Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | English Song
anon.: | Miserere, my Maker | Berkeley, L: | How Love Came In | Bridge: | Go Not, Happy Day Love went a-riding | Britten: | Let the florid music praise! (from On this Island) | Butterworth, G: | Is My Team Ploughing? | Campion: | Come let us sound with melody Fair, if you expect admiring Shall I come, sweet love, to thee? | Dowland: | I saw my Lady weepe Awake, sweet love Fine knacks for ladies Sorrow, stay If my complaints could passions move What if I never speed? | Ford, T: | Faire, sweet, cruell Come Phyllis come | Holst: | Persephone (No. 1 from 12 Songs Op. 48) | Ireland: | I Have Twelve Oxen | Moeran: | In youth is pleasure | Morley: | It was a lover and his lass O mistress mine Thirsis and Milla I saw my lady weeping What if my mistress now | Oldham, A: | Chinese Lyrics (3) | Pilkington: | Rest sweet Nimphs | Rosseter: | When Laura smiles What then is love but mourning? Sweet come again What is a day? | Warlock: | Yarmouth Fair |
Peter Pears’ voice was undoubtedly one of the finest and most distinctive of the twentieth century and here he collaborates with Julian Bream and Benjamin Britten in performances of English song. Repertoire includes works by Ford, Morley, Rosseter, Dowland, Pilkington, Campion, Bridge, Butterworth, Ireland, Moeran, Warlock, Holst, Berkeley, Oldham and Britten. | | | Usually despatched in 8 - 10 working days. |
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| |  | When Laura SmilesLute solos and songs from Elizabethan England by Philip Rosseter
Gramophone Editor’s Choice artist Matthew Wadsworth presents the first ever recording devoted entirely to Philip Rosseter’s music. A timely tribute to one of the great masters of the lute and English song, When Laura Smiles features twelve of Rosseter’s most beguiling songs, including What then is love but mourning, If she forsake me, Sweet come again as well as the title track. It also includes all of Rosseter’s surviving lute solos, including an epic chromatic fantasy, two weighty pavans and several charming dances. When Laura Smiles continues Matthew’s exploration of music by John Dowland’s contemporaries, following the critically acclaimed Away Delights with soprano Carolyn Sampson (AV 2053) featuring the music of Robert Johnson. “Lutenist Matthew Wadsworth dazzles with his dexterity” – The Independent Magazine, proclaiming Matthew one of the Rising Stars of 2005 “James Gilchrist's supple, seductive tenor is well-suited to this repertoire: through the subtlest of expressive nuances and inflections, he breathes life into this arcane but charming poetry, most effectively in the sprightly title song, 'When Laura smiles'. Matthew Wadsworth holds centre stage in a selection of lute solos and... plays with emotive musicianship and sensitivity.” BBC Music Magazine, January 2006 **** | | | Usually despatched in 4 - 5 working days. |
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| |  | Lute Songs
Campion: | Fire! Fire! Fire! Fire! I care not for these ladies | Corkine: | Beauty sat bathing Tis true, tis day | Ferrabosco, A II: | Come, my Celia Like Hermit Poor So so, leave off this last lamenting kisse | Ford, T: | Faire, sweet, cruell Go, passions, to the cruel fair Not full twelve years | Jones, Robert: | Whither runneth my sweet hart Come sorrows | Morley: | A painted tale Thirsis and Milla With my love my life was nestled I saw my lady weeping Who is it that this dark night Can I forget what reasons force Absence, hear thou my protestation Come sorrow, come | Pilkington: | Aye mee, she frownes | Rosseter: | When Laura smiles What then is love but mourning? |
| | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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