All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Vierne: Complete Organ Symphonies Volume 1
Hans-Eberhard Roß (Goll Organ of St. Martin, Memmingen) To commemorate the 75th anniversary of Louis Vierne‘s death, the present recording marks the beginning of Audite‘s 3-part complete recording of the composer‘s 6 Organ Symphonies with organist Hans-Eberhard Roß. Recorded at the Goll organ of St. Martin in Memmingen, the recording is characterised by the warm, soft and widely mensurated sound of the organ. Its sound creates unobtrusive power and fullness, making a symphonic effect in the church interior of St. Martin and yet always remaining clear. The polyphonic structures of the works become distinct and the transparency of sound permits fresher tempi than usual – neither of which can normally be taken for granted with recordings of Vierne. The French composer, organist and instrumental pedagogue Louis Victor Jules Vierne was extremely talented and ambitious, but nearly blind. His reaction to virtuoso organ playing, such as that of César Franck, was characterised by bliss and suffering, joy and fear. He studied in Paris with Charles-Marie Widor, who had founded the genre of the organ symphony. In 1894 Vierne, at the age of only 23, was allowed to represent his teacher in two functions, so that a future full of hope lay before him: at the organ console of the Church of Saint-Sulpice in Paris and in Widor‘s organ class at the Conservatory. But Vierne felt destined for higher things: in 1899 and 1903 he composed the first two (of a total of six) Organ Symphonies that were to lend the genre an unprecedented richness of timbres, mysticism and cyclic architecture. It is with these two works, written during comparatively happy years, that the Audite cycle begins. It will continue with Organ Symphonies 3 and 4, which were written when their creator was established as organist of Notre-Dame – as well as Nos. 5 and 6, when Vierne enjoyed international successes whilst his life became increasingly tragic. Hans-Eberhard Roß is Director of Church Music in Memmingen. He has already made an internationally successful recording for Audite of the complete organ works of César Franck. “the music is presented with exemplary clarity … Vierne is a more important composer than is often realized and I await the remaining issues in this series with interest.” International Record Review, February 2013 “Ross gives particularly fine accounts of these works … the remarkable clarity of the Audite recording, and the excellence of the booklet notes by Rudiger Heinze and Ross himself, will appeal to many keen to investigate this music … I await the remaining issues in this series with interest.” MusicWeb International, Spring 2013 | | | (also available to download from $10.50) | Usually despatched in 3 - 4 working days. (Available now to download.) |
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| |  | Vierne: Symphonies Nos. 1 & 2
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| |  | Vierne: Works for Organ Vol.1 ‘The Six Symphonies’
Pierre Labric (organ of Saint-Sernin, Toulouse) In the early 1970’s, Teleson, a company in Rouen, convinced Louis Vierne to record, without a contract, a considerable number of works by Vierne. Amongst these were the symphonies, which ended up being sold to the Musical Heritage Society in the US and left to gather dust. Transferred from vinyl these marvelous recordings are available again, and for the first time on a French label. | | | Usually despatched in 4 - 5 working days. |
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| |  | Louis Vierne - Symphonies for Organ
(3 CDs for price of 2) "Superbly insightful..…truly distinguished, compelling and unquestionably authoritative performances;
Filsell has phenomenal technique." The Gramophone “Filsell, famously untroubled by technical demands, concentrates on wringing every last drop of sonority in deeply-felt, idiomatic performances.” BBC Music Magazine, October 2005 “Vierne's six organ symphonies have very uneven representation in the catalogues. Most popular by far is the Third; and for 10 years the only widely available box-set was Ben van Oosten's (Dabringhaus und Grimm). In many ways this set was pretty well ideal, the only drawback being his lack of flair in the big toccata-like movements (such as the finale of No 1). Now Jeremy Filsell has brought just that kind of flair and panache to this set, recorded, interestingly, on the same instrument as Oosten's set. It sounds quite different, though. The sound engineers have produced an altogether warmer and more all-embracing sound, giving the quieter movements (such as the enchanting Menuet of the Fourth Symphony) plenty of space to reveal their charms, while handling the monumental pleno in such a way that it still sends shivers down the spine without ever becoming overwhelming. The music, too, may be the same but Filsell seems to have a better sense of the musical architecture, especially in the later and more remote symphonies. As a result he convinces that the relative neglect, especially of the Fourth Symphony, is unwarranted; it may not be easy to communicate this music but it can be done and Filsell does it wonderfully. The booklet-notes are exceptionally pretentious but all in all, Filsell has done both Vierne and discerning organ-lovers a great service.” Gramophone Classical Music Guide, 2010 “…Jeremy Filsell has… flair and panache… he has convinced me that the relative neglect, especially of the Fourth Symphony, is unwarranted; it may not be easy to communicate this music but it can be done and Filsell does it wonderfully.” Gramophone Magazine, February 2006 | | | Usually despatched in 3 - 4 working days. |
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| |  | Vierne: Complete Organ Works
Vierne, L: | Organ Symphonies Nos. 1-6 (complete) Pièces de fantaisie, 1st suite, Op. 51 Pièces de fantaisie, 2nd suite, Op. 53 Pièces de fantaisie, 3rd suite, Op. 54 Pièces de fantaisie, 4th suite, Op. 55 Messe basse, Op. 30 Pièces en style libre, Op. 31 (complete) Messe basse pour les Défunts, Op. 62 Trois Improvisations Triptyque, Op. 58 Verset fugué sur "In exitu Israël" Allegretto, Op. 1 Prélude funèbre, op. 4 Communion, op. 8 Prélude |
9 discs for 5.5 “Ben van Oosten’s performances cannot be too highly praised. He is deeply committed, has a wonderful ear for sonority and detail.. And every performance creates the thrill and spontaneity of live musicmaking, while the recording of all three organs is magnificent.” Penguin Guide | | | Usually despatched in 2 - 3 working days. |
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