Elgar: Salut d'amour, Op. 12

All instruments courtesy of the Fulton Collection

2008 Grammy and Gramophone Award winner James Ehnes pays tribute to the world's most celebrated violin-makers in this unique ONYX project featuring performances on 12 of the greatest instruments ever made. The Fulton Collection is perhaps the most important private collection in the world and contains many examples of the legendary names Stradivari, Guarneri, da Salo and Guadagnini. For example, the priceless La Pucelle has never been heard in a recording, and the Lord Wilton was Yehudi Menuhin’s last instrument.

Ehnes performs 21 selections in a carefully planned recital programme specially chosen to suit each instrument and to work on its own terms. It finishes with a section comparing each instrument in an excerpt of the same piece, a unique opportunity to contrast the sound qualities of these spectacular instruments.

Ehnes says of the instruments: “I didn't want to spare them a full workout. I wanted to select repertoire that would show off their particular tonal characteristics and push them to the limit and me to my limit as well."

The DVD has the complete performances plus spectacular close-ups of the instruments and substantial interview sequences - Strads vs Guarneris, the importance of the bow, Ehnes’ relationship with the Fulton Collection and his preparation for the recording sessions. David Fulton also talks about his passion for collecting these rare instruments and says: “Ehnes is the only one who could have done this and is today’s David Oistrakh.” The highly collectible package includes detailed notes by Ehnes himself.

A tribute to Elgar's 150th birthday (2007), David Owen Norris and The Works perform Elgar's songs and piano solos on Elgar's own 1844 Broadwood piano, including the world-premiere of his unpublished final song XTC, set to his own words. In all, this 2-CD set presents 32 of Elgar's finest songs for voice and piano, including a number never recorded before, and premiere recordings of Elgar's piano arrangements of the theme of the Cello Concerto, and the Prelude and Angel’s Farewell from Gerontius which, like Sea Pictures (sung here in its original soprano key) and the Woodland Interlude from Caractacus, were all composed at this piano. He even wrote these titles on its soundboard, along with his signature. These piano versions clearly remained in the forefront of Elgar’s mind and reveal his bold first thoughts before they may have been revised at the suggestion of others. The piano’s construction – keys slightly narrower than on a modern piano, the black keys set lower – illuminates Elgar’s intentions. The writing suddenly makes perfect sense, which it doesn’t always on a modern Steinway.

The cover art is H.A. Payne’s The Enchanted Sea, which was part of the inspiration for Sea Pictures.

The fourth volume in The Fibonacci Sequence’s acclaimed series of CD’s focussing on a solo instrument. In this case it’s the turn of the oboe, featuring Christopher O’Neal.

The Fibonacci Sequence is now well established as one of the finest chamber ensembles in Britain.

This witty collection of music for oboe and chamber ensemble, highlights, as oboist Christopher O’Neal describes “the humour of Françaix, the irony of Poulenc, the brilliance of Crusell and the easy charm of Alwyn.” But, he adds, “the two Mozart pieces have it all, and in spades!”