Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Mozart: Missae breves
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| |  | Mozart: Missa brevis in D major & Missa brevis in Bb major
Mozart: | Missa Brevis in D major K194 Elizabeth Cragg (soprano), Deborah Miles-Johnson (contralto), Daniel Auchincloss (tenor) & Lawrence White (bass) St Albans Cathedral Choir & Sinfonia Verdi, Andrew Lucas Missa Brevis in B flat major K275 Elizabeth Cragg (soprano), Deborah Miles-Johnson (contralto), Daniel Auchincloss (tenor) & Lawrence White (bass) St Albans Cathedral Choir & Sinfonia Verdi, Andrew Lucas Regina coeli in B flat, K127 Elizabeth Cragg (soprano), Deborah Miles-Johnson (contralto), Daniel Auchincloss (tenor) & Lawrence White (bass) St Albans Cathedral Choir & Sinfonia Verdi, Andrew Lucas Fantasia in F minor for a mechanical organ, K608 Tom Winpenny (organ) |
During his years in Salzburg, Mozart wrote a series of shorter mass settings, for which he drew on the models of his senior colleague Michael Haydn. Regina coeli reveals his supreme skill at writing for the solo voice. The Missa brevis in D, K. 194 is a work of great solemnity, employing a remarkable range of expressive contrasts, whilst the Missa brevis in B flat, K. 275 is notable for its sublime lyricism and grace. The Allegro and Andante in F minor, K. 608 is regarded as Mozart’s finest work for the organ and has become one of the cornerstones of the organ repertory. The church music Mozart wrote in Salzburg is both ingenious and expressive, and has wide appeal. Our disc expands the choral focus. “Both [Masses] are performed with energy, clarity and poise by the St Albans Cathedral Choir and the Sinfonia Verdi...The penultimate section is exquisitely lovely, and finely sung by Elizabeth Cragg.” BBC Music Magazine, April 2013 **** “The stars of the show are, of course, the choir; and on this evidence the choral tradition at St Albans is in rude health, the tone consistent and untiring. The soloists blend well...if further recordings of this repertoire emanate from these quarters, this is sure to be worth collecting.” Gramophone Magazine, April 2013 “With an excellent quartet of soloists and expert playing from the period-instrument group Sinfonia Verdi, it remains only to hand out plaudits to the choir, which is clearly in excellent shape under Lucas's direction...The treble line is pure and confidently dispatched.” International Record Review, May 2013 | 
| | | (also available to download from $6.00) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Mozart: Mass No. 8 'Missa Brevis'
Cornelia Horak (soprano), Martina Steffl (alto), Alexander Kaimbacher (tenor), Klemens Sander (bass) Chorverignigung St. Augustin & Orchester, Andreas Pixner The choir is assisted by first-class soloists and professional musicians, many of whom come from Vienna’s great orchestras and have been accompanying the choir for years. Various CD releases and radio and TV broadcasts have meant that the choir is known internationally. | | | Usually despatched in 2 - 3 working days. |
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| |  | Into Thy HandsThe Music Of Grosvenor Chapel
Joseph Sentance (organ) The Choir of the Grosvenor Chapel, Richard Hobson (director) The Grosvenor Chapel is a wonderful jewel of an early eighteenth-century building in Mayfair in central London. Its unique and original design influenced the architecture of many churches built in the US. From its opening in 1731 the Grosvenor Chapel has enjoyed professional choral music of an enviable standard and this recording features a selection of choral music drawn from the wide range of repertoire sung by the renowned Grosvenor Chapel Choir in the Sunday morning service each week. Over four hundred years of English music is represented, with works from Thomas Tallis to contemporary British composer, Jonathan Dove, together with an orchestral Mass by Mozart, and features the first recording of ‘Come, Thou Holy Paraclete’ by Francis Jackson, written for the Grosvenor Chapel Choir. | | | Usually despatched in 4 - 5 working days. |
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| |  | Mozart: Vesperae Solennes de Dominica & Missa Brevis in D Major
Marianna Busching (alto), Michael Crabill (organ), Carolyn Dill Smith (soprano), Lutz Felbick (organ), Gene Tucker (tenor), Peter Fay (baritone) St. Thomas More Cathedral Choir, St. Thomas More Cathedral Orchestra, Haig Mardirosian | |
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| |  | Mozart: Salzburg Church Music 1774
Hilke Helling (mezzo), Klaus Mertens (bass), Klaus Schneider (tenor), Maria Zedelius (soprano) Cologne Chamber Choir, Collegium Classicum, Peter Neumann | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Mozart: Complete Masses
Mozart: | Missa Brevis in G major K49 Missa Brevis in D minor K65 Missa Brevis in G major K140 Missa Brevis in C major, K220 'Spatzenmesse' Church (Epistle) Sonata No. 7 in F major for organ & strings, K224 Missa in C major K66, Dominicusmesse Mass in C major, K167 'Trinity' Missa Solemnis in C minor K139 'Waisenhausmesse' Benedictus sit Deus, K117 Missa Brevis in F major K192 Exsultate, jubilate, K165 Missa Brevis in D major K194 Mass in C major, K257 'Credo-Messe' Mass in C major, K258 'Spaurmesse' Church (Epistle) Sonata No. 10 in F major for organ & strings, K244 Missa Brevis in C major K259, Orgelsolo Messe Church (Epistle) Sonata No. 12 in C major for organ & strings, K263 Missa Longa in C major K262 Missa Brevis in B flat major K275 Mass in C major, K317 'Coronation Mass' Missa Solemnis in C major, K337 Church (Epistle) Sonata No. 17 in C major for organ & strings, K336 Mass in C minor, K427 'Great' Kyrie in D minor, K341 Litaniae de venerabili altaris sacramento, K243 Regina coeli in B flat, K127 Requiem in D minor, K626 Ave verum corpus, K618 |
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| |  | Mozart: Sacred Choral Works
Mozart: | Requiem in D minor, K626 Litaniae de venerabili altaris sacramento, K243 Litaniae de venerabili altaris Sacramento, K125 Litaniae Lauretanae, K195 Litaniae Lauretane, K109 Vesperae solemnes de Dominica, K321 Vesperae solemnes de confessore in C, K339 Regina coeli in B flat, K127 Sancta Maria, mater Dei, K273 Regina coeli K276 Scande coeli limina, K34 Inter natos mulierum - Offertory, K72 Benedictus sit Deus, K117 Sub tuum praesidium, K198 Misericordias Domini - Offertory, K222 Venite populi, K 260 Alma Dei creatoris, K277 God is our Refuge, K20 Miserere in A minor, K85 Quaerite primum regnum Dei KV 86 (73v) German sacred songs (2), K343 Regina coeli in C, K108 Mass in C major, K167 'Trinity' Missa Brevis in G major K140 Missa Longa in C major K262 Mass in C minor, K427 'Great' Veni Sancte Spiritus, K47 Te Deum laudamus, K141 Ergo interest... Quaere superna, K143 Kommet her, ihr frechen Sünder, K 146 Kyrie in D minor, K341 Missa Solemnis in C major, K337 Mass in C major, K317 'Coronation Mass' Dixit and Magnificat, K. 193 Missa Brevis in C major K259, Orgelsolo Messe Mass in C major, K258 'Spaurmesse' Mass in C major, K257 'Credo-Messe' Missa Brevis in B flat major K275 Missa Brevis in C major, K220 'Spatzenmesse' Missa Brevis in D major K194 Missa Brevis in F major K192 Missa Solemnis in C minor K139 'Waisenhausmesse' Missa Brevis in D minor K65 Exsultate, jubilate, K165 Missa in C major K66, Dominicusmesse Missa Brevis in G major K49 Kyrie, K33 Tantum ergo, K197 Ave verum corpus, K618 |
Mozart may have written masses of masses as a professional obligation, but that doesn't mean they are are merely workaday music. They tend towards a bright and joyful C major, amenable as the key is to the instrumentation of trumpet and drums that will make a joyful noise in a vast acoustic like that of the Stephansdom in Vienna, but they also include many tender arias, none perhaps more memorable than the soprano's solo in the Benedictus of the 'Coronation' Mass, though everyone will have their favourites, and indeed be able to discover many more in this comprehensive set. Not just the Requiem and 'Great' C minor Mass, then, whose original purposes still remain shrouded in confusion, but short, simple devotionals such as the Benedictus sit Deus; all offer a pleasing call upon our attention, especially in these stylish modern performances. 11 CD + CD ROM “As a conductor of choral music Nicol Matt has an impressive pedigree, and these performances going back over a period of a decade or so show in every way that his taste and judgement are consistently secure. This collection is absolutely thorough...taken as a whole this is a set which brings musical rewards galore and in the longer term will remain a valuable resource for anyone who owns it.” MusicWeb International, July 2012 | | | Usually despatched in 4 - 5 working days. |
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| |  | Mozart: Complete Sacred Music
Mozart: | Missa in C major K66, Dominicusmesse Vesperae solemnes de Dominica, K321 Mass in C major, K317 'Coronation Mass' Vesperae solemnes de confessore in C, K339 Mass in C minor, K427 'Great' Missa Brevis in G major K49 Missa Brevis in D minor K65 Missa Brevis in D major K194 Missa Brevis in C major, K220 'Spatzenmesse' Missa Solemnis in C minor K139 'Waisenhausmesse' Exsultate, jubilate, K165 Missa Brevis in G major K140 Missa Brevis in F major K192 Missa Longa in C major K262 Mass in C major, K257 'Credo-Messe' Litaniae de venerabili altaris sacramento, K243 Mass in C major, K167 'Trinity' Mass in C major, K258 'Spaurmesse' Kyrie in G, K89 Misericordias Domini - Offertory, K222 Missa Brevis in C major K259, Orgelsolo Messe Grabmusik KV 42 Kyrie, K33 Veni Sancte Spiritus, K47 Scande coeli limina, K34 Hosanna, K223 Kyrie, K322 Kyrie, K323 Regina coeli in B flat, K127 Miserere in A minor, K85 Quaerite primum regnum Dei KV 86 (73v) Kyrie, K90 Tantum ergo, K142 Ave verum corpus, K618 Venite populi, K 260 Regina coeli in C, K108 Sancta Maria, mater Dei, K273 Sub tuum praesidium, K198 Tantum ergo, K197 Litaniae Lauretane, K109 Benedictus sit Deus, K117 Inter natos mulierum - Offertory, K72 Alma Dei creatoris, K277 Ergo interest... Quaere superna, K143 Te Deum laudamus, K141 Missa Solemnis in C major, K337 Litaniae de venerabili altaris Sacramento, K125 Regina coeli K276 Kyrie in D minor, K341 Dixit and Magnificat, K. 193 Missa Brevis in B flat major K275 Litaniae Lauretanae, K195 Requiem in D minor, K626 |
Sopranos: Angela Maria Blasi, Barbara Bonney Zsuzsanna Dénes, Krisztina Laki, Sylvia McNair, Charlotte Margiono, Eva Mei, Joan Rodgers, Christine Schäfer & Rachel Yakar Contraltos: Ingeborg Danz, Elisabeth von Magnus, Jadwiga Rappé, Dorothea Röschmann, Ortrun Wenkel Tenors: Kurt Azesberger, Kurt Equiluz, Uwe Heilmann, Herbert Lippert, Christoph Prégardien, Josef Protschka, Deon van der Walt Basses: Gilles Cachemaille, Håkan Hagegård, Thomas Hampson, Robert Holl, Alastair Miles, László Polgár, Franz-Josef Selig, Oliver Widmer Concentus Musicus Wien, Arnold Schoenberg Chor, Choralschola der Wiener Hofburgkapelle & Konzertvereinigung Wiener Staatsopernchor, Nikolaus Harnoncourt “This is an exceptional labour of love.. The overall sound is remarkably unified and the balance superb… A notable achievement.” Gramophone Magazine, August 1999 (on the Complete Sacred Works) “Harnoncourt discovers many unfamiliar treasures… Harnoncourt clearly loves every bit of this music… The performances are characteristic of his pioneering work with Concentus Musicus” The Guardian, June 1999 (on the Complete Sacred Works) “As ever, Harnoncourt is admirably served by his orchestra and his chorus, firm and homogeneous… Among the soloists, Barbara Bonney and Dorothea Röschmann both give pleasure with their fresh, pure tone and
refined sense of phrase…” Gramophone Magazine, May 1999 (on Masses 5, 7 & 11) | | | In stock - usually despatched within 1 working day. |
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