Finnissy: Beat Generation Ballads

This page lists our only recording of Beat Generation Ballads, by Michael Finnissy (b.1946) on CD & download (MP3 & FLAC).

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Michael Finnissy: Beat Generation Ballads

Catalogue No:




Release date:

22nd July 2016




69 minutes


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Michael Finnissy: Beat Generation Ballads


First Political Agenda

Beat Generation Ballads

Philip Thomas (piano)


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Released to celebrate composer Michael Finnissy's seventieth year, Beat Generation Ballads presents the premiere recordings of two of Finnissy's recent major piano works - First Political Agenda (1989-2004) and Beat Generation Ballads (2014) - both performed by internationally acclaimed pianist, Phillip Thomas.

"Listeners who have been following closely the music and development of Michael Finnissy over the past half-century, or who are familiar with his wide-ranging and prolific output, will be accustomed to being wrong-footed when hearing a new work. Finnissy is a master of counteracting supposed stylistic traits, continually enlarging his gamut of references, forms and notational practices. The two works presented here will likely prove no exception. Yet they also serve as ideal introductions to the composer's vision, methods and language. Typically evocative (and provocative) titles combine with a diverse set of musical references, from Bach to jazz, Irish republican song to Webern. Though it is Beethoven that looms most large..."

Michael Finnissy: First Political Agenda

I. Wrong Place. Wrong Time.

II. Is There Any Future for New Music?

III. You Know What Kind of Sense Mrs. Thatcher Made.

Michael Finnissy: Beat Generation Ballads

I. Lost but Not Lost

II. Naked Original Skin Beneath Our Dreams & Robes of Thought

III. Lonely Banna Strand

IV. Evans, Harry, Scott, Hearts Foolish

V. Veränderungen

The Guardian

9th June 2016


“It’s music that can be overwhelmingly complex and forbidding, tenderly sentimental, or frankly autobiographical. And it is strewn with allusions and references to a range of other periods and styles. Those characteristics and qualities are on display in the two large-scale works on Philip Thomas’s thoughtful and superbly played disc.”

Sunday Times

12th June 2016

“Both have titles provoking awareness that there’s more to music than crochets and quavers...First Political Agenda is a quasi-sonata whose first movement, “Wrong place. Wrong time”, is an explosion of modernismus almost parodic in its black disjunctiveness.”

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