All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | The SeaSongs by Debussy, Fauré & Schubert
Debussy: | Trois Mélodies de Verlaine Beau Soir | Fauré: | Poème d'un jour Op. 21 L'horizon chimérique, Op. 118 Les berceaux, Op. 23 No. 1 En sourdine, Op. 58 No. 2 (Verlaine) Chanson du pêcheur Op. 4 No. 1 Larmes Op. 51 No. 1 | Schubert: | Der Schiffer, D536 (Mayrhofer) Meeres Stille, D216, Op. 3 No. 2 (Goethe) Fahrt zum Hades, D526 (Mayrhofer) Auf der Donau, D553 (Mayrhofer) Erlafsee D586 (Mayrhofer) Gondelfahrer, D808 Ruckweg, D476 (Mayrhofer) Am Strome, D539 (Mayrhofer) Gruppe aus dem Tartarus, second version, D583 (Schiller) |
Henk Neven (baritone) & Hans Eijsackers (piano) The Sea, songs of water and the sea, diverse in colour and emotion. Henk Neven on his new ONYX recording: "During the recordings of my debut album 'Auf einer Burg' in Suffolk, I visited, after a day’s work, the coastal town of Aldeburgh. It was winter-time and at six o’clock pitch dark already. I was walking along the sea. Darkness all around. Nevertheless I heard, smelt and felt the sea. Not visible but very present. We sat by the water for ages and indulged in fancies, philosophised, and written poetry lustily about the endless deep of the sea, about the horizon and what is behind it, about the similarity to our spiritual lives, about the currents that are as our lives; about the sea that takes us with it when we are tired of living; about the restless sailor who revives between storm and waves; about the solitary wife who, rocking her baby, is left alone; about the sea in which you pour out your heart… Have all these tears made the seawater so bitterly salt? The sea and the water have been a source of inspiration for many poets and their poems inspired the composers likewise. The songs that were created that way have inspired me". Henk’s debut album 'Auf einer Burg', lieder by Loewe and Schumann, ONYX4052, was praised by BBC Radio 3: "songsettings by Loewe, beautifully brought to life by baritone Henk Neven and pianist Hans Eijsackers... A world of fantasies and dreams and reflections on the passing of time and the transience of life. That’s what it says on the sleeve, and that’s exactly what they deliver so successfully. It’s the CD Review Disc of the Week and you’ll find it on ONYX Classics.” “A delightful recital … Neven’s melodies are every bit as persuasive as his lieder … the recording team does the project proud.” Classical Music, 17th November 2012 “Rarely do you hear, even in the rarefied world of French melodie and German Lieder, a baritone who sings with such subtlety in shading of dynamic and tone as the Dutch baritone Henk Neven...and this latest disc extends my admiration even further in totally exquisite singing...Altogether a most memorable song record.” Gramophone Magazine, February 2013 | | | In stock - usually despatched within 1 working day. |
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| |  | Frederica von Stade sings Fauré Melodies
Fauré: | Les berceaux, Op. 23 No. 1 Le papillon et la fleur, Op. 1 No. 1 Lydia, Op. 4 No. 2 Rêve d'amour, Op. 5 No. 2 La fée aux chansons Op. 27 No. 2 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Notre amour Op. 23 No. 2 Les roses d'Ispahan Op. 39 No. 4 Dans les ruines d'une abbaye Op. 2 No. 1 Après un rêve, Op. 7 No. 1 Clair de Lune, Op. 46 No. 2 Mandoline, Op. 58 No. 1 (Verlaine) En sourdine, Op. 58 No. 2 (Verlaine) L'aurore Arpège, Op. 76 No. 2 (Samain) Prison, Op. 83 No. 1 Dans la forêt de septembre Op. 85 No. 1 Au cimetière, Op. 51 No. 2 Mélisande's song from Op. 80 |
Described by the New York Times as “one of America’s finest artists and singers,” Frederica von Stade continues to be extolled as one of the music world’s most beloved figures. Known to family, friends, and fans by her nickname “Flicka,” the mezzo-soprano has enriched the world of classical music for three decades. This release highlights the iconic recordings of Faure Melodies with Jean-Philippe Collard and Melisande's Song from Faure's Pelleas et Melisande with Orchestre du Capitole de Toulouse under Michel Plasson. | | | In stock - usually despatched within 1 working day. |
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| |  | Simon Keenlyside & Malcolm Martineau
Fauré: | Aubade, Op. 6 No. 1 En sourdine, Op. 58 No. 2 (Verlaine) Green, Op. 58 No. 3 (Verlaine) Notre amour Op. 23 No. 2 Fleur jetée, Op. 39 No. 2 Spleen, Op. 51 No. 3 (Verlaine) Madrigal Op. 35 Le papillon et la fleur, Op. 1 No. 1 | Poulenc: | Hotel Encore | Ravel: | Histoires naturelles (5) | Schubert: | An Sylvia, D891 Die Einsiedlei D393 (Salis-Seewis) Verklarung D59 (Herder, after Pope) Die Sterne, D939 (Leitner) Himmelsfunken, D651 Ständchen 'Leise flehen meine Lieder', D957 No. 4 | Wolf, H: | Der Knabe und das Immlein (No. 2 from Mörike-Lieder) Gesang Weylas (No. 46 from Mörike-Lieder) An die Geliebte (No. 32 from Mörike-Lieder) Auf eine Christblume II (No. 21 from Mörike-Lieder) Lied eines Verliebten (No. 43 from Mörike-Lieder) Lied vom Winde |
He was already noted as a recitalist, and “a talent to cherish” as far back as 1989. Since appearing in La Scala in 1998 he has performed recitals all over the world, his repertoire including: Schubert, Schumann, Strauss, Brahms, Fauré, Wolf and Mahler. He has also recorded many English songs. Gramophone describe him as the finest baritone singer of Lieder this country has ever produced. In Simon's own words “I've probably got around 15 years, and think I can see the end of the tunnel. I've done most of the roles that suit me and some, like Papageno, I'll never want to drop…” “In Wagner I shan't go beyond Wolfram in Tannhauser. I know there's Beckmesser, but I'm afraid it's not a role that excites or fascinates me. I'll never get tired of the stand-and-sing roles like Germont in Traviata and Posa in Don Carlos - parts where you really have to act with your voice and pin the audience to their seats with inflexion, nuance and colour. I probably shan't sing Billy Budd again… and am moving down from Pelleas to Golaud. The two new roles I'm most excited about are Wozzeck and Rigoletto, which are both great theatre and call on a huge palette of colours. Wozzeck in particular, is a mountain any baritone wants to climb…” “The opening Schubert group demonstrates the baritone's natural and unaffected delivery - an ability to hold words and notes together in one single gesture - and his finely tuned vocalism, founded on a lightly rounded but always expressive tone. He sounds equally at ease in the French half of the programme. ...'En sourdine' flows beautifully...and the light humour of 'Le Papillon et la Fleur', Fauré's Op. 1 No. 1, is flawlessly conveyed in Martineau's enchantingly lithe pianism.” BBC Music Magazine, December 2009 “Hugo Wolf is at his most welcoming in "Der Knabe und das Immelein" and Keenlyside is at his most responsive in "An die Geliebte". Keenlyside is at his best in "Notre amour" - and very French. In… Malcolm Martineau: he has a collaborator in whom the life of texts as well as the music is experienced and communicated unfailingly.” Gramophone Magazine, November 2009 “you’re being invited to step into a more gently nuanced and delicately observed world, where the expressive weight of each phrase is being judged to perfection, with not a gram of emotional excess...this is such a successful document of the occasion that you might honestly end up feeling that you were [there]… and can be again, and again.” Andrew McGregor, bbc.co.uk, 22nd December 2009 | | | In stock - usually despatched within 1 working day. |
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| |  | Melodies Francaises pour Bariton
Chausson: | Les Papillons, Op. 2 No. 3 (Gautier) Le temps des lilas Le Colibri, Op. 2 No. 7 (de Lisle) Le Charme, Op. 2 No. 2 (Silvestre) | Debussy: | Auprès de cette grotte sombre Mandoline (Verlaine) | Duparc: | Chanson triste L'Invitation au voyage | Fauré: | Cinq Melodies 'de Venise', Op. 58 Clair de Lune, Op. 46 No. 2 Après un rêve, Op. 7 No. 1 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Arpège, Op. 76 No. 2 (Samain) En sourdine, Op. 58 No. 2 (Verlaine) L'horizon chimérique, Op. 118 | Ravel: | Histoires naturelles (5) Don Quichotte à Dulcinée with Paris Conservatoire Orchestra, Eduoard Lindberg |
Recorded 1950-1954 “France's equivalent of Fischer-Dieskau sings Fauré, Duparc and Ravel with characteristic expressive elegance that transcends the rather elderly recordings.” BBC Music Magazine, May 2006 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Gérard Souzay
Falla: | Siete Canciones populares españolas | Fauré: | C'est l'extase langoureuse, Op. 58 No. 5 (Verlaine) Green, Op. 58 No. 3 (Verlaine) Mandoline, Op. 58 No. 1 (Verlaine) Prison, Op. 83 No. 1 Spleen, Op. 51 No. 3 (Verlaine) Tristesse, Op. 6 No. 2 Au bord de l'eau, Op. 8 No. 1 (Prudhomme) Après un rêve, Op. 7 No. 1 Clair de Lune, Op. 46 No. 2 (Verlaine) Arpège, Op. 76 No. 2 (Samain) En sourdine, Op. 58 No. 2 (Verlaine) L'horizon chimérique, Op. 118 | Ravel: | Histoires naturelles (5) |
Gérard Souzay (baritone), Jacqueline Bonneau & Dalton Baldwin (piano) Recorded 1950-55 “Canciones populaires espanolas could not be sung with greater feeling...it has lost none of its ability to enchant and remains one of the most eloquent of Souzay's song records.” Penguin Guide, 2011 edition | | | In stock - usually despatched within 1 working day. |
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| |  | Fauré - La Chanson d'Eve and other songs
Fauré: | Le papillon et la fleur, Op. 1 No. 1 Chanson du pêcheur Op. 4 No. 1 Rêve d'amour, Op. 5 No. 2 Hymne Op. 7 No. 2 Aubade, Op. 6 No. 1 Barcarolle Op. 7 No. 3 Toujours!, Op. 21 No. 2 Les berceaux, Op. 23 No. 1 Le secret Op. 23 No. 3 Aurore, Op. 39 No. 1 Les roses d'Ispahan Op. 39 No. 4 En prière Les présents Op. 46 No. 1 La chanson d'Ève, Op. 95 Spleen, Op. 51 No. 3 (Verlaine) Green, Op. 58 No. 3 (Verlaine) En sourdine, Op. 58 No. 2 (Verlaine) Mandoline, Op. 58 No. 1 (Verlaine) Après un rêve, Op. 7 No. 1 |
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| |  | Faure - Requiem & Songs
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| |  | Do you Dream in Color?
Laurie Rubin (mezzo-soprano) The title work on this disc ‘Do You Dream in Color?’ is both a personal memoir and a celebration of the human spirit: an emotional, probing dramatic text that explores the nature of blindness and of human perception. Laurie Rubin's remarkable debut disc includes songs sung in four languages. She sings in English, Spanish, French, accompanied by the excellent Marija Stroke, and completes her recital in Hebrew, performing with brilliant composer/pianist Noam Sivan. | | | Usually despatched in 2 - 3 working days. |
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| |  | Fête Galante
This recital includes songs by Fauré, Ravel, Debussy, Poulenc, Honneger and Vuillermoz and was first released in 1999. Karina Gauvin is Canada’s superstar soprano and impressed audiences and critics the world over with her luscious timbre, profound musicality and wide vocal range. “One of the many joys of this fine disc is the absolute refusal of either singer or accompanist either to wallow in sentiment or to indulge in wayward self-promotion. Karina Gauvin's voice is one of rare beauty, with a high register fully integrated with the middle...Not all virtuoso pianists can accompany sensitively, but Marc-André Hamelin is superb - technically impeccable and with a wide tonal range.” BBC Music Magazine, May 2011 ***** “Karina Gauvin is a remarkable Canadian soprano with a wonderfully fresh and firm voice. Francophone herself, she is ideally suited to sing this ambitious collection of French songs, perfectly supported by pianist Marc-Andre Hamelin...Altogether a most satisfying recital, not just superbly performed but very well recorded, if with the balance slightly favouring the singer.” Gramophone Magazine, July 2011 “If this disc is something of a calling-card...then it highlights on the part of the singer both an evident sympathy with this French repertoire and a sharp musical intelligence at work...hardly surprisingly, Marc-André Hamelin dispatches even the trickiest of all the accompaniments with ease, even nonchalance: this is luxury casting.” International Record Review, April 2011 | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Ne point passer
David Ripley (bass), Arlene Kies (piano) | |
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