Bach, J S: Komm süsser Tod, BWV478

This page lists all recordings of Komm süsser Tod, BWV478, by Johann Sebastian Bach (1685-1750) on CD, SACD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

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Bradley Welch Plays at Broadway Baptist

Bradley Welch Plays at Broadway Baptist

Bach, J S:

Komm süsser Tod, BWV478

(arr. V Fox for organ)

Cook, John:



Clair de Lune (from Suite Bergamasque)

(arr. A Cellier for organ)


Variations on 'O laufet, ihr Hirt'




Sonata No. 1 in D minor for organ, Op. 42

Haan, R:

Lyric Pieces (3): No. 2. Pastorale


Amazing Grace

(arr. F Swann for organ)

Bradley Hunter Welch (organ)

Released or re-released in last 6 months

Loft - LRCD-1084

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Bach & Stokowski: The Great Transcriptions

Bach & Stokowski: The Great Transcriptions

Bach, J S:

Passacaglia & Fugue in C minor, BWV582

Komm süsser Tod, BWV478

Chorale Prelude BWV720 'Ein feste Burg ist unser Gott'

Fugue in G minor, BWV578 'Little'

Mein Jesu! was fuer Seelenweh, BWV487


Images for orchestra: II. Ibéria

Prélude à l'après-midi d'un faune

Martin, F:

Petite Symphonie Concertante


Pines of Rome

Leopold Stokowski Symphony Orchestra, Orchestra National de la Radiodiffusion Francaise, Symphony of the Air

Urania - WS121179

(CD - 2 discs)


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Prayer: Voice & Organ

Prayer: Voice & Organ

Bach, J S:

Komm süsser Tod, BWV478

So gibst du nun, mein Jesu, gute Nacht, BWV501

Die goldne Sonne, voll Freud' und Wonne, BWV451

Mein Jesu! was fuer Seelenweh, BWV487

Kommt, Seelen, dieser Tag, BWV479


Agnus Dei


Notre Père, Op. 14


Ave Maria, Op. 19b


Tell me, some pitying angel (The Blessed Virgin's Expostulation), Z196


Deux mélodies hébraïques: Kaddisch


Totengräbers Heimwehe D842 (Craigher)

Ave Maria, D839

Himmelsfunken, D651

Vom Mitleiden Maria D632 (Schlegel)

Litanei auf das Fest Allerseelen, D343

Der Leidende D432 (poet unknown)


Ave Maria, for voice & strings or piano

Wolf, H:

Karwoche (No. 26 from Mörike-Lieder)

Mühvoll komm ich und beladen (No. 7 from Spanisches Liederbuch: Geistliche Lieder)

Zum neuen Jahr (No. 27 from Mörike-Lieder)

Schlafendes Jesuskind (No. 25 from Mörike-Lieder)

Gebet (No. 28 from Mörike-Lieder)

Magdalena Kožená (mezzo-soprano) & Christian Schmitt (organ)

The new recording from Magdalena Kožená features deeply-felt interpretations of sacred songs from the Baroque to the 20th Century.

In a rare recording collaboration, she is joined by virtuoso Christian Schmitt, in music for voice and organ from the sacred traditions of Germany, Austria, France and England, as well as her native Czechoslovakia.

Of course, the album includes music by J.S. Bach – a composer with whom Magdalena Kožená has long been associated - with sacred aspects of German song represented by Hugo Wolf and Schubert.

The French tradition is heard in the music of Bizet, Ravel and the great Parisian organist Maurice Duruflé.

Digital version contains two exclusive tracks - works for organ solo

“Her Wolf is particularly luscious - never overworked but always emotionally direct, establishing the same flexible intimacy with the organ that we'd expect with a piano...Kožená sings superbly here, proving herself as flexible stylistically as she is vocally.” Gramophone Magazine, May 2014

DG - 4792067



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Marian Anderson: Rare Live Broadcast Performances 1944-1951

Marian Anderson: Rare Live Broadcast Performances 1944-1951

Bach, J S:

Cantata BWV68 'Also hat Gott die Welt geliebt: Mein glaubiges Herze

Komm süsser Tod, BWV478

Christmas Oratorio, BWV248: Bereite dich, Zion


Odiò la pastorella

Bononcini, G B:

Calfurnia: The Trumpet is calling (Un'ombra di pace)


Von ewiger Liebe, Op. 43 No. 1

Burleigh, H T:

Deep River

My Way's Cloudy

Hard Trials


Après un rêve, Op. 7 No. 1


Ombra mai fu (from Serse)

Per rapir quel tesoro... Un cenno leggiadretto (from Serse)

Vanne, segui'l mio desio (from Floridante)


Exsultate, jubilate, K165 - Alleluia


Mon cœur s'ouvre à ta voix (from Samson et Dalila)


Ständchen 'Leise flehen meine Lieder', D957 No. 4

Die Allmacht, D852


Solitude from Belshazzar's Feast Op. 51


O don fatale (from Don Carlo)

Marian Anderson (contralto)

Previously unpublished radio performances by one of the greatest vocal artists of the twentieth century. This collection presents Anderson in a wide range of repertoire, including songs and arias by Bach, Handel, Mozart, Schubert, Verdi, Brahms, Fauré, Saint-Saëns, and Sibelius, as well as spirituals. Booklet includes notes by Anderson biographer Allan Keiler. 72 minutes in glorious Mono.

VAI - VAIA1275



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William Primrose Recital Volume 2

William Primrose Recital Volume 2

Original 1934-52 Recordings

Bach, J S:

Komm süsser Tod, BWV478

arr de Tar

Benjamin, A:

Sonata for Viola & Piano (1942)


Two songs for contralto with viola obbligato, Op. 91

Marian Anderson (contralto)

Chorale Prelude Op. 122 No. 11 'O Welt, ich muß dich lassen'


Sonata in E, Op. 2, No. 9: Adagio

Keyboard Suite, HWV 432 in G minor: Passacaille

arr Halvorsen

Harris, Roy:

Soliloquy and Dance


Caprice for solo violin, Op. 1 No. 5 in A minor

arr Primrose

Caprice for solo violin, Op. 1 No. 13 in B flat major

arr Primrose

Caprice for solo violin, Op. 1 No. 17 in E flat major

arr Primrose

Caprice for solo violin, Op. 1 No. 24 in A minor

arr Primrose


Litanei auf das Fest Allerseelen, D343

arr de Tar

Considered the first really modern violist, legendary Scottish musician William Primrose first came to prominence with the violin in the 1920s, turning to the viola on the recommendation of his greatest mentor, Eugène Ysaÿe. This programme includes four Paganini Caprices, which did more than any other of Primrose’s recordings to spread his fame among his peers, as well as two major works written especially for him: Arthur Benjamin’s Sonata, and Roy Harris’s Soliloquy and Dance. Primrose performs here with numerous noted accompanists, and alongside Jascha Heifetz in Halvorsen’s Passacaglia. This is the second of two volumes, the first of which is on 8111382.

The recorded legacy of William Primrose is well known, but newly re-mastered editions from our Historical catalogue always generate interest. The sonic results with this recital by ‘absolute stars’ (MusicWeb International on 8120607) producer David Lennick and restorer Graham Newton makes this the new standard bearer for these legendary recordings. This release joins volume one on 8111382 to make an eminently collectable pair.

“Distinguished, passionate and virtuoso playing from a great viola player” BBC Music Magazine, April 2012 *****

Naxos Historical Great Violists - 8111383



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Freud Und Lust

Freud Und Lust

Buxtehude and Bach

Bach, J C:

Lamento 'Ach daß ich Wassers gnug hätte'

Bach, J S:

Komm süsser Tod, BWV478

O Jesulein süß, BWV493


Jesu, mein Freud und Lust, BuxWV 59

Sonata in F major, BuxWV269

Trio Sonata in A minor, BuxWV254

Jubilate Domino, omnis terra, BuxWV 64

Wenn ich, Herr Jesu, habe dich, BuxWV 107

Ryland Angel (countertenor)

The Holy Trinity Bach Players, Rick Erickson

German baroque masterworks for countertenor and strings Buxtehude’s fame rests principally on his keyboard music but this disc explores his outstanding vocal works, set in the context of J.S. and J.C. Bach. Each of these composers worked in important centres of Lutheran music in seventeenth and eighteenth-century Germany. Seventeenth-century German composers quickly adopted the new vocal styles that burst onto the scene in Italy at the beginning of the century: monody, in which a single voice declaims a text with special attention to the emotion and meaning of the words, and in the concerto style, consisting of opposing bodies of sound.

Deux-Elles - DXL1147



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Bach, J S:

Toccata & Fugue in D minor, BWV538 'Dorian'

Komm süsser Tod, BWV478

Orchestral Suite No. 3 in D major, BWV1068: Air ('Air on a G String')

Barroso, A:

Aquarela do Brasil


When Tubas Waltz

Beal, D:

Reflections on a Park Bench

Hutchinson, T:

Tuba Juba Duba


Suite Andalucía: Malagueña

Ross, W:

Concerto Basso


Treatments for Tuba

Tennessee Tech Tuba Ensemble, R. Winston Morris

Mark Records - 6736-MCD

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Be Thou My Vision

Be Thou My Vision

Bach, J S:

Komm süsser Tod, BWV478

(arr. G Zieroth)

Concordia University Schola Cantorum

Komm süsser Tod, BWV478

(arr. A. Reed)

Toccata & Fugue in D minor, BWV565


All Hail the Power


Alma Mater


Ave verum corpus, K618

Nicholson, S:

Lift high the Cross (Crucifer)

Concordia University Schola Cantorum


All Hail the Power of Jesus' Name

Concordia University Schola Cantorum


Christ is made the sure foundation (Westminster Abbey)


Simple Gifts: Four Shaker Songs


Swedish Hymn

Be thou my vision

Vaughan Williams:

For all the saints (Sine nomine)


Dixieland Jamboree

Concordia University Wind Symphony,, Richard Fischer

Mark Records - 4782-MCD

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Wind Band Masterworks, Vol. 2

Wind Band Masterworks, Vol. 2


Overture: Peterloo, Op. 97

Bach, J S:

Komm süsser Tod, BWV478


Fanfare to La Peri


Aria on a Chaconne

Reed, H O:

La Fiesta Mexicana

Rimsky Korsakov:

Mlada: Procession of the Nobles

Stanhope, D:

Olympic Fireworks for large brass ensemble with percussion


Nabucco Overture

Texas A and M Wind Symphony, Texas A and M Symphonic Band, Timothy B. Rhea

Mark Records - Wind Band Masterworks - 5982-MCD

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Between Life and Death - Songs & Arias

Between Life and Death - Songs & Arias

Bach, J S:

Komm süsser Tod, BWV478


Feldeinsamkeit, Op. 86 No. 2

Wie rafft' ich mich auf Op. 32,1 (v.Platen)

Loewe, C:

Edward, Op. 1 No. 1 (Herder)

Der Erlkönig, Op. 1 No. 3 (Goethe)


Urlicht (from Symphony No. 2)

Revelge (Des Knaben Wunderhorn)

Ich bin der Welt abhanden gekommen (Rückert-Lieder)


Neue Liebe, Op. 19a No. 4


Abendempfindung an Laura, K523


Schwanengesang D744 (Senn)

Auflösung, D807

Der Jungling und der Tod, D545 (Spaun)

Der Tod und das Mädchen, D531

Kriegers Ahnung D 957, No. 2


Stirb, Lieb’ und Freud! Op.35, No. 2


Kuda, Kuda 'Lensky's Aria' (from Eugene Onegin)


Nein! länger trag' ich nicht die Qualen…Durch die Wälder (from Der Freischütz)

Wolf, H:

Denk es, o Seele! (No. 39 from Mörike-Lieder)

Anakreons Grab (No. 29 from Goethe-Lieder)

Ein Ständchen Euch zu bringen kam ich her (No. 22 from Italienisches Liederbuch)

Dereinst, Gedanke mein (No. 22 from Spanisches Liederbuch: Weltliche Lieder)

Christoph Prégardien (tenor) & Michael Gees (piano)

The selection of songs and arias on this double SACD set reflect on the fundamental question of life and death and cover a period of almost two centuries, the composers featured ranging from Bach through to Tchaikovsky. They are performed by one of the great lyric tenors of our age Christophe Prégardien, accompanied by the pianist Michael Gees. The common theme in the music of this recording is the most fundamental of all, existence itself, life and death. The composers represented are Bach, Mahler, Schubert, Schumann, Mozart, Brahms, Loewe, Wolf, Mendelssohn, and Tchaikovsky. The songs and arias performed here range over almost two centuries with eleven compositions and many musical forms, the simple song with piano accompaniment, the narrative, expansive ballad, the great opera aria and more.

Christoph Prégardien is widely regarded as among the foremost lyric tenors of our time and frequently collaborates with conductors such as Ricardo Chailly, John Elliot Gardiner, Nicolaus Harnoncourt, and Phillipe Herreweghe. He is represented on disc with more than a hundred and twenty titles, including most of his current repertoire. His recordings of German Romantic Lied repertory, particularly his recent releases on Challenge Classics of Schubert’s Die Schöne Müllerin, (CC72292), and Schwanengesang, (CC72302), have been highly acclaimed by the public and press and have received many major international awards.

“…far from being depressing, the programming here, both thoughtful and vividly imaginative, serves to stimulate the senses and lift the spirit. A fresh and unmannered introductory performance of Bach's 'Komm, süsser Tod' leads with both tonal and spiritual ease into an equally direct rendering of 'Urlicht' from Mahler's Second Symphony - artfully and beautifully accompanied by Gees. with a quietly impassioned and sensitively paced performance of Mahler's valedictory 'Ich bin der Welt abhanden gekommen', the final track fades into thin air, concluding an anthology to savour slowly, and return to many times.” BBC Music Magazine, February 2010 ****

“Such a programme demands exceptional resources in its singer, and there is probably no one presently more suited than Christoph Prégardien. His tenor, always centred as a high baritone, extends into the bass range right down to the low D of "Der Tod und das Mädchen". He can also call upon a silvery spiritual quality which serves well in songs such as Brahms's "Feldeinsamkeit" and as a final blessing over the whole recital in that last phrase of Mahler's "Ich bin der Welt abhanden gekommen". Michael Gees is one with the singer in the dedication of his own skills and in the imaginative sympathy that informs his touch.” Gramophone Magazine, March 2010

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Challenge Classics - CC72324

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