Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Im Maien - In the month of MayMusic from the 16th and 17th centuries for virginal and cornet
anon.: | Ave Maris Stella (Münchener Codex, 16th century) Dance: La Bounette (Mulliner Book, 16th century) Dance (Clavierbuch der Susanne van Soldt, 1599) Mock-Nightingale (Elizabeth Rogers her Virginal Book, 1656) | Arauxo: | El canto llano de la Immaculada Concepcion de la Virgen Maria y tres Glosas | Attaingnant: | Basses danses (9): Pavane No. 6 Basses danses (9): Gaillarde No. 3 Basses danses (9): Basse danse No. 9 | Cabezón, A: | Fabordones del octavo tono Himno XII sobre Ave maris stella Himno XIII sobre Ave maris stella | Crecquillon: | Oncques amour me fut Diminution by Giovanni Bassano | Frescobaldi: | Toccate e partite d'intavolatura di cimbalo et organo, libro primo: Corrente quattro | Gabrieli, G: | Canzon Quarta | Hassler, H L: | Magnificat primi toni | Hofhaimer: | Recordare | Kleber: | Preaembulum in sol | Kotter: | Spaniol Kochesberger | Palestrina: | Hodie Beata Virgo Diminution by Giovanni Bassano Ave Maria Diminution by Giovanni Bassano | Philips, P: | Amarilli | Schapf: | Preamballon in fa | Schlick: | Maria zart, von edler Art | Tallis: | Why Fum'th in Fight? | Valente, A: | Il Ballo dell'Intorcia |
Christian Brembeck (virginal and harpsichord) & Thomas Hasselbeck (cornet) No other month has been depicted in music and poetry so frequently as May. This selection of dance movements, variation works, and Marian music from the late Middle Ages, the Renaissance, and the early Baroque, offers a “diletto musicale” of this so fruitful month, and was recorded in the small tower chapel of St. Martin’s Church in Medelsheim, Saarland. | |
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| |  | The World of King's
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“It's doubtful if any recording made by the choir of King's College, Cambridge, in the fertile Willcocks era, will prove more enduring than this celebrated performance of Allegri's Miserere. Admittedly there are more authentic versions in the catalogue, authentic not only in that they use the original Latin words where Willcocks opts for an English translation, but also in the sense that they search for a style less obviously redolent of choral evensong and the Anglican tradition. At the farthest extreme from King's, other versions strip Allegri's score of its various 18th- and 19th-century accretions – a nice piece of musical archaeology which, ironically, reveals the utter plainness of the Miserere when denied its familiar jewels, and sounds like an imposter when dressed up in even more garish baubles. For many the richly communicative singing of King's remains the ideal, however far removed it may be from the orginal intentions of Allegri. The Miserere is accompanied here by some classic Palestrina performances, which are still as fresh as when they were recorded in 1964. Some tape hiss intrudes, but otherwise the sound is excellent. A fabulous disc.” Gramophone Classical Music Guide, 2010 | | | (Sorry, download not available in your country) | Usually despatched in 2 - 3 working days. |
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