Rachmaninov: Piano Concerto No. 3 in D minor, Op. 30

“Douglas's immaculate, cool playing is wonderfully contrasted with Svetlanov's passionate urgings and the very Russian sound of the orchestra; it is sometimes hard to believe, when listening to the soupy brass and the unfathomable depth of the string tone, that these recordings are only 15 years old.” The Guardian, 4th July 2008 ****

“The sound of the piano comes across as perhaps a little pallid, but what Douglas does with the instrument more than makes up for it: his performance is full of virtuosity and sensitivity in equal measure. As for Svetlanov and his team, Douglas could not have received more experienced support in this music. The conductor follows every subtle inflection of the soloist’s rubato, while the orchestral playing brings a nostalgic reminder of a lost world.” The Telegraph, 16th August 2008

“Barry Douglas's performance of the First Concerto provides an arresting alternative to a more conventional approach. His brilliance has an acidulous edge that brings an unusual degree of verve and clarity to even the most thickly textured passages.” Gramophone Magazine, September 2008

‘Gilels was a true king of pianists and these recordings only confirm his legendary status. Here is his superlative musicianship, magisterial technique and, above all, unforgettable sonority. His Rachmaninov is among the few truly great performances of this work on disc.’ (The Gramophone)

‘Hough. Litton. Rachmaninov concertos. Hyperion. Already a mouth-watering prospect, is it not? So, like the old Fry’s Five Boys chocolate advert, does Anticipation match Realisation in these five much recorded confections? The answer is “yes” on almost every level’ (Gramophone)

“… a pianist of absorbing sensibility who puts the music, rather than himself, first.” (The Daily Telegraph )