All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates. | |  | The Best of Elisabeth Schwarzkopf
anon.: | S'Schatzli Gerald Moore (piano) | Dvorak: | Songs My Mother Taught Me, Op. 55 No. 4 Gerald Moore (piano) | Humperdinck: | Abendsegen 'Abends will ich schlafen gehn' (Hänsel und Gretel) Elisabeth Grummer (Hansel) Philharmonia Orchestra, Herbert von Karajan | Lehár: | Meine Lippen sie Kussen so heiss (from Giuditta) Philharmonia Orchestra, Otto Ackermann Viljalied (from Die lustige Witwe) Philharmonia Orchestra, Otto Ackermann | Mozart: | Porgi amor (from Le nozze di Figaro) Vienna Philharmonic Orchestra, Herbert von Karajan Dove sono i bei momenti (from Le nozze di Figaro) Vienna Philharmonic Orchestra, Herbert von Karajan Come scoglio (from Così fan tutte) Philharmonia Orchestra, Herbert von Karajan In quali eccessi ... Mi tradì quell'alma ingrate (from Don Giovanni) Philharmonia Orchestra, Carlo Maria Giulini | Quilter: | Drink to me only Gerald Moore (piano) | Schubert: | Der Musensohn, D764 (Goethe) Edwin Fischer (piano) Gretchen am Spinnrade, D118 Edwin Fischer (piano) Die Forelle, D550 Edwin Fischer (piano) | Schumann: | Der Nussbaum, Op. 25 No. 3 Gerald Moore (piano) | Strauss, J, II: | Klänge der Heimat (from Die Fledermaus) Philharmonia Orchestra, Herbert von Karajan | Strauss, R: | Wiegenlied, Op. 41 No. 1 Gerald Moore (piano)
12. Viljalied (Die Lustige Witwe:Lehár) 5:13 Da geht er hin (from Der Rosenkavalier, Op. 59) Philharmonia Orchestra, Herbert von Karajan | Zeller: | Der Obersteiger: Sei nicht bös’ from Der Vogelhändler Philharmonia Orchestra, Otto Ackermann |
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| |  | The Opera Gala - Live from Baden-Baden
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| |  | Dein ist mein ganzes Herz
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| |  | The Berlin ConcertLive from the 'Waldbühne'
“The greatest voices of their day came together again on Friday evening. . . Domingo still works his magic . . . Netrebko symbolizes the combination of skill, charisma and naturalness . . . Villazón is the perfect masculine counterpart. . . Great opera needs protagonists like these” (Die Welt am Sonntag, Berlin) “For all the reek of marketing hype, there's a real sense of occasion, our greatest living tenor benignly crowning superstar successors who promise comparable art and intelligence.” BBC Music Magazine, March 2007 ***** | | | In stock - usually despatched within 1 working day. |
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| |  | Champagne! (Operetta Arias)Felicity Lott performs great operetta arias by Strauss, Lehár, Messager and Offenbach
Heuberger: | Gehen wir ins Chambre séparée) from The Opera Ball | Lehár: | Gold und Silber Walzer, Op. 79 Meine Lippen sie Kussen so heiss (from Giuditta) Liebe du Himmel auf Erden (from Paganini) | Messager: | L'Amour masque: 'J'ai deux amants' | Offenbach: | La Belle Helene Overture Dites-lui qu’on l’a remarqué (from La Grande-Duchesse de Gérolstein) Ah! que j'aime les militaires (from La Grande-Duchesse de Gérolstein) Tu n'es pas beau, tu n'es pas riche (from La Périchole) | Straus, O: | Leise, ganz leise klingt's durch den Raum (from Ein Walzertraum) Je t’aime | Strauss, E: | Bahn frei! Schnell-Polka, Op. 45 | Strauss, J, II: | Die Fledermaus Overture | Strauss, Josef: | Feuerfest (Fireproof), Op. 269 Auf Ferienreisen - Polka schnell, Op. 133 | Waldteufel: | Amour et printemps |
This album is a reissue of a recital originally released on the French label Aria Music. “Lott had yet to sing Offenbach's La Grande-Duchesse on stage but she makes an haute-cuisine course of the 'Air de la déclaration', as well as the man-eating nonsense of 'Ah! Que j'aime les militaires'. …a light-hearted disc, something to create a mood of fun on a dull day.” Gramophone Magazine, February 2006 | | | In stock - usually despatched within 1 working day. |
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| |  | The Opera Gala - Live from Baden-Baden (DVD)The Complete Concert
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| |  | The Best of Yvonne Kenny
Canteloube: | Songs of the Auvergne: Baïlèro Melbourne Symphony Orchestra, Vladimir Kamirski | Copland: | Simple Gifts (from Old American Songs, Set I) Melbourne Symphony Orchestra, Vladimir Kamirski | Dvorak: | Mesícku na nebi hlubokém 'Song to the Moon' (from Rusalka) Melbourne Symphony Orchestra, Vladimir Kamirski Songs My Mother Taught Me, Op. 55 No. 4 Melbourne Symphony Orchestra, Vladimir Kamirski | Fauré: | Clair de Lune, Op. 46 No. 2 Malcolm Martineau (piano) | Handel: | Lascia ch'io pianga (from Rinaldo) Melbourne Symphony Orchestra, Vladimir Kamirski Messiah: Rejoice Greatly, O Daughter of Zion Melbourne Symphony Orchestra, Vladimir Kamirski Tornami a vagheggiar (from Alcina) Australian Brandenburg Orchestra, Paul Dyer | Heuberger: | Gehen wir ins Chambre séparée) from The Opera Ball Melbourne Symphony Orchestra, Richard Bonynge | Kern: | Make Believe Joe Chindamo (piano), Ron Sandilands (drums) Melbourne Symphony Orchestra, Guy Noble | Lehár: | Meine Lippen sie Kussen so heiss (from Giuditta) Melbourne Symphony Orchestra, Richard Bonynge Lippen schweigen (from Die Lustige Witwe) sung in English as 'Love unspoken' Wilma Smith (violin) Melbourne Symphony Orchestra, Richard Bonynge Viljalied (from Die lustige Witwe) Melbourne Symphony Orchestra, Richard Bonynge | Puccini: | O mio babbino caro (from Gianni Schicchi) Melbourne Symphony Orchestra, Vladimir Kamirski | Rodgers, R: | Something wonderful (from The King & I) Melbourne Symphony Orchestra, Vladimir Kamirski | Siecynski: | Wien, du Stadt meiner Traüm Melbourne Symphony Orchestra, Richard Bonynge | Stölzel: | Bist du bei mir Melbourne Symphony Orchestra, Vladimir Kamirski | Strauss, R: | Morgen, Op. 27 No. 4 Queensland Symphony Orchestra, Johannes Fritzsch Frühling (from Vier Letzte Lieder) Queensland Symphony Orchestra, Johannes Fritzsch | Vaughan Williams: | Silent Noon Caroline Almonte (piano) |
Yvonne Kenny is one of Australia’s most distinguished sopranos and has a discography of over 70 international recordings, encompassing opera, song, lieder and recital. This release is a collection of favourites from her many performances. | | | Usually despatched in 2 - 3 working days. |
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| |  | Anna Netrebko - SouvenirsSpecial Edition
Arditi: | Il Bacio | Charpentier, G: | Depuis le jour (from Louise) | Dvorak: | Songs My Mother Taught Me, Op. 55 No. 4 | Giménez: | La tempránica: Zapateado 'La tarántula é un bicho mú malo' | Grieg: | Peer Gynt: Solveig's Song | Guastavino: | La rosa y el sauce arr.: Guillo Espel | Hahn, R: | L'Enamourée arr.: Andreas N. Tarkmann | Heuberger: | Midnight Bells (from Der Opernball) | Kalman: | Heia, in den Bergen from Die Csárdásfürstin | Lehár: | Meine Lippen sie Kussen so heiss (from Giuditta) | Lloyd Webber, A: | Requiem: Pie Jesu | Messager: | Fortunio: 'Je ne vois rien..Lorsque je n'etais qu'une enfant' | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) | Rimsky Korsakov: | Not the wind blowing from the heights, Op.43, No.2 arr.: Andreas N. Tarkmann Eastern Song: Enslaved by the rose, the nightingale Op. 2 No. 2 arr.: Andreas N. Tarkmann | Strauss, R: | Cäcilie, Op. 27 No. 2 Wiegenlied, Op. 41 No. 1 | trad.: | Schlof sche, mein Vögele arr.: Friedrich Meyer |
Soprano superstar Anna Netrebko steps away from the operatic stage to create her most personal and intimate album yet. Souvenirs is a gorgeous collection of short and sparkling pieces that allow Anna to display her amazing voice and temperament “This recording is like a bridal bouquet, bursting with variety and colours,” says Anna Netrebko. “I want it to create a wonderful array of emotions – passion, fun, love, tenderness.” The album includes repertoire from all over the world: songs in French, German, Italian, Norwegian, Latin, Czech, Yiddish, Spanish and – of course – Russian. These are pieces that are very close to Anna’s heart and include treasures by Dvorák, Grieg, Carlos Guastavino, Reynaldo Hahn, Offenbach, Richard Strauss, as well as rarely performed songs by Rimsky-Korsakov. For this special project, Anna is accompanied by conductor Emmanuel Villaume and the Prague Philharmonia. Villaume is well-known as the director of the Spoleto Festival (USA) and is a regular guest at major opera houses such as the Teatro La Fenice and the Met. He has previously worked with Anna in concert and is a perfect match for her passionate artistry. On this album Anna Netrebko has a few stunning guests to partner with her: Elina Garanca for Offenbach's Barcarole, Andrew Swait for Andrew Lloyd Webber's “Pie Jesu” (Requiem), Piotr Beczala for Heuberger's “Im Chambre Séparée”. Stunningly talented, gorgeous and intelligent, Netrebko already has the music world at her feet making this one of THE albums of 2008, eagerly awaited by her legions of fans as well as all music lovers worldwide. Cap Box / Limited Edition: This will be the perfect Christmas gift package for the fans. It will have CD + booklet, bonus DVD, postcards and poster. A MUST HAVE! | | | Usually despatched in 2 - 3 working days. |
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| | | Anna Netrebko - SouvenirsStandard Edition
Arditi: | Il Bacio | Charpentier, G: | Depuis le jour (from Louise) | Dvorak: | Songs My Mother Taught Me, Op. 55 No. 4 | Giménez: | La tempránica: Zapateado 'La tarántula é un bicho mú malo' | Grieg: | Peer Gynt: Solveig's Song | Guastavino: | La rosa y el sauce arr.: Guillo Espel | Hahn, R: | L'Enamourée arr.: Andreas N. Tarkmann | Heuberger: | Midnight Bells (from Der Opernball) | Kalman: | Heia, in den Bergen from Die Csárdásfürstin | Lehár: | Meine Lippen sie Kussen so heiss (from Giuditta) | Lloyd Webber, A: | Requiem: Pie Jesu | Messager: | Fortunio: 'Je ne vois rien..Lorsque je n'etais qu'une enfant' | Offenbach: | Barcarolle (from Les Contes d'Hoffmann ) | Rimsky Korsakov: | Not the wind blowing from the heights, Op.43, No.2 arr.: Andreas N. Tarkmann Eastern Song: Enslaved by the rose, the nightingale Op. 2 No. 2 arr.: Andreas N. Tarkmann | Strauss, R: | Cäcilie, Op. 27 No. 2 Wiegenlied, Op. 41 No. 1 | trad.: | Schlof sche, mein Vögele |
Soprano superstar Anna Netrebko steps away from the operatic stage to create her most personal and intimate album yet. Souvenirs is a gorgeous collection of short and sparkling pieces that allow Anna to display her amazing voice and temperament “This recording is like a bridal bouquet, bursting with variety and colours,” says Anna Netrebko. “I want it to create a wonderful array of emotions – passion, fun, love, tenderness.” The album includes repertoire from all over the world: songs in French, German, Italian, Norwegian, Latin, Czech, Yiddish, Spanish and – of course – Russian. These are pieces that are very close to Anna’s heart and include treasures by Dvorák, Grieg, Carlos Guastavino, Reynaldo Hahn, Offenbach, Richard Strauss, as well as rarely performed songs by Rimsky-Korsakov. For this special project, Anna is accompanied by conductor Emmanuel Villaume and the Prague Philharmonia. Villaume is well-known as the director of the Spoleto Festival (USA) and is a regular guest at major opera houses such as the Teatro La Fenice and the Met. He has previously worked with Anna in concert and is a perfect match for her passionate artistry. On this album Anna Netrebko has a few stunning guests to partner with her: Elina Garanca for Offenbach's Barcarole, Andrew Swait for Andrew Lloyd Webber's “Pie Jesu” (Requiem), Piotr Beczala for Heuberger's “Im Chambre Séparée”. Stunningly talented, gorgeous and intelligent, Netrebko already has the music world at her feet making this one of THE albums of 2008, eagerly awaited by her legions of fans as well as all music lovers worldwide. “Netrebko is nothing if not adventurous in her choice of "lollipops", and sings in nine languages. Although the fireworks of Arditi's "Il bacio" bring the disc to an exuberant finish, the introspective songs fare best.” Gramophone Magazine, December 2008 “In this lightweight collection of songs and arias from opera, operetta and zarzuela, the Russian star soprano sticks mainly to slow-tempo numbers. Richly coloured and in top condition, her voice exhibits a mezzo-like warmth in such pieces as 'Meine Lippen, sie küssen so heiss' from Lehár's Giuditta or 'Depuis le jour' from Charpentier's Louise. It is indeed an exceptional instrument.” BBC Music Magazine, February 2009 *** | | | Usually despatched in 2 - 3 working days. |
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