Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23

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Tchaikovsky Piano Concerto No. 1 etc

Tchaikovsky Piano Concerto No. 1 etc


Mozart:

Piano Sonata No. 12 in F major, K332

Rondo alla Turca from Piano Sonata No. 11, K331

Tchaikovsky:

Piano Concerto No. 1 in B flat minor, Op. 23

NBC Symphony Orchestra, Arturo Toscanini


Membran Allegria - 221030

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Schumann & Tchaikovsky: Piano Concertos

Schumann & Tchaikovsky: Piano Concertos


Schumann:

Piano Concerto in A minor, Op. 54

Minneapolis Symphony Orchestra, Stanislaw Skrowaczewski

Arabeske in C major, Op. 18

Tchaikovsky:

Piano Concerto No. 1 in B flat minor, Op. 23

London Symphony Orchestra, Herbert Menges


Byron Janis (piano)

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Mercury Living Presence - 4320112

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Tchaikovsky: Piano Concerto

Tchaikovsky: Piano Concerto


Dohnányi:

Variations on a Nursery Tune, Op. 25

Tchaikovsky:

Piano Concerto No. 1 in B flat minor, Op. 23


Presto CD

Decca - 4172942

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Tchaikovsky: Piano Concertos Nos. 1 & 3

Tchaikovsky: Piano Concertos Nos. 1 & 3


Tchaikovsky:

Piano Concerto No. 1 in B flat minor, Op. 23

Piano Concerto No. 3 in E flat major, Op. 75


Presto CD

Decca - 4101122

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Tchaikovsky: Piano Concerto No. 1

Tchaikovsky: Piano Concerto No. 1


Tchaikovsky:

Piano Concerto No. 1 in B flat minor, Op. 23


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Philips - 4110572

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Tchaikovsky & Rachmaninov: Piano Concertos

Tchaikovsky & Rachmaninov: Piano Concertos


Rachmaninov:

Piano Concerto No. 2 in C minor, Op. 18

Tchaikovsky:

Piano Concerto No. 1 in B flat minor, Op. 23


Hänssler - HAEN98932

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Tchaikovsky: Piano Concertos Nos. 1 & 2

Tchaikovsky: Piano Concertos Nos. 1 & 2


Tchaikovsky:

Piano Concerto No. 1 in B flat minor, Op. 23

Piano Concerto No. 2 in G major, Op. 44


Brilliant Classics - 93313

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The Art of Emil Gilels

The Art of Emil Gilels


Bach, J S:

Prelude and Fugue in D Major arr, Busoni

Mozart:

Fantasia in D minor, K397

Piano Sonata No. 8 in A minor, K310

Prokofiev:

The Love for Three Oranges: March

The Love for Three Oranges - Scherzo

Tchaikovsky:

Piano Concerto No. 1 in B flat minor, Op. 23


Emil Gilels (piano)

Alfred Wallenstein

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Solomon - Concert Recordings (Volume 1)

Solomon - Concert Recordings (Volume 1)


Beethoven:

Piano Concerto No. 3 in C minor, Op. 37

Royal Concertgebouw Orchestra, Eduard Van Beinum

Tchaikovsky:

Piano Concerto No. 1 in B flat minor, Op. 23

Kansas City Philharmonic, Hans Schwieger


Solomon (piano)

“[In the Beethoven] the playing is pearly, sensitively nuanced and fleet... High spirits and bubbly humor mark the finale... Given the two relatively tame inscriptions Solomon made... commercially of the Tchaikovsky... this supercharged conception has the earmarks of a British Horowitz.” Audiophile Audition

APR - APR5651

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Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23, etc.

Rachmaninov:

Piano Concerto No. 3 in D minor, Op. 30

Tchaikovsky:

Piano Concerto No. 1 in B flat minor, Op. 23


“This is the Rachmaninov Third to end all Rachmaninov Thirds, a performance of such super-human pianistic aplomb, pace and virtuosity that it makes all comparisons, save with Horowitz himself, a study in irrelevance.
Horowitz's 1930 recording with Albert Coates made Artur Rubinstein pale with envy; goodness knows how he'd have reacted had he heard Horowitz and Barbirolli! Taken from a 1941 New York broadcast (with apologies from the producer for snaps, crackles, pops and the like) Horowitz's tumultuous, near-apocalyptic brilliance includes all his unique and tirelessly debated attributes; his swooning rubato, thundering bass and splintering treble, his explosive attack, his super-erotic inflexions and turns of phrase. Try the skittering scherzando variation just before the close of the central Intermezzo and note how the pianist's velocity eclipses even his legendary recording with Fritz Reiner. This ultimate wizard of the keyboard is in expansive mood in the Tchaikovsky. There are ample rewards, too, for those who rejoice in Horowitz at his most clamorous, for the thunder and lightning of this 'Tornado from the Steppes'. The performance ends in what can only be described as a scream of octaves and an outburst by an audience driven near to hysteria. Barbirolli and the New York Philharmonic Symphony Orchestra are equal to just about every twist and turn of their volatile soloist's argument and so these performances (and most notably the finale of the Rachmaninov) are simply beyond price.”
Gramophone Classical Music Guide, 2010

“Yes, the pundits were right. This is the Rachmaninov Third to end all Rachmaninov Thirds, a performance of such super-human pianistic aplomb, pace and virtuosity that it makes all comparisons, save with Horowitz himself...a study in irrelevance...The ultimate wizard of the keyboard is in expansive mood in the Tchaikovsky...The perfomance ends in what I can only describe as a scream of octaves and an outburst by an audience driven near to hysteria.” Gramophone Magazine

APR - APR5519

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