This page lists all recordings of Les oiseaux dans la charmille (from Les Contes d'Hoffmann) (Doll Song, Olympia's aria), by Jacques Offenbach (1819-80) on CD, DVD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock. |
Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Maurice Andre: Airs d'opéras(trumpet transcriptions)
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| |  | Opera 2012
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| |  | La bellezza del canto
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| |  | The World of Offenbach
In October 1880, at the age of sixty-one, having poured out his high-spirited talent into over a hundred works for the stage, Offenbach lay exhausted on his deathbed. A strange figure wearing dark glasses and a floppy white cravat knocked at the door. It was Léonce, the comedian who had made such a big hit in Orphée aux enfers. The concierge told him: ‘Monsieur Offenbach is dead. He died very gently, without realising it’. ‘Well, well’, replied Léonce. ‘How annoyed he’ll be when he finds out.’ And that curious little anecdote, told by James Harding in his excellent liner notes, tells something of the wit and sparkling humour of these performances. Traversing a wide span of recordings – from Ernest Ansermet cheeky in the brilliantly-recorded overtures, to Sutherland and Crespin in voices thrilling and beguiling for the arias, this compendium offers not only the Offenbach ‘hits’ (including the Barcarolle from The Tales of Hoffman, both as an orchestral interlude as well as a duet), but several delightful rarities, performed by top-shelf Decca artists. Long out of print, the CD is now restored to circulation. “[the voice] sparkles all through. Crespin … sounds far more at home twinkling in operetta than ever the majority of her admirers would have suspected. […] She has been splendidly served by her accompanists, not to mention the recording engineers who, while conveying the individual timbre of the voice very faithfully, have not allowed it to “glare”; as it sometimes has done on record.” Gramophone Magazine “Joan Sutherland gives a virtuoso performance … Bonynge’s direction is unfailingly sympathetic … Domingo gives one of his finest performances on record … Superb atmospheric recording quality” Penguin Guide | | | In stock - usually despatched within 1 working day. |
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| |  | Joan Sutherland: The Voice of the Century
Bellini: | Casta Diva (from Norma) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli O rendetemi la speme...Qui la voce sua soave...Vien, diletto (from I Puritani) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli Ah! non giunge uman pensiero (from La Sonnambula) Recorded 1962 Orchestra del maggio Musicale Fiorentino, Richard Bonynge Eccomi pronta...Deh, se un'urna (from Beatrice di Tenda) Recorded 1962 London Symphony Orchestra, Richard Bonynge | Bizet: | Vasco da Gama: La marguerite a fermé sa corolle … Ouvre ton coeur Recorded 1969 Orchestre de la Suisse Romande, Richard Bonynge | Coward, N: | This is a changing world (from Pacific 1860) Recorded 1966 Richard Bonynge | Delibes: | Où va la jeune Indoue? 'Bell Song' (from Lakmé) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | Donizetti: | Il dolce suono mi colpì di sua voce! … Spargi d'amaro pianto (from Lucia di Lammermoor) Recorded 1962 Rinaldo Pelizzoni (Normanno), Cesare Siepi (Raimondo), Robert Merrill (Enrico) Orchestra dell’Accademia de Santa Cecilia, Rome, John Pritchard Pour ce contrat fatal...Salut à la France (from La fille du régiment) Recorded 1967 Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge Una parola…Chiedi all'aura (from L'elisir d'amore) Recorded 1970 Luciano Pavarotti (Nemorino) English Chamber Orchestra, Richard Bonynge Da tutti abbandonata (from Maria Stuarda) Recorded 1975 Luciano Pavarotti (Leicester) Orchestra del Teatro Comunale di Bologna, Richard Bonynge Figlio, e spento...Era desso il figlio mio (from Lucrezia Borgia) Recorded 1978 National Philharmonic Orchestra, Richard Bonynge Ancor non giunse...Torna, torna, o caro oggetto (from Rosmonda d’Inghilterra) Recorded 1961; bonus track Orchestre de la Suisse Romande, John Pritchard | Gounod: | Ah! Je veux vivre dans ce rêve (from Roméo et Juliette) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli Ah! Je ris de me voir (from Faust) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | Heuberger: | Gehen wir ins Chambre séparée) from The Opera Ball Recorded 1966 New Philharmonia, Richard Bonynge | Lehár: | Wär' es auch nichts als ein Augenblick (Eva) Recorded 1966 New Philharmonia, Richard Bonynge | Massenet: | De cet affreux combat…Pleurez, mes yeux ! (from Le Cid) Recorded 1962 London Symphony Orchestra, Richard Bonynge | Offenbach: | Les oiseaux dans la charmille (from Les Contes d'Hoffmann) Recorded 1969 Orchestre de la Suisse Romande, Richard Bonynge | Puccini: | In questa reggia (from Turandot) Recorded 1972 Luciano Pavarotti (Calaf) London Philharmonic Orchestra, Zubin Mehta | Rossini: | Bel raggio lusinghier (from Semiramide) Recorded 1966 London Symphony Orchestra, Richard Bonynge | Strauss, J, II: | Nun's Chorus from Casanova Recorded 1966 New Philharmonia, Richard Bonynge | Verdi: | È strano! è strano!...Ah! fors è lui (from La traviata) Sempre libera (from La Traviata) Recorded 1960 Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli Che! e segnar questa mano potrebbe l’onta mia (from Luisa Miller) Tu puniscimi, o Signore … A brani, a brani, o perfido (from Luisa Miller) Recorded 1963 London Symphony Orchestra, Richard Bonynge È il sol dell'anima (from Rigoletto) Recorded 1971 Luciano Pavarotti (Duca) London Symphony Orchestra, Richard Bonynge Caro nome (from Rigoletto) Recorded 1971 London Symphony Orchestra, Richard Bonynge |
In tribute to one of Decca’s very greatest artists, a 2-for-1 double jewel-case version of Dame Joan Sutherland’s classic ‘The Voice of the Century’ 2-disc compendium is now available for release. The track contents are identical those of the original hardback version of ‘The Voice of the Century’ (4757981), and include arias from Lucia di Lammermoor, La sonnambula, Norma, Lakmé, Semiramide, La Fille du Régiment, Turandot, and many more. | | | In stock - usually despatched within 1 working day. |
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| |  | Natalie Dessay - The Miracle of the Voice
“Our finest coloratura soprano: she combines dazzling accuracy and luminous musicality” The Times | | | In stock - usually despatched within 1 working day. |
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| |  | Natalie Dessay - The Miracle of the VoiceGreatest Moments on Stage
Bernstein: | Glitter and be gay (from Candide) London Philharmonic Orchestra, Sir Andrew Davis | Donizetti: | Il dolce suono mi colpì di sua voce! … Spargi d'amaro pianto (from Lucia di Lammermoor) Orchestre & Chœurs de l’Opéra de Lyon, Evelino Pidò | Mozart: | O zittre nicht (from Die Zauberflöte) Les Arts Florissants, William Christie Der Hölle Rache kocht in meinem Herzen (from Die Zauberflöte) Orchestre & Chœurs de l’Opéra National de Paris, Ivan Fischer | Offenbach: | Les oiseaux dans la charmille (from Les Contes d'Hoffmann) Orchester der Wiener Staatsoper, Jan Märkl Duo de la mouche from Orphée aux Enfers | Ravel: | Air du Feu: “Arrière…” from L'enfant et les sortilèges | Strauss, J, II: | Frühlingsstimmen Walzer Op. 410 Orchester der Wiener Staatsoper, Ulf Schirmer | Strauss, R: | Grossmächtige Prinzessin (from Ariadne auf Naxos) Wiener Philharmoniker, Christoph von Dohnanyi | Thomas, Ambroise: | A vos jeux, mes amis (from Hamlet) Symphony Orchestra & Chorus of the Gran Teatre del Liceu, Bertrand de Billy |
“Ms. Dessay treats opera like a form of theatre in which acting and singing are one” The Times, November 2005 | | | In stock - usually despatched within 1 working day. |
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| |  | Offenbach - Piano Works Volume 3
The original and the adaptation define this third and final CD in CPO’s series with the piano music of Jacques Offenbach. Six (authentic) piano waltzes form open the disc. The pieces are simple in form but are amazingly varied in terms of melodic invention with surprise effects and rhythmic teases. The following works are adaptations. Le Voyage dans la lune was arranged by Offenbach himself, whilst the final work, Olympia's coloratura aria from Tales of Hoffmann was arranged by the interpreter on the disc - the virtuoso pianist Marco Sollini. A graceful, rhythmic and lively interpretation! | | | (also available to download from $10.50) | Usually despatched in 2 - 3 working days. (Available now to download.) |
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| |  | Janine MicheauFrench Opera Arias
Recorded 1951-54, mono | | | Usually despatched in 4 - 5 working days. |
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| |  | La Stupenda - The Supreme Voice of Joan Sutherland
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