Schubert: Klavierstücke (3), D946

This page lists all recordings of Klavierstücke (3), D946, by Franz Peter Schubert (1797-1828) on CD, SACD, DVD & download (MP3 & FLAC). Generally, more recent releases are listed first, but with priority given to those that are in stock.

Recommendations

Disc of the Month
February 2012
RosetteFinalistAlbums of the Year

All recordings

Prices shown exclude VAT. (UK tax is not payable for deliveries to United States.)
See Terms & Conditions for p&p rates.

Schubert: Moments Musicaux, Klavierstücke & Wanderer Fantasy

Schubert: Moments Musicaux, Klavierstücke & Wanderer Fantasy

Stereo (CD1) / Mono (CD2) · Recorded In 1956, 1957 & 1959


Schubert:

Moments Musicaux (6), D780, Op. 94

Allegretto in C minor, D915

March in E major, D606

Klavierstücke (3), D946

Fantasie in C major, D760 'Wanderer'


Claudio Arrau could trace his musical lineage through his teacher Martin Krause to Liszt, Beethoven and Haydn themselves. Yet this probing and poetic artist was not afraid to admit that “Schubert is for me the ultimate problem of interpretation … There is the dramatic scope of Beethoven and the simplicity of Austrian folksong; wonderful lyric writing … and great chastity. And much of his music is filled with anxiety – so obvious when you know his language.”

First release on 2CD of all these recordings together and with a new 2016 digital 24-BIT remastering made especially for the release.

Warner Classics Original Jacket Reissues - 2564640241

(CD - 2 discs)

$13.00

(Sorry, download not available in your country)

In stock - usually despatched within 1 working day.

Grigory Sokolov: Live at the Berlin Philharmonie

Grigory Sokolov: Live at the Berlin Philharmonie


Beethoven:

Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier'

Brahms:

Intermezzo in B flat minor, Op. 117 No. 2

Rameau:

Les tendres plaintes

Pièces de Clavecin 1724: Les Tourbillons

Les Cyclopes

La follette

Les Sauvages

Schubert:

4 Impromptus, D899

Klavierstücke (3), D946


Experience Grigory Sokolov – „probably the best live pianist of our days“ (Berliner Morgenpost) – in a filmed concert praised to the skies by critics.

The completely sold out concert took place on 5 June 2013 in the Philaharmonie Berlin, which is known for its exquisite acoustics.

Acclaimed French film-maker Bruno Monsaingeon (Profile on IMDb) is well known for his documentaries about iconic pianists Glenn Gould (Glenn Gould – Hereafter), Sviatoslav Richter (Richter – The Enigma) and Mauricio Pollini (De main de maître ).

In the director’s notes to this new Sokolov film, Monsaingeon writes:

“Sokolov himself believes that the concert represents the focal point of musical life and that everything else is artificial. As a result, he is not only reluctant to be recorded but also to be filmed.

In spite of this, we were able to overcome his reservations on this point of principle (…). The idea of filming a public recital was accepted a first time in 2002 (Théâtre des Champs Elysées, Paris) and the second time at the Berlin Philharmonie on 5 June 2013.

The filming was made live with 7 cameras, with no retakes and with nothing to detract from his total concentration, which is directed solely at the music.”

DVD Video

Region: 0

Format: NTSC

DG - 0735250

(DVD Video)

$15.25

In stock - usually despatched within 1 working day.

Grigory Sokolov plays Schubert & Beethoven

Grigory Sokolov plays Schubert & Beethoven


Beethoven:

Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier'

Ex Salzburg Festival, 23 August 2013

Brahms:

Intermezzo in B flat minor, Op. 117 No. 2

encore. Ex Salzburg Festival, 23 August 2013

Rameau:

Les tendres plaintes

encore. Ex Salzburg Festival, 23 August 2013

Pièces de Clavecin 1724: Les Tourbillons

encore. Ex Salzburg Festival, 23 August 2013

Les Cyclopes

encore. Ex Salzburg Festival, 23 August 2013

La follette

encore. Ex Salzburg Festival, 23 August 2013

Les Sauvages

encore. Ex Salzburg Festival, 23 August 2013

Schubert:

4 Impromptus, D899

Ex Warsaw Philharmonie, live recording 12 May 2013

Klavierstücke (3), D946

Ex Warsaw Philharmonie, live recording 12 May 2013


Read Presto's complete review of this disc here.

Grigory Sokolov is an exceptional artist. He is regarded as one of the world’s leading pianists and adored by his audience in sold-out concerts – dedicated to his art, and nothing else.

His debut album on Deutsche Grammophon “Salzburg Recital” was a huge success and is the best-selling frontline core classical release this year to date.

With Schubert & Beethoven we have another hit in our hands: Grigory Sokolov plays late masterworks by Schubert, including the much-loved Impromptus, and Beethoven’s mighty “Hammerklavier” Sonata, finishing with six impeccable encores by Rameau and Brahms

This outstanding recital is culled from concerts in Warsaw and Salzburg. Salzburger Nachrichten claimed: “Wherever he plays, the utopia of ultimate satisfaction is closer than ever… “

An hour of Schubert comprising some of his best-loved piano music (the Impromptus in A flat and G flat major, with rippling arpeggios and timeless melodies), and three of his late piano works that search out the depths of his art (look at an excerpt here: https://youtu.be/oOVJBE5Utvc )

Beethoven’s longest piano sonata – one of the famous “late” sonatas – explores the whole range of the extended keyboard then available to him. It lasts over 45 minutes and is one of his most over-the-top works –with its huge fugal finale that has been known to drive listeners crazy. Sokolov has it all under control.

After Mozart & Chopin this new live recording is another pianistic landmark release.

“For me, part of what makes Sokolov such an extraordinary pianist is his use of rubato and his flexibility with tempo: the way he will fractionally delay the second beat of a bar so as to highlight an accent in the first Schubert Klavierstück, for instance, or the space he creates by extending the quaver rests at the end of each phrase of the fourth Impromptu just to give a lift to the music, is really something rather special.” James Longstaffe, Presto Classical, 15th January 2016

“spaciousness is [not] the most surprising aspect here…more challenging to many ears will be the steadiness of the E flat Impromptu and the liberally applied hesitations of the A flat. Allied to undoubted pianistic mastery, such unorthodoxy certainly commands attention [and there are] twinkling Rameau and dreamy Brahms encores” Gramophone Magazine

Presto Disc of the Week

15th January 2016

Presto Discs of 2016

Finalist

DG - 4795426

(CD - 2 discs)

$21.00

(also available to download from $10.00)

In stock - usually despatched within 1 working day.

Schubert: Impromptus, Piano pieces & Variations

Schubert: Impromptus, Piano pieces & Variations


Schubert:

4 Impromptus, D935

Klavierstücke (3), D946

13 Variations on a theme by Anselm Hüttenbrenner in A minor, D576


Steven Osborne shines in lyrical new performances of seven of Schubert’s greatest late works for piano, plus the extended Hüttenbrenner Variations of 1817.

“Steven Osborne is perhaps the outstanding British pianist of his generation, certainly one of the most versatile and adventurous…where Osborne excels is in his grasp of structure - if anyone remains who thinks that Schubert just rambles delightfully on, these accounts should lead to a rapid change of mind; and in coping effortlessly with Schubert's unhelpfully awkward leaps” BBC Music Magazine, November 2015

“Osborne immediately presents himself as a Schubertian of the utmost seriousness and integrity, and throughout the disc [he] offers finely gauged and beautifully regulated playing. His is a patient, ostensibly non-interventionist approach, in which the poetry of Schubert's music is allowed to speak for itself.” Gramophone Magazine, October 2015

“Osborne takes a wonderfully clear-sighted, analytical approach which gives the seven late works, as well as the early, often playful variations, great radiance and lyricism.” The Guardian, 18th October 2015 ****

“His Schubert is clean and unfussy, much like that of Paul Lewis, but with a slightly softer grain. Those qualities pay dividends in a thoughtful, alluring account of the D. 935 Impromptus.” New York Times, 25th November 2015

Hyperion - CDA68107

(CD)

$14.25

In stock - usually despatched within 1 working day.

Bertrand Chamayou: Schubert

Bertrand Chamayou: Schubert


Liszt:

Auf dem Wasser zu singen (No. 2 from Zwölf Lieder von Franz Schubert, S558)

Litanei - Andante Religioso (No. 1 from Vier Geistliche Lieder, S562, after Schubert)

Der Müller und der Bach (No. 2 from Müllerlieder von Franz Schubert, S565)

Schubert:

Fantasie in C major, D760 'Wanderer'

Ländler (12) D790

Allegretto in C minor, D915

Ländler (17), D366: No. 12

Klavierstücke (3), D946

Kupelwieser-Walzer D I


Bertrand Chamayou, described by Gramophone as a “young French pianist of an impeccable pedigree”, is already firmly established as one of the most thoughtful and fascinating pianists of his generation. He has chosen Schubert – with the Wanderer-Fantaisie as the centrepiece – for his first release as an ERATO artist, and, in the course of 2014, the composer’s works will also feature in Chamayou’s recitals in Germany, Belgium, the US (New York), France and Austria.

Born in Toulouse, and a graduate of the Paris Conservatoire, Chamayou had ambitions to be a composer before the piano became his musical priority, and his questing and creative spirit is reflected in a diverse and eclectic repertoire that defies simple categorisation: he has built his reputation with the music of, among others, Liszt, Franck, Messiaen and contemporary composers. It is perhaps not surprising that he drew the attention of Pierre Boulez, a similarly unclassifiable musician, who has conducted Chamayou in concerto performances on a number of occasions.

Gramophone, putting Chamayou’s playing in a class with Alfred Cortot, has praised the way he … “harnesses power and depth alongside his sparkling virtuosity” and noted his “textual clarity, warm and affectionate expression and luminous piano tone”, while International Record Review singled him out for special praise among the younger pianists of today:

“These days, when unprecedented virtuosity is the common coin of an entire of young pianists, it is not easy to describe what precisely puts Chamayou head and shoulders above his peers. His mastery of the piano is flawless; is oneness with the instrument complete. As one listens to his performances, perfection of execution so quickly becomes part of the landscape that you almost forget it. Unblemished by obtrusions of ego or exhibitionism, what we hear seems some pure distillation of musical thought, some unadorned essence of poetic utterance, as though a fleeting ideal were captured and held aloft in all its radiance. When Chamayou plays, you believe every note.”

France’s leading music awards, Les Victoires de la Musique, have traced the trajectory of Chamayou’s career: in 2006 he was named as the year’s ‘Révélation’ (outstanding young talent), while 2011 brought him the prize for Solo Instrumentalist and 2012 for Best Recording.

In the concert hall, conductors with whom he has collaborated include Semyon Bychkov, Andris Nelsons, Leonard Slatkin, Neville Marriner, Michel Plasson, Stéphane Denève and Jérémie Rhorer, while among his chamber music partners are fellow ERATO artists Renaud Capuçon, Gautier Capuçon and Quatuor Ebène.

“Conceived by the pianist as a kind of “Schubertiade”, this affecting, beautifully performed disc conjures up those great occasions of convivial music-making, but on the assumption they could embrace the serious statement, too” Sunday Times, 2nd March 2014

“Chamayou's playing is consistently persuasive. The Wanderer-Fantasie is a bit heavyweight for my taste, although the Klavierstücke are superbly done, and there's also a wonderfully graceful performance of the D790 Deutsche Tänze.” The Guardian, 14th March 2014 ***

“[he] treats everything with equal respect and palpable affection. The Wanderer is a real test of any musician but Chamayou surmounts the work's sometimes unpianistic demands without ever leaving you, as some do, feeling as if you've been punched in the face. Instead he revels in its virtuosity and in the sheer variety of texture.” Gramophone Magazine, May 2014

“Chamayou's impressive reserves of articulation and firepower seem a touch stretched by the finale of the Wanderer Fantasy (compared, say, with Murray Perahia's recording), but elsewhere his tight-reined, skilfully paced virtuosity and musicianship excel, while his expressive touch in Liszt's Schubert song-transcriptions is state-of-the-art.” BBC Music Magazine, June 2014 ****

“his musically insightful, technically flawless playing can be confused with no-one else's. He exudes confidence without the slightest hint of egotism or ostentation...Ultimately the key characteristic of this recording is that indispensable element of great Schubert playing: a singing line capable of piercing the very depths of the heart.” International Record Review, May 2014

Erato - 2564637078

(CD)

$13.00

(also available to download from $11.00)

In stock - usually despatched within 1 working day.

Schubert: Piano Sonatas D840, 850, 894 & Impromptus D899

Schubert: Piano Sonatas D840, 850, 894 & Impromptus D899


Schubert:

Piano Sonata No. 15 in C major, D840 'Reliquie'

Piano Sonata No. 17 in D major, D850

Piano Sonata No. 18 in G major, D894

4 Impromptus, D899

Klavierstücke (3), D946


Paul Lewis (piano)

Paul Lewis has just emerged from a vast Beethoven project: the complete sonatas and piano concertos, greeted all over the world as a landmark and completed in 2011 by the 'Diabelli Variations' – and now he returns to Franz Schubert, the other key focus of his concert career, the other pillar of his discography.

In this double album, three late sonatas are accompanied by two sets of short pieces brimming with inventiveness, the ' Impromptus' and 'Klavierstücke'.

“there were magical moments too, when Lewis's playing touched the sublime. His own Schubert odyssey is not to be missed by anybody who appreciates pianism of the highest caliber.” Barry Millington, London Evening Standard, concert review

“As Lewis's legions of admirers would expect, they are all superbly well played, with the same clarity and careful attention to every detail that is also lavished on the Four Impromptus of D899 and the three very late piano pieces D946. Unlike some of Lewis's more recent Beethoven performances, there's nothing over emphatic here... It's a fine, thoughtful set.” The Guardian, 3rd November 2011 ****

“Lewis’s mature insight into the workings and emotional characteristics of these works lends his interpretations particular power and depth, not just in the sonatas but also in the impromptus and the late Klavierstücke as well. Considered thought always seems to support and nourish Lewis’s performances, and here his instincts animate the music absorbingly.” The Telegraph, 18th November 2011

“Lewis’s Beethoven sonatas placed him firmly in the company of great contemporary pianists. In Schubert, too, his graceful phrasing and command of dynamic contrasts are equally impressive. His magisterial account of the C major Sonata (D840) challenges all other recorded interpretations with its combination of head and heart.” Sunday Telegraph, 20th November 2011

“I enjoyed every moment of these two superbly recorded discs...These are model accounts, in which Lewis, clearly a modest man, is intent on keeping himself out of the picture...I would like to hear more of him, and I'm sure Schubert would feel the same...When Schubert is being mysterious yet somehow simple, as in the unfinished so-called 'Reliquie' Sonata, Lewis's reticence is ideal. If he is open to criticism at all, it is only at the most exalted level.” BBC Music Magazine, January 2012 ****

“every now and again a recording comes along that makes you want to dance in the street, handing out copies to complete strangers. This is one of those instances...Time and again, you marvel at the confidence and sureness of Lewis's playing, combined with the finesse and musicality that he has always displayed. It's the kind of playing, in fact, where comparisons cease to matter....An undoubted contender for the 2012 Awards.” Gramophone Magazine, February 2012

“Particularly admirable is Lewis's differentiation between Schubert's idiosyncratic indications...[in D850] his playing seems to exude a quiet jauntiness, an unencumbered masculinity, observant, appreciative and filled with pleasure that, in its guileless utterance, is heart-stoppingly beautiful...I don't know of a more convincing or enjoyable performance [of D946]” International Record Review, February 2012

“Lewis’s playing is characterised by a wonderful range of tonal colours and subtle control of moods. There is a real poise and intimacy about his playing and while he allows the energetic and unruly passages to threaten the status quo, they never succeed...I have heard more dramatic performances, and also more ‘classical’ ones, but never anything so moving.” Chris O'Reilly, Presto Classical, 31st October 2011

Presto Disc of the Week

31st October 2011

GGramophone Awards 2012

Finalist - Instrumental

GGramophone Magazine

Disc of the Month - February 2012

Harmonia Mundi - HMC902115/16

(CD - 2 discs)

$20.00

(also available to download from $11.00)

In stock - usually despatched within 1 working day.

Schubert Live - Volume 1

Schubert Live - Volume 1


Schubert:

Piano Sonata No. 20 in A major, D959

11 Ecossaises, D781

Klavierstücke (3), D946

Piano Sonata No. 16 in A minor, D845

Piano Sonata No. 17 in D major, D850


Imogen Cooper returns to AVIE with the first in a series of 3 double CDs, recorded live at the Queen Elizabeth Hall, exploring the late piano music of Schubert written between 1823 and 1828. The first volume includes the A minor Sonata D845, the D major Sonata D850 and the A major Sonata D959.

Imogen says: “I’m not afraid of being described as a Schubert specialist,” even though her active repertoire ranges from Bach to Thomas Adès. “He has taken up a lot of my waking time for more than 30 years. In fact, you could say that his songs and his piano music have sometimes been close to an obsession for me.” It is more than 20 years since Cooper made a live and recorded survey of all the piano music Schubert composed from early 1823 until his death in 1828 at the age of 31. “One of the reasons I’ve taken it all up again is that I feel it ten times more strongly than I did 20 years ago: the message has become more direct to me. Schubert has become even more necessary to my well-being, and I sense strongly that he is important for an audience’s well-being too.

Imogen Cooper has established a reputation as one of the finest interpreters of the classical repertoire. Having spent several years at the Paris Conservatoire in her teens, Cooper went to Vienna to study with Paul Badura-Skoda, Jörg Demus and the pianist often seen as her mentor, Alfred Brendel. She has appeared with the New York Philharmonic Orchestra and Sir Colin Davis and the Vienna Philharmonic Orchestra with Sir Simon Rattle among many others.

“She is an outstanding artist, one of the finest pianists now playing.” Daily Telegraph

“These performances were recorded live at a Queen Elizabeth Hall recital given in 2008. Free from the confines of the studio, Cooper rises to the occasion with performances that show a courageous advance on her already distinguished work. This is true, most strikingly, in the great penultimate A major Sonata, D959. ...few more deeply charged or felt performances now exist on record. Cooper wrings every expressive ounce from the massive opening Allegro and the result is movingly personal rather than overbearing or idiosyncratic. Time and again she makes you sense the dark undertow beneath Schubert's outward geniality, the pain as well as the fullness of his tragically brief life. ...nothing is taken for granted and every musical shadow, whether passing or engulfing, is acutely registered.” Gramophone Magazine, September 2009

“the piano could not be more naturally captured, nor the feeling of live music-making conveyed to the listener. She displays a very special feeling for the composer's lyricism, and the warm colouring and fine shading of timbre are as pleasing to the ear as the many subtle nuances of phrasing, and her bold sonority at higher dynamic levels is particularly satisfying.” Penguin Guide, 2011 edition

“The range of colour, the subtle details, the singing line, the freedom of tempo within the driving momentum, the haunting and haunted beauty, are greater than ever. A joy.” Sunday Times, 10th May 2009 ****

“You only have to hear the slow movement of the great A Major Sonata D959 to appreciate that Cooper has the capacity to make the piano sing, in this instance with sighs of melancholy...Cooper has said that, after a career-long association with Schubert, his music's message has become much more direct for her. These discs show how eloquently she can convey that message to us.” The Telegraph, 30th April 2009 *****

Avie - AV2156

(CD - 2 discs)

$21.25

(also available to download from $20.00)

In stock - usually despatched within 1 working day.

Schubert & Schumann: Piano Works

Schubert & Schumann: Piano Works


Schubert:

Klavierstücke (3), D946

Schumann:

Études symphoniques, Op. 13


Emre Elivar (piano)

Sony - 88697340132

(CD)

$10.00

(Sorry, download not available in your country)

In stock - usually despatched within 1 working day.

Mendelssohn, Schubert & Brahms: Piano Works

Mendelssohn, Schubert & Brahms: Piano Works


Brahms:

Klavierstücke (6), Op. 118

Mendelssohn:

Song without Words, Op. 19b No. 1 in E major 'Sweet Remembrance'

Song without Words, Op. 38 No. 6 in A flat major 'Duetto'

Variations sérieuses in D minor Op. 54

Schubert:

Klavierstücke (3), D946


David Theodor Schmidt (piano)

Sony - 88697431592

(CD)

$8.25

(Sorry, download not available in your country)

In stock - usually despatched within 1 working day.

Schubert: Piano Sonata No. 21 & Klavierstücke D946

Schubert: Piano Sonata No. 21 & Klavierstücke D946


Schubert:

Piano Sonata No. 21 in B flat major, D960

Klavierstücke (3), D946


“Uchida's concentration and inwardness are of a rare order in her absorbed, deeply poetic reading of the B flat Sonata. No pianist makes you so aware how much of the first two movements is marked pp or even ppp; and none conjures such subtlety of colour in the softest dynamics: listen, for instance, to her playing of the three unearthly C sharp minor chords that usher in the firstmovement development, or her timing and colouring of the breathtaking sideslip from C sharp minor to C major in the Andante. Other pianists may find a stronger undercurrent of foreboding or desperation in these two movements – though Uchida builds the development of the initial Molto moderato superbly to its dramatic climax.
But none probes more hauntingly the music's mysterious contemplative ecstasy or creates such a sense of inspired improvisation. And her limpid cantabile sonorities are always ravishing on the ear. She's equally attuned to the less rarefied world of the Scherzo and finale, the former a glistening, mercurial dance, con delicatezza indeed, the latter graceful and quixotic, with a hint of emotional ambiguity even in its ostensibly cheerful main theme and a tigerish ferocity in its sudden Beethovenian eruptions.
The coupling is generous: the three Klavierstücke, D946, composed, like the sonata, in Schubert's final year, 1828, and assembled by Brahms for publication. She brings a wonderfully impassioned sweep, with razor-sharp rhythms, to the opening of the E flat minor, No-1, and mesmerically floats its slow B major episode. She also restores the beguiling barcarolle- like episode in A flat that Schubert excised from his autograph manuscript. The recording finely captures Uchida's subtle, pellucid sound world. A revealing disc from a Schubertian of rare insight and spirituality.”
Gramophone Classical Music Guide, 2010

Building a Library

First Choice - August 2005

Presto CD

Philips - 4565722

(Presto CD)

$14.25

(also available to download from $8.25)

In stock - usually despatched within 1 working day.

Page: 

1 2 3 4 5 6 7 8 9

 Next >>

Copyright © 2002-17 Presto Classical Limited, all rights reserved.