Brahms: Two songs for contralto with viola obbligato, Op. 91

This anniversary collection by Jeunesses Musicales marks 60 years of service to the young: 60 years of excellence. The compilation presents some of the best recordings made at ANALEKTA by artists who toured under the aegis of JMC or have been associated with the Montreal International Musical Competition, founded in 2002. Discover some of the great performers of the Canadian music scene.

At the 1987 Salzburg Festival recital the Slovenian mezzo Marjana Lipovšek concentrated on 19th-century works, straying only for her encores, with an impressive range of vocal colour and languages. Her pianist was Elisabeth Leonskaja, an accompanist entirely her equal. Their encores comprised Strauss's Die Nacht, another song by Brahms, an adaptation of a Slovenian folksong by the singer's father, Marijan Lipovšek, and, finally, Schubert's setting of Hölty's Seligkeit - a suitable description of the atmosphere that had developed between artists and audience over the course of the evening. It is an atmosphere that comes across in this live recording, the vitality of which is further underlined by Marjana Lipovšek's lively introductions to her encores.

This highly regarded recording of a collection of lieder by Brahms was first released in 1982 and features one of the outstanding singers of her generation, the German mezzo-soprano Brigitte Fassbaender. The pianist is Irwin Gage, and they are joined on two of the songs by the viola player Thomas Riebl.

Brigitte Fassbaender’s international career took off when she appeared as Octavian in Der Rosenkavalier at the Royal Opera House, Covent Garden in 1971. Since then she has appeared in all of the major opera houses around the world in roles such as as Clairon in Capriccio, the Composer in Ariadne auf Naxos, Fricka in Die Walküre, Carmen in Carmen, Orlovsky in Die Fledermaus, Amneris in Aïda, Maddalena in Rigoletto, Eboli in Don Carlos, and Klytemnestra in Elektra. Brigitte Fassbaender has also been successful as a lieder singer. In 1987, she won a Gramophone Award for her Deutsche Gramophon disc of songs by Franz Liszt and Richard Strauss.

Johannes Brahms was a prolific composer of Lieder and wrote around 200 during his lifetime. The first collection appeared in 1853, when Brahms had just turned 20, and the last was published in 1896, just a few months before his death.

Considered the first really modern violist, legendary Scottish musician William Primrose first came to prominence with the violin in the 1920s, turning to the viola on the recommendation of his greatest mentor, Eugène Ysaÿe. This programme includes four Paganini Caprices, which did more than any other of Primrose’s recordings to spread his fame among his peers, as well as two major works written especially for him: Arthur Benjamin’s Sonata, and Roy Harris’s Soliloquy and Dance. Primrose performs here with numerous noted accompanists, and alongside Jascha Heifetz in Halvorsen’s Passacaglia. This is the second of two volumes, the first of which is on 8111382.

The recorded legacy of William Primrose is well known, but newly re-mastered editions from our Historical catalogue always generate interest. The sonic results with this recital by ‘absolute stars’ (MusicWeb International on 8120607) producer David Lennick and restorer Graham Newton makes this the new standard bearer for these legendary recordings. This release joins volume one on 8111382 to make an eminently collectable pair.