Tagliaferri: Piscatore 'e pusilleco

Domenico Balzani is from Sardinia and has a degree in Politics and Economics, as well as singing. He has sung under many well-known conductors and performed in many important venues. The role of Figaro in The Barber of Seville is one he has performed in many theatres. Here he performs Neapolitan songs including classics such as O sole mio and Core ‘ngrato.

Embodying sunny climates, this collection of 24 Neapolitan canzone is perfect for this time of year!

Audio Restoration Engineer: Mark Obert-Thorn

One of the most charismatic stars of the post-war operatic stage, the Italian tenor Giuseppe Di Stefano made numerous recordings, and was especially renowned as the performing partner of the equally fiery soprano, Maria Callas.

Having earned a precarious living as a singer of popular songs in Milan during World War Two, Di Stefano was also a highly accomplished singer of lighter music.

This experience, allied with the natural richness of his tenor voice, made him a master of the Neapolitan Song, as may be heard in this collection of his recordings of the cream of the repertoire, made at the peak of his career.

“Was it Giuseppe Di Stefano’s spontaneity and involvement in what he was singing which attracted so many collectors to his recordings? If one listens to his early 78s, one hears a third quality: the sheer beauty of his lyric tenor…Those recordings have been reissued a number of times and should be on the shelf of all who love the singing voice.” International Record Review

Franco Corelli began his stage career in Italy in 1951. With his powerful voice, charismatic stage presence and film-star good looks he soon became one of the 20th century’s outstanding operatic superstars.

He first came to prominence when he sang opposite Maria Callas at La Scala, Milan, in a production of La vestale in 1954. He subsequently partnered Callas at La Scala in Fedora and Poliuto and later appeared with her at the end of her stage career in Norma in Paris in 1964 and Tosca in New York in 1965.

Corelli made a spectacular debut at the Metropolitan Opera House, New York, in January 1961 in Verdi’s Il trovatore. He quickly became the Met’s leading tenor and performed there every season until 1974.

He recorded extensively for EMI throughout the 1960s, when he made a number of complete operas as well as several albums of operatic arias and songs.

This 4 CD set brings together the best of Corelli’s EMI recordings. From his operatic catalogue come a substantial number of arias, as well as duets with Birgit Nilsson, Mirella Freni, Antonietta Stella and Gabriella Tucci.

The operatic composers whose works are included in the set are Bellini, Donizetti, Catalani, Ponchielli, Cilea, Massenet, Gounod, Meyerbeer, Verdi, Puccini, Giordano, Mascagni and Leoncavallo, and some of the operas represented are Turandot, I puritani, Norma, Un ballo in maschera, Il trovatore, La forza del destino, Aida, Roméo et Juliette, Cavalleria rusticana and Pagliacci.

In addition to the operatic material, there are a large number of songs, including popular Neapolitan titles such as ‘Core ’ngrato’, ‘Torna a Surriento’ and ‘’O sole mio’, plus other items like ‘Granada’, Schubert’s Ave Maria and the Ingemisco from Verdi’s Requiem.

This album also includes a song recorded in Milan in 1961: ‘Si tu m’amais’ by Luigi Denza, that has never been issued either on LP or on CD since its initial release only in Italy in 1962 on a 45 rpm single.

This 5 CD set, devoted to the outstanding Italian baritone Tito Gobbi, is a further release in the EMI Classics ICON series. The bulk of this set is devoted to all the solo recordings that Gobbi made during his entire career, brought together for the first time.

The first CD begins with seven operatic arias (by Cilea, Leoncavallo, Mozart, Verdi and Puccini), and two songs (‘Musica proibita’ by Gastaldon and ‘Famme sunn’a cu’tte’ by Ruccione) that Gobbi made for the Italian branch of EMI in 1942. The songs were released only in Italy on a 78rpm record that had extremely limited circulation because of the Second World War, and are re-issued here by EMI for the first time.

The programme continues on CD 1 with further recordings that Gobbi made for EMI from 1948 onwards of operatic arias and songs, including two songs (‘La montanara’ and ‘Take the Sun’) that were featured in the 1949 film The Glass Mountain that brought the baritone to a wide cinema audience. He eventually appeared in more than 20 films.

CD 2 contains the rest of the songs and arias made up to the end of the 78rpm era, and finishes with the song ‘Nenia d’amore’ recorded in Italy in 1953 for the film Canzoni a due voci.

In 1955, Gobbi made his first LP recital album (with the forces of the Rome Opera), but it was not released at the time due to concerns about the technical quality of the recording. With the advance of technology the problems were subsequently able to be corrected and Gobbi later gave permission for material from the album to be released in various LP collections. The whole album is now heard here complete for the first time.

In 1964, EMI made a two-LP set called The Art of Tito Gobbi in which each of the four LP sides was devoted to a different genre, namely Operatic Arias, Classical Songs and Arias,

Italian and Neapolitan Popular Songs, and Romantic Songs. The programme repeated some of the repertoire on the as yet unpublished 1955 album but ranged much more widely, especially in the field of song. The operatic arias were made with the Philharmonia Orchestra under Alberto Erede; the classical songs with a small chamber ensemble consisting of harpsichord, cello and guitar; the popular songs with members of the Orchestra of the Rome Opera, and the romantic songs with the distinguished pianist Gerald Moore. This project marked the end of Gobbi’s recording career in solo repertoire.

The rest of the set covers extracts from some of the acclaimed complete opera recordings that Gobbi made for EMI, including Lucia di Lammermoor, Tosca, Aida and Rigoletto with the legendary soprano Maria Callas. Other operas featured are L’elisir d’amore, Simon Boccanegra, Don Carlo, Aida, Il tabarro, Il barbiere di Siviglia, Pagliacci and Gianni Schicchi. The programme ends with a memorable reminder of one of Gobbi’s finest assumptions, the title role in Verdi’s sublime Falstaff.