All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Yuja Wang: Fantasia
Albéniz: | Triana (from Iberia, book 2) | Chopin: | Waltz No. 7 in C sharp minor, Op. 64 No. 2 | Dukas: | The Sorcerer's Apprentice arranged by Victor Staub | Gluck: | Orfeo ed Euridice: Mélodie arranged by Sgambati | Horovitz: | Variations On A Theme From Bizet's Carmen | Rachmaninov: | Étude-Tableau, Op. 39 No. 6 in A minor Étude-Tableau, Op. 39 No. 4 in B minor Elegie, Op. 3 No. 1 Étude-Tableau, Op. 39 No. 5 in E flat minor | Saint-Saëns: | Danse macabre, Op. 40 arranged by Franz Liszt & Vladimir Horowitz | Scarlatti, D: | Keyboard Sonata K455 in G major | Schubert: | Gretchen am Spinnrade, D118 arranged by Franz Liszt | Scriabin: | Prelude, Op. 11 No. 11 in B major Prelude, Op. 13 No. 6 in B minor Prelude, Op. 11 No. 12 in G sharp minor Étude Op. 8 No. 9 in G sharp minor Poème in F sharp major, Op. 32 No. 1 | Strauss, J, II: | Tritsch-Tratsch Polka, Op. 214 arranged by György Cziffra |
The Yuja Wang album that everyone has been waiting for wows with musical miniatures that are short, sweet, and huge in impact. These encore pieces by Scriabin, Gluck, Rachmaninov, Chopin and others will enthrall Yuja Wang’s fans with challenging technical demands and the bravura precision of her execution. The variety of styles – which includes neo-Classical, Impressionist, Romantic, jazz - in addition to the quality of the arrangements of pieces that are adaptations, provides a welcome and yet unique listening experience. “Time and again Wang shows us why she’s become the world’s darling, whether shading dynamics poetically in a morsel of Gluck’s Orfeo ed Euridice, clarifying the multiple layers in Albéniz’s Triana, or romping with the preposterous glitter of Horowitz’s Carmen Variations.” The Times, 23rd March 2012 **** “A disc of encores needs a compelling executant to justify itself, but this young pianist’s technique is quietly transcendent, her musicianship zestful and profound. The sequence itself is satisfying.” Sunday Times, 1st April 2012 “In the Saint-Saens-Horowitz Danse macabre Wang storms the heights and her playing is of an unquenchable virtuosity. She herself declares all these pieces to be among her most cherished encores, and she has been superbly recorded in them.” Gramophone Magazine, June 2012 “No point trying to fault anything: the lightness and flexibility of her touch takes the breath away, and her sound is at every moment transparently controlled, each piece displaying insight and affection...Given that these bonnes bouches were never designed to be consumed in bulk, this young virtuoso has pulled off a remarkable feat.” BBC Music Magazine, June 2012 ***** BBC Music Magazine
Instrumental Choice - June 2012 |
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| |  | Rachmaninov: Music for Cello & Piano
Marina Tarasova (cello) & Alexander Polezhaev (piano) | | | In stock - usually despatched within 1 working day. |
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| |  | Rachmaninov: | Piano Concerto No. 2 in C minor, Op. 18 Rhapsody on a Theme of Paganini, Op. 43 Étude-Tableau, Op. 39 No. 3 in F sharp minor Prelude Op. 32 No. 12 in G sharp minor Elegie, Op. 3 No. 1 Moment musical No. 3 in B minor, Op. 16 No. 3 Piano Concerto No. 3 in D minor, Op. 30 Étude-Tableau, Op. 39 No. 5 in E flat minor Moment musical No. 4 in E minor, Op. 16 No. 4 Moment musical No. 5 in D flat major, Op. 16 No. 5 Moment musical No. 6 in C major, Op. 16 No. 6 Prelude Op. 23 No. 2 in B flat major Prelude Op. 23 No. 1 in F sharp minor Prelude Op. 23 No. 5 in G minor Prelude Op. 23 No. 6 in E flat major |
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| |  | Vassily Primakov Rachmaninoff Recital
The meteoric ascent of Vassily Primakov's international career has resulted from a series of competition victories, prizes in honour of his artistry, and his award-winning recordings. Winner of First Prize in the Young Concert Artist International Auditions and the Audience Prize of the Gina Bachauer International Competition, Primakov was named the Classical Recording Foundation's “Young Artist of the Year” in 2007. His much-heralded recordings have garnered National Public Radio's “CD of the Year” (Chopin Mazurkas, 2010), American Record Guide's “Best of the Year” (Schubert Impromptus; and Dvorak Piano Concerto, 2011) and BBC Music Magazine's Music Choice (Chopin Ballades, Brahms Intermezzi, and Scriabin Sonata No. 4, 2010). This new recording presents Primakov's renditions of some of Rachmaninoff's most beloved works, played on a superb Bechstein Concert Grand. “Primakov delivers some exceptionally fine Rachmaninov playing in this generously filled recital. All the necessary ingredients are in place from the opening barnstorming bars of the B flat major Prelude...Primakov maximises the music's richness of sonority, producing a warm and luxuriant sound that builds up in intensity.” BBC Music Magazine, October 2011 ***** “[Primakov is a] subjective, rhetorically inclined Rachmaninov interpreter. You hear this right away in the broadly conceived Op 23 No 2, with its overly stretched-out rubatos and artificially highlighted inner voices...However, similar gestures pay more convincing dividends, such as in the gorgeous tonal inflections distinguishing the B minor, G sharp minor and G major Preludes” Gramophone Magazine, January 2012 “this is a disc to which I shall return. It may lack the ardent hand-on-heart approach to Rachmaninov which was very much to the fore in Primakov's performance of the Second Sonata, but his more personal and introspective readings of these well-known works are nonetheless valid.” International Record Review, September 2011 | | | Usually despatched in 2 - 3 working days. |
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| |  | A Tribute to Rachmaninoff
"This live recording of Rachmaninoff Piano Concerto no.3 was made on November 13, 1992 at the Bolshoi Hall of Moscow Conservatory during a concert to honour the memory of Jacob Flier (1912-1977) with whom Pletnev and I both studied. Flier was one of the greatest teachers in Moscow Conservatory who brought up several generations of prominent pianists. It was a very special and emotional occasion for Pletnev and myself and we did our best to pay a worthy tribute to our teacher." Vladimir Feltsman The solo pieces which accompany the Piano Concerto were recorded at the Wyastone Concert Hall in November 2010. | | | Usually despatched in 4 - 5 working days. |
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| |  | Russian Piano Music Series Volume 6 - Rachmaninov
The piano music of Rachmaninov explores the registral capabilities of the modern piano in a fascinating manner. Rachmaninov’s artistic idiom is rich in references to traditional Russian music. It is, however, counter-pointed by a progressive chromaticism set in a neo-classical framework. Rachmaninov incorporates haunting melodies, thick chordal textures and distinct rhythmic patterns – all of which are held in a musical architecture marked by astounding economy. Rachmaninov was a remarkable artist: he excelled in the fields of composing, performing and conducting. His playing indeed, along with the size of his hands, has become legendary. As a composer Rachmaninov is famous for his symphonies, concerti and instrumental music. In addition, his songs and sacred music have recently gained recognition as important areas of his oeuvre. | | | (also available to download from $10.50) | Usually despatched in 4 - 5 working days. (Available now to download.) |
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| |  | Rachmaninov: Music for Piano
Jeremy Filsell is one of very few performers to have established a virtuoso concert career as both a pianist and organist on the international stage. This recital disc explores Filsell’s lifelong love of Rachmaninov’s piano music, surveying selections from Preludes and Sonatas as well as two song transcriptions. “The recital gets off to an impressive start with expressive accounts of the early Elegie Op. 3 and the ubiquitous Prelude in C sharp minor. In both works, Filsell creates a rich and tonally varied sound while at the same time demonstrating an instinctive feeling for rubato.” BBC Music Magazine, August 2011 *** “Filsell's playing, while ardent, thoughtful and well informed, never comes across as stuffy or self-conscious...The curtain-raiser to the Second Sonata certainly grabs you by the throat, just as it should...Filsell's finale is most definitely fit for purpose, with all kinds of attractive nuances tossed in for our pleasure (and his).” International Record Review, April 2011 | | | Usually despatched in 3 - 4 working days. |
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| |  | Slavonic Spirit
Arutiunian: | Scherzo de concert | Böhme: | Concerto for Trumpet and Orchestra, Op. 18 | Brandt, V: | Pièce de concert, No. 1, Op. 11 | Glazunov: | Albumleaf for trumpet & piano | Glinka: | The Lark | Goedicke: | Concert Study for trumpet & piano, Op. 49 | Höhne: | Slavonic Fantasy | Rachmaninov: | Elegie, Op. 3 No. 1 Polichinelle, Op. 3, No. 4 Vocalise, Op. 34 No. 14 | Rimsky Korsakov: | Flight of the Bumble Bee | Tchaikovsky: | Souvenir d'un lieu cher, Op. 42: Mélodie in E flat major Valse sentimentale, Op. 51 No. 6 |
Romain Leleu (trumpet) & Julien Le Pape (piano) "The Slavonic works presented here include original works for trumpet, written by composers who are not well known to the general public, and also arrangements of popular works, ones that everyone must have heard at some time or another. The latter include Vocalise by Rachmaninov, Valse Sentimentale and the last movement, Mélodie, from Souvenir d’un lieu cher by Tchaikovsky, and the famous Flight of the Bumblebee, an orchestral interlude written by Nikolay Rimsky- Korsakov for his opera The Tale of Tsar Saltan. This recording represents an important new step for me; I hope it will give the listener as much pleasure as it gave me. “ Romain Leleu | | | Usually despatched in 3 - 4 working days. |
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| |  | Rachmaninov - Elègie
“Mischa Maisky's has been waiting for the right pianist to record the Cello Sonata… and it is easy to see why he chose Sergio Tiempo… Tiempo's easy grace and crystalline spring to the playing provide a magic carpet on which Maisky billows and soars, and the surrounding airiness of the live Lugano recording certainly helps to make this a new benchmark.” BBC Music Magazine, June 2008 ***** “Some glorious playing from Masiky… With the outer movements, in which Rachmaninov indulges not only his lyrical outpourings but the elaborate piano textures that came naturally to him, Tiempo does well to keep the touch light so as to give Maisky freer rain.” Gramophone Magazine, February 2008 | | | Usually despatched in 2 - 3 working days. |
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| |  | Nadia Reisenberg - 100th Anniversary TributeRecordings from the mid-1950s
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