nozze di Figaro) E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Come scoglio (from Così fan tutte) Ridente la calma, K152 | Schubert: | An die Musik D547 Das Lied im Grünen, D917 Nachtviolen D752 (Mayrhofer) Der Musensohn, D764 (Goethe) | Siecynski: | Wien, du Stadt meiner Traüm | Smetana: | Endlich allein (from Die verkaufte Braut) | Strauss, J, II: | Klänge der Heimat (from Die Fledermaus) | Strauss, R: | Da geht er hin (from Der Rosenkavalier, Op. 59) Es gibt ein Reich (from Ariadne auf Naxos) Das war sehr gut, Mandryka (from Arabella) Frühling (from Vier Letzte Lieder) Im Abendrot (from Vier Letzte Lieder) Muttertändelei, Op. 43 No. 2 Zueignung, Op. 10 No. 1 | trad.: | Gsätzli | Wagner: | Einsam in trüben Tagen (from Lohengrin) | Weber: | Wie nahte mir der Schlummer … Leise, leise, fromme Weise (from Der Freischütz) | Wolf, H: | Auch kleine Dinge (No. 1 from Italienisches Liederbuch) Mein Liebster hat zu Tische mich geladen (No. 25 from Italienisches Liederbuch) Ich hab in Penna einen Liebsten (No. 46 from Italienisches Liederbuch) Verschling der Abgrund meines Liebsten Hütte Wiegenlied im Sommer (from Sechs Lieder für eine Frauenstimme) In dem Schatten meiner Locken (No. 2 from Spanisches Liederbuch: Weltliche Lieder) Mignon IV 'Kennst du das Land' (No. 9 from Goethe-Lieder) Mausfallen-Sprüchlein (from Lieder für eine Frauenstimme) |
Multi-award winning opera singer Elisabeth Schwarzkopf, praised for the ‘pristine beauty of her lyric soprano’ (The Guardian), was revered in opera houses worldwide and is perhaps most famous for her Mozart roles. However, she was also at home on the concert stage and this collection combines her acclaimed portrayals of Donna Elvira, Countess Almaviva and Richard Strauss’s Marschallin, among others, with her affecting interpretations of lieder and song-cycles. | 
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| |  | Essential Opera Divas
Beethoven: | Abscheulicher! Wo eilst du hin? (from Fidelio) | Bellini: | Casta Diva (from Norma) | Donizetti: | Spargi d'amaro pianto (from Lucia di Lammermoor) | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) | Gluck: | Dieux puissants que j'atteste… Jupiter, lance la foudre (from Iphigénie en Aulide) | Gounod: | Ah! Je ris de me voir (from Faust) Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) | Handel: | Ma quando tornerai (from Alcina) | Korngold: | Glück, das mir verbleib 'Marietta's Lied' (from Die Tote Stadt) | Meyerbeer: | Ombra leggiera (Dinorah) | Mozart: | Dove sono i bei momenti (from Le nozze di Figaro) Or sai chi l'onore (from Don Giovanni) Batti, batti, o bel Masetto (from Don Giovanni) In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Non mi dir (from Don Giovanni) Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Ach, ich fühl's (from Die Zauberflöte, K620) Ruhe sanft, mein holdes Leben (from Zaïde) | Puccini: | Vissi d'arte (from Tosca) Si, mi chiamano Mimi (from La Bohème) Un bel di vedremo (from Madama Butterfly) Chi il bel sogno di Doretta (from La Rondine) O mio babbino caro (from Gianni Schicchi) In questa reggia (from Turandot) | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) | Verdi: | D'amor sull'ali rosee (from Il Trovatore) Pace, pace mio Dio! (from La forza del destino) Ô ma chère compagne (from Don Carlos) Ave Maria (from Otello) | Vivaldi: | Il Bajazet (Il Tamerlano) : Anch'il mar par che sommerga | Wagner: | Dich, teure Halle (from Tannhauser) Euch Lüften, die mein Klagen (from Lohengrin) |
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| |  | The Best of Elisabeth Schwarzkopf
anon.: | S'Schatzli Gerald Moore (piano) | Dvorak: | Songs My Mother Taught Me, Op. 55 No. 4 Gerald Moore (piano) | Humperdinck: | Abendsegen 'Abends will ich schlafen gehn' (Hänsel und Gretel) Elisabeth Grummer (Hansel) Philharmonia Orchestra, Herbert von Karajan | Lehár: | Meine Lippen sie Kussen so heiss (from Giuditta) Philharmonia Orchestra, Otto Ackermann Viljalied (from Die lustige Witwe) Philharmonia Orchestra, Otto Ackermann | Mozart: | Porgi amor (from Le nozze di Figaro) Vienna Philharmonic Orchestra, Herbert von Karajan Dove sono i bei momenti (from Le nozze di Figaro) Vienna Philharmonic Orchestra, Herbert von Karajan Come scoglio (from Così fan tutte) Philharmonia Orchestra, Herbert von Karajan In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Philharmonia Orchestra, Carlo Maria Giulini | Quilter: | Drink to me only Gerald Moore (piano) | Schubert: | Der Musensohn, D764 (Goethe) Edwin Fischer (piano) Gretchen am Spinnrade, D118 Edwin Fischer (piano) Die Forelle, D550 Edwin Fischer (piano) | Schumann: | Der Nussbaum, Op. 25 No. 3 Gerald Moore (piano) | Strauss, J, II: | Klänge der Heimat (from Die Fledermaus) Philharmonia Orchestra, Herbert von Karajan | Strauss, R: | Wiegenlied, Op. 41 No. 1 Gerald Moore (piano)
12. Viljalied (Die Lustige Witwe:Lehár) 5:13 Da geht er hin (from Der Rosenkavalier, Op. 59) Philharmonia Orchestra, Herbert von Karajan | Zeller: | Der Obersteiger: Sei nicht bös’ from Der Vogelhändler Philharmonia Orchestra, Otto Ackermann |
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| |  | The Callas Effect (Deluxe Edition)2CD / 1DVD
Bellini: | Casta Diva (from Norma) Col sorriso d'innocenza (from Il Pirata) | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) Carreau! Pique! La mort! (from Carmen) | Catalani: | Ebben? Ne andrò lontana (from La Wally) | Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) | Giordano, U: | La mamma morta (from Andrea Chénier) | Gluck: | Divinités du Styx (from Alceste) | Gounod: | Ah! Je ris de me voir (from Faust) | Mozart: | In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) | Ponchielli: | Suicidio! (from La Gioconda) | Puccini: | O mio babbino caro (from Gianni Schicchi) Si, mi chiamano Mimi (from La Bohème) In questa reggia (from Turandot) Vissi d'arte (from Tosca) Un bel di vedremo (from Madama Butterfly) Senza mamma, o bimbo (from Suor Angelica) Sola, perduta, abbandonata (from Manon Lescaut) | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) | Saint-Saëns: | Amour, viens aider ma faiblesse (Samson et Dalila) | Thomas, Ambroise: | Ah, pour ce soir...Je suis Titania (from Mignon) | Verdi: | Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) Caro nome (from Rigoletto) Ah, fors'è lui che l'anima (from La Traviata) La luce langue (from Macbeth) D'amor sull'ali rosee (from Il Trovatore) Surta è la notte...Ernani! Ernani, involami (from Ernani) Ritorna vincitor! (from Aida) Tu che la vanità (from Don Carlo) |
DVD 'The Callas Effect' 1. Introduction 2. Humble Beginnings 3. The New Star 4. Norma at Covent Garden 5. Records and Romance 6. La Traviata 7. Il Trovatore 8. Bringing drama to the opera stage: Tosca 9. Concerts 10. Audience Response 11. High Society and Fashion 12. Losing Voice 13. 'Sola, perduta, abbandonata' 14. The Callas Effect today 15. Conclusion
Maria Callas is the ultimate and original diva. Widely regarded as the greatest Opera singer and performer of all time whose life, voice and performances have intrigued, thrilled and inspired all others. Maria Callas 34 years after her death Maria Callas remains the definition of a diva. She is not only the world's bestselling soprano but also EMI Classic's bestselling artist of all time. Widely regarded for her intense characterisation and unique interpretations she has become a cultural icon whose music and life continues to influence today. “Her reputation, extremely high when she died, has become ever greater in the years since her death. As a personality she remains controversial, but as an artist hardly at all: her genius is recognised as supreme by virtually all opera lovers, indeed it is often from listening to her many recordings that people discover what an incredibly potent art form opera can be.” BBC Music Magazine The Music This wonderfully constructed 2CD collection of opera arias highlights Callas’s spectacular climb to fame tracking her move from innocent young woman to the tragic heroine in her later years through the opera arias she recorded. Featuring the most special and exquisitely interpreted arias of her output this collection brings together such opera favourites as O mio babbino caro, Vissi d’arte and Casta diva. Callas’s recordings have featured prominently in many critically acclaimed movies including Academy Award winner Philadelphia and Academy Award Nominated Milk Callas is the immortal diva whose music transcends time and sounds as unique and inspired today. Many noted musicians have quoted Callas as a musical influence including Linda Ronstadt, Patti Smith, Emmylou Harris, Celine Dion, Jason Mraz and Rufus Wainwright. Documentary EMI Classics has made The Callas Effect because there are powerful first-hand accounts that have not before been revealed of how and why Callas has exerted a unique and extraordinary effect – on other celebrity opera singers, on distinguished stage directors, on actors and actresses, on backstage theatre crews, on recording staff, on impresarios, on audiences who queued up for days and nights to see her, and now on young music-lovers who are captivated by her CDs and DVDs. People from all these walks of life, newly captured just for this memoir and including some who personally knew her, are the passionate witnesses of Maria Callas’s genius in The Callas Effect, which also includes extracts from her performances, recordings and interviews. “memorable artistry is evident everywhere - utterly exemplary in its musical intelligence, stirring in its interpretative eloquence. The technique dazzles in marvellously expressive trills...and everywhere, of course, the uniquely penetrating dramatic involvement.” International Record Review, January 2012 “This makes a good Callas set for beginners. It contains arias that showcase a good section of her most successful repertoire and it captures her voice at its best.Exactly when it is captured remains a mystery, however: the set’s main problem for pre-existing fans and aficionados is that, while it contains information about where and with whom each track was recorded, we are not given any dates.” MusicWeb International, January 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | The Callas Effect (Experience Edition)
Bellini: | Casta Diva (from Norma) Col sorriso d'innocenza (from Il Pirata) | Bizet: | L'amour est un oiseau rebelle 'Habanera' (from Carmen) Carreau! Pique! La mort! (from Carmen) | Catalani: | Ebben? Ne andrò lontana (from La Wally) | Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) | Giordano, U: | La mamma morta (from Andrea Chénier) | Gluck: | Divinités du Styx (from Alceste) | Gounod: | Ah! Je ris de me voir (from Faust) | Mozart: | In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) | Ponchielli: | Suicidio! (from La Gioconda) | Puccini: | O mio babbino caro (from Gianni Schicchi) Si, mi chiamano Mimi (from La Bohème) In questa reggia (from Turandot) Vissi d'arte (from Tosca) Un bel di vedremo (from Madama Butterfly) Senza mamma, o bimbo (from Suor Angelica) Sola, perduta, abbandonata (from Manon Lescaut) | Rossini: | Una voce poco fa (from Il barbiere di Siviglia) | Saint-Saëns: | Amour, viens aider ma faiblesse (Samson et Dalila) | Thomas, Ambroise: | Ah, pour ce soir...Je suis Titania (from Mignon) | Verdi: | Mercè, dilette amiche 'Bolero' (from I Vespri Siciliani) Caro nome (from Rigoletto) Ah, fors'è lui che l'anima (from La Traviata) La luce langue (from Macbeth) D'amor sull'ali rosee (from Il Trovatore) Surta è la notte...Ernani! Ernani, involami (from Ernani) Ritorna vincitor! (from Aida) Tu che la vanità (from Don Carlo) |
This wonderfully constructed 2CD collection of opera arias highlights Callas’s spectacular climb to fame tracking her move from innocent young woman to the tragic heroine in her later years through the opera arias she recorded. Featuring the most special and exquisitely interpreted arias of her output this collection brings together such opera favourites as O mio babbino caro, Vissi d’arte and Casta diva. “memorable artistry is evident everywhere - utterly exemplary in its musical intelligence, stirring in its interpretative eloquence. The technique dazzles in marvellously expressive trills...and everywhere, of course, the uniquely penetrating dramatic involvement.” International Record Review, January 2012 | | | In stock - usually despatched within 1 working day. |
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| |  | Mozart: Opera & Concert Arias
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| |  | Opera 2010
Bellini: | Casta Diva (from Norma) Maria Callas (soprano) Coro e Orchestra del Teatro alla Scala, Milano Care compagne, et voi, teneri amici ... Come per me sereno (from La Sonnambula) Evelino Pidò | Cilea: | Ecco: respiro appena. Io son l'umile ancella (from Adriana Lecouvreur) Myung-Whun Chung | Donizetti: | Il segreto per esser felici (from Lucrezia Borgia) Vivica Genaux (mezzo) | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) Münchner Rundfunkorchester | Gershwin: | Bess, you is my woman now (from Porgy and Bess) | Giordano, U: | La mamma morta (from Andrea Chénier) Maria Callas (soprano) | Gluck: | Che faro' senza Euridice? (from Orfeo ed Euridice) David Daniels (countertenor) Harry Bicket | Gounod: | Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) Diana Damrau (soprano) L'amour, l'amour... Ah, lève-toi soleil (from Roméo et Juliette) Rolando Villazón (tenor) Orchestre Philharmonique de Radio France | Handel: | Rival ti sono (from Faramondo) Caro amico amplesso! (from Poro) Precipitoso nel mar che freme (from Aci, Galatea e Polifemo) Laurent Naouri (baritone) Crude furie degli orridi abissi (from Serse) Ove son...Qui ti sfido (from Arianna) Philippe Jaroussky (countertenor) Frondi tenere e belle ... Ombra mai fù (from Serse) David Daniels (countertenor) | Mascagni: | Attesa (from the Intermezzo from Cavalleria Rusticana) Sarah Brightman (soprano) Ed anchè Beppe amò (from L'amico Fritz) Gianandrea Gavazzeni Suzel, buon di 'Cherry Duet' (from L'amico Fritz) Gianandrea Gavazzeni Mamma, quel vino (from Cavalleria Rusticana) | Massenet: | Instant charmant … En fermant les yeux (from Manon) | Mozart: | Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Natalie Dessay (soprano) Louis Langree Và pure ad altri in braccio (from La finta giardiniera) Elina Garanca (mezzo) Camerata Salzburg, Louis Langree In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Véronique Gens (soprano) Non so più cosa son, cosa faccio (from Le nozze di Figaro) Teresa Berganza (mezzo) E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Jeffrey Tate O zittre nicht (from Die Zauberflöte) Le Cercle De L'Harmonie | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) Jessye Norman (soprano) | Puccini: | Vissi d'arte (from Tosca) Angela Gheorghiu (soprano) Vogliatemi bene, un bene piccolini (from Madama Butterfly) Angela Gheorghiu (soprano), Jonas Kaufmann (tenor) O mio babbino caro (from Gianni Schicchi) E lucevan le stelle (from Tosca) James Levine Nessun dorma (from Turandot) Orchestre Philharmonique de Strasbourg | Rameau: | Triste séjour – Argie Les Talens Lyriques | Rossini: | La donna del lago: Fra il padre, e fra l'amante Joyce DiDonato (mezzo) Edoardo Muller | Verdi: | Celeste Aida (from Aida) Plácido Domingo (tenor) La donna è mobile (from Rigoletto) Münchner Rundfunkorchester Libiamo, ne' lieti calici (from La Traviata) Terry Edwards | Vivaldi: | Griselda: Agitata da due venti Vivica Genaux (mezzo) Se in ogni guardo from Orlando finto pazzo Philippe Jaroussky (countertenor) Jean-Christophe Spinosi |
Following the enormous success of the album OPERA 2009, EMI Classics is releasing OPERA 2010. Great voices of today and legendary singers of the past, from the EMI and Virgin Classics catalogue: the home of opera. With 40 tracks, and over 2½ hours of operatic arias and duets, this double album features the best and most popular names in opera from the catalogues of both Virgin Classics and EMI Classics, ranging from the newest arrivals on the operatic scene, as well as many present day superstars, to iconic legends. This is an unmissable collection of the best in opera that will have a wide appeal. Present day superstars include Angela Gheorghiu, Natalie Dessay, Sarah Brightman, Barbara Hendricks, Dame Kiri Te Kanawa, Jessye Norman, Placido Domingo, José Carreras, Rolando Villazón, Roberto Alagna and Bryn Terfel. Rising new artists are strongly represented by Joyce DiDonato, Diana Damrau, Elina Garanca, Vivica Genaux, Véronique Gens, Patrizia Ciofi, Philippe Jaroussky, Jonas Kaufmann, David Daniels, Max Emanuel Cencic and Laurent Naouri. The programme also contains tracks by some of the world’s greatest singers of the past such as Victoria de los Angeles, Teresa Berganza, Mirella Freni, Lucia Popp and Franco Corelli as well as the legendary Luciano Pavarotti and the unique Maria Callas. All the most popular operatic composers are represented, from Baroque masters like Vivaldi, Rameau and Handel, through Gluck and Mozart to Bellini, Donizetti, Verdi, Puccini, Mascagni, Cilea and Gershwin, as well as French favourites Gounod, Massenet and Offenbach. | | | In stock - usually despatched within 1 working day. |
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| |  | Diana Damrau - DonnaMozart opera and concert arias
Mozart: | Vorrei spiegarvi, oh Dio! K418 No, che non sei capace, K419 Senti l’eco, ove t’aggiri (from La finta semplice) Martern aller Arten (from Die Entführung aus dem Serail) Durch Zärtlichkeit und Schmeicheln (from Die Entführung aus dem Serail) Ach, ich fühl's (from Die Zauberflöte, K620) Crudele? Ah no, mio bene! ... Non mi dir, bell'idol mio (from Don Giovanni) In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Giunse alfin il momento... Deh, vieni, non tardar… (from Le nozze di Figaro) E Susanna non vien! … Dove sono i bei momenti (from Le nozze di Figaro) Al destin che la minaccia (from Mitridate, rè di Ponto) S’altro che lagrime (from La clemenza di Tito) Ecco il punto...Non più di fiori vaghe catene (from La clemenza di Tito) |
Diana Damrau (soprano) Le Cercle de l’Harmonie, Jérémie Rhorer In her second recording as an exclusive Virgin Classics artist Diana Damrau interprets concert and operatic arias by Mozart in a programme which displays her virtuosity and impressive vocal range. Indeed Diana Damrau’s new recital shows she can sing practically all of Mozart’s notably varied soprano roles – ranging from the bravura (Donna Anna, Konstanze, Donna Elvira…) via the more serious (Pamina) to the lighter soprano (generally soubrette roles such as Susanna, Blonde…). From her first recording everyone noted her outstanding Queen of the Night – here she is Pamina (in New York’s Met last Fall, Diana Damrau alternated the two roles with brio). She is also Susanna and the Contessa (Le Nozze di Figaro), Konstanze and Blonde (Die Entführung), Donna Anna and Elvira (Don Giovanni), Servilia and Vitellia (La Clemenza di Tito), pairing major soprano roles within the operas, and concert arias. As for her first recital, ‘Arie di bravura’, French conductor Jérémie Rhorer, who is rapidly gaining international recognition, directs his French period-instrument ensemble Le Cercle de l’Harmonie “Diana Damrau's intelligently planned and superbly executed recital… I can’t remember when I last enjoyed a Mozart recital of this kind so much.” BBC Music Magazine, December 2008 ***** “…Jérémie Rhorer draws tangy, rhythmically lively playing from his period band. "Taste", "fire", "flexibility", "sweetness", "grace of execution" - these were the qualities especially prized in singers of Mozart's day. On this showing Damrau, like Lucia Popp before her, has them all.” Gramophone Magazine, March 2009 | | | In stock - usually despatched within 1 working day. |
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| |  | Annette Dasch sings Mozart
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| |  | Elisabeth Schwarzkopf sings Mozart, Schubert and Strauss
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