Orff: Carmina Burana: In trutina

“Creamy and pure, Royal's voice is directly in the aristocratic line of Kiri Te Kanewa and Reneé Fleming” Gramophone Magazine

“This CD represents something of a triumph not for one young artist but for two. ENO's new music director, Edward Gardner, conducts the accompaniments, with the Academy of St Martin's on fine form. Kate Royal matches him precisely. Each item is beautifully vocalised, but she too is alert to detail. In the Ravel Vocalise en forme de habanera, she finesses her tone and colour and even her pitch to give us the sensual, Spanish, hot-summer-afternoon feel of the piece. In Delibes's Les filles de Cadix, her trills are a delight, but so is the immediacy of her response to the rhythms.” BBC Music Magazine, September 2007 *****

“Royal’s voice is just sublime; rich, warm and pure, it is able to be both lightly playful in Canteloube’s “Malurous qu’o uno fenno”, and languorously dreamy in Strauss’s “Wiegenlied”...What really sets her apart, though, is her ability to get under the skin of a song’s lyrics to take on their emotions...Royal is much more than just a beautiful voice. This is music and singing to savour.” Charlotte Gardner, bbc.co.uk, 31st August 2007

“The bulk of the programme features sweet-toothed orchestral arrangements, scooped notes and other pop inflections, though she’s mostly eloquent and the voice’s bronzed beauty is unique.” The Times, 8th February 2013 ***

“The playing is unfailingly exquisite; the arrangements are generally sensitive - Mozart's Laudate Dominum being notably effective.” Gramophone Magazine, November 2006