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| |  | Chopin: Ballades & Scherzos
| | | Usually despatched in 4 - 5 working days. |
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| |  | Sequeira Costa plays Chopin
| | | Usually despatched in 2 - 3 working days. |
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| |  | Chopin: Ballades & Polonaises
“...there is an overall consistency of style in his approach that places the interpretations in a somewhat distant era from our own...The overriding impression is of Chopin as an elegant personality moved in climaxes or quiet moments to express passion and poetry respectively” Gramophone Magazine | | | Usually despatched in 4 - 5 working days. |
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| |  | Presenting Vanessa Perez
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| |  | Chopin: Scherzos And Ballades
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| |  | Wladyslaw Szpilman
Bacewicz: | Piano Sonata No. 2 (1953, Studio recording, Polish Radio, Warsaw, (World Premiere Recording) | Beethoven: | Violin Sonata No. 5 in F major, Op. 24 'Spring' (14.9.1960, Studio recording Polish Radio Warsaw) | Bloch, E: | Nigun (Baal Shem No. 2) (14.9.1960, Studio recording Polish Radio, Warsaw) | Chopin: | Polonaise No. 7 in A flat major, Op. 61 'Polonaise-fantaisie' (1950, Live recording Polish Radio, Warsaw) Ballade No. 4 in F minor, Op. 52 (1950, Live recording Polish Radio, Warsaw) Nocturne No. 20 in C sharp minor, Op. post. (1948, Studio recording, Warsaw) | Debussy: | Préludes - Book 1: No. 8, La fille aux cheveux de lin (1949, Live recording, Polish Radio, Warsaw) | Dvorak: | Slavonic Dance No. 2 in E minor, Op. 46 No. 2 (2.2.1964, Studio recording Polish Radio, Warsaw) | Friedman, I: | Viennese Dance No. 1 (after Eduard Gärtner) (1946, Studio recording Swedish Radio, Stockholm) | Gershwin: | Summertime (from Porgy and Bess) (18.1.1949, live recording Polish Radio, Warsaw) | Grieg: | Violin Sonata No. 3 in C minor, Op. 45 (4.1.1965, Studio recording Polish Radio, Warsaw) | Grünfeld: | Soirée de Vienne, concert paraphrase from Johann Strauss' waltzes, Op. 56 (1946, Studio recording Swedish Radio, Stockholm) | Holländer: | Ich bin von Kopf bis Fuss auf Liebe eingestellt (text: Friedrich Holländer) (1949, live recording Polish Radio, Warsaw) | Prokofiev: | Piano Sonata No. 7 in B flat major, Op. 83 (1953, Studio recording, Polish Radio, Warsaw (Polish Premiere Recording) Peter and the Wolf, Op. 67 (2.2.1964, Studio recording Polish Radio, Warsaw) | Rathaus: | Pastorale and Dance (2.4.1964, Studio recording Polish Radio, Warsaw) | Rodgers, R: | Blue Moon (18.1.1949, live recording Polish Radio, Warsaw) | Schubert: | Rondo Op. 53 (2.2.1964, Studio recording Polish Radio, Warsaw) | Schumann: | Piano Quintet in E flat major, Op. 44 (May 1965, Studio recording Polish Radio, Warsaw) | Szpilman: | Toccatina (Life of the Machines. Piano Suite, 3rd Movement) (1946, Studio recording Swedish Radio, Stockholm) Mazurka (1946, Studio recording Swedish Radio, Stockholm) Fall In Love Again (18.1.1949, live recording Polish Radio, Warsaw) | Wieniawski: | Mazurka in G major, Op. 19 No. 1 'Obertas' (14.9.1960, Studio recording Polish Radio, Warsaw) | Zarebski: | Piano Quintet in G minor, Op. 34 (1963 Studio recording Polish Radio, Warsaw) |
Wladyslaw Szpilman (piano) with Bronislaw Gimpel (violin) Warsaw Piano Quintet “…Szpilman was an artist of genuine stature, as these discs eloquently demonstrate.” BBC Music Magazine, February 2006 **** | | | In stock - usually despatched within 1 working day. |
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| |  | Chopin: 4 Ballades, 4 Impromptus, 24 Preludes & 20 Nocturnes
Yuan Sheng (1845 Pleyel Grand piano) “When I feel in good form and strong enough to find my own individual sound, then I need a Pleyel piano.” “Pleyel pianos are the last word in perfection”. Two quotes from Chopin, proving his preference of the Pleyel piano as the perfect medium for his artistic ideals. This new recording features a superb 1845 Pleyel Grand Piano, of the Frederick Historical Piano Collection in Ashburnham, Massachusetts, USA. Master pianist Yuan Sheng plays the complete ballades, impromptus, preludes and nocturnes, with exquisite taste, poetry and power, fully exploring the instrument’s unique possibilities. The booklet contains extensive background information on the instrument and its place in history. | 
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| |  | Alfred Cortot: The Great Chopin RecordingsThe original HMV records 1934/1943
The works include: Sonata No.3 in B minor Op.58, 14 Waltzes, Piano Concerto No.2 in F minor Op.21 and 24 Preludes Op.28. The studio recordings were made in Paris and London between 1931 and 1943. This collection is now available again. 1931/1943 HMV recordings | | | Usually despatched in 2 - 3 working days. |
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| |  | Chopin - A Chronological Journey
Chopin: | Andante spianato & Grande Polonaise, Op. 22 Nocturne No. 1 in B flat minor, Op. 9 No. 1 Nocturne No. 4 in F major, Op. 15 No. 1 Nocturne No. 5 in F sharp major, Op. 15 No. 2 Nocturne No. 6 in G minor, Op. 15 No. 3 Bolero, Op. 19 Mazurka No. 5 in B flat major, Op. 7 No. 1 Mazurka No. 9 in C major, Op. 7 No. 5 Mazurka No. 13 in A minor, Op. 17 No. 4 Ballade No. 1 in G minor, Op. 23 Marche Funebre, Op. 72 No. 2 Waltz No. 14 in E minor, Op. post., KKIVa:15, B 56 Waltz No. 9 in A flat major, Op. 69 No. 1 'Farewell Waltz' Étude Op. 10 No. 3 in E major 'Tristesse' Étude Op. 10 No. 4 in C sharp minor Étude Op. 10 No. 5 in G flat major 'Black Key' Étude Op. 10 No. 12 in C minor ‘Revolutionary' Scherzo No. 2 in B flat minor, Op. 31 Nocturne No. 8 in D flat major, Op. 27 No. 2 Allegro de Concert in A major Op. 46 Waltz No. 4 in F major 'Grande Valse Brillante', Op. 34 No. 3 Waltz No. 5 in A flat major, Op. 42 Piano Sonata No. 2 in B flat minor, Op. 35 'Marche funèbre' Mazurka No. 23 in D major, Op. 33 No. 2 Scherzo No. 3 in C sharp minor, Op. 39 Étude Op. 25 No. 1 in A flat major 'Aeolian Harp' Étude Op. 25 No. 2 in F minor Étude Op. 25 No. 11 in A minor 'Winter Wind' Étude Op. 25 No. 12 in C minor Berceuse in D flat major, Op. 57 Fantasia in F minor, Op. 49 Nocturne No. 15 in F minor, Op. 55 No. 1 Nocturne No. 16 in E flat major, Op. 55 No. 2 Piano Sonata No. 3 in B minor, Op. 58 Barcarolle in F sharp major, Op. 60 Ballade No. 4 in F minor, Op. 52 Mazurka No. 40 in F minor, Op. 63 No. 2 Mazurka No. 49 in F minor, Op. 68 No. 4 Polonaise No. 6 in A flat major, Op. 53 'Héroïque' |
3 CDs for 2 (The Early Years 1827–1835 / The Middle Years 1835–1841 & The Final Years 1841–1849) “A substantial souvenir of the happiest of collaborations with her producer, Bryan Crimp, Tyron once more proclaims herself the most civilised of pianists. Here are all her unimpeachable virtues, her unalloyed taste and musicianship, her coolness and fluency even when faced with the thorniest of difficulties.” Gramophone Magazine, Janurary 2008 | | | Usually despatched in 2 - 3 working days. |
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