All recordingsPrices shown exclude VAT. (UK tax is not payable for deliveries to United States.) See Terms & Conditions for p&p rates. | |  | Proustor How The Heart Skips A Beat
Stéphanie Romberg, Eleonora Abbagnato, Manuel Legris, Stephane Bullion, Hervé Moreau (dancers) Orchestre de l'Opéra National de Paris & Ballet de l'Opéra National de Paris, Koen Kessels In 1974, Roland Petit, probably the greatest and certainly one of the most prolific of 20th century French
choreographers he was the first person to create a work based on Proust's novel, A la recherche du temps
perdu, completed in 1922, the year of his death.The book, better known to Anglo-Saxon readers as In Search
of Lost Time, in which the author's homosexuality is latent, was written over the last 14 years of his life. Marcel
Proust mingles childhood souvenirs with adolescent memories and is full of nostalgia for places once visited
and exhibitions he'd seen. He dwells lengthily on love, passion, and jealousy and inevitably questions one's
reason for living.
Proust ou les intermittences du coeur has now happily entered into the repertoire of the Paris Opéra Ballet.It
consists of 13 vignettes inspired by the seven lengthy tomes which complete the unabridged work, Petit has
chosen to convey the spirit of the novel via a succession of impressionistic tableaux which reflect the changing
moods of the writer as he oscillated between periods of intense happiness and deep depression.And
although the choreographer paints a merciless portrait of the aristocracy and bourgeoisie during the Belle
Epoque, the highlights of the work lie in the series of poetical pas de deux, which at times might have seemed
a little disconnected, but at which the French choreographer is past master. Choreography & stage direction Roland Petit; Designer Luisa Spinatelli; Sets Bernard Michel; Lighting Jean-Michel Désire Palais Garnier, March 2007 | | | In stock - usually despatched within 1 working day. |
|
|
| |  |
City of Birmingham Symphony Orchestra, Louis Frémaux | | | In stock - usually despatched within 1 working day. |
|
|
| |  |
Noel Rawsthorne (organ) Royal Liverpool Philharmonic and Mexico City Philharmonic, Loris Tjeknavorian and Enrique Batiz | | | In stock - usually despatched within 1 working day. |
|
|
| |  |
Scottish National Orchestra, Hallé Orchestra, Sir Alexander Gibson, James Loughran | | | In stock - usually despatched within 1 working day. |
|
|
| |  |
Johnny Morris (narrator) Slovak Radio Symphony Orchestra, Ondrej Lenard | | | In stock - usually despatched within 1 working day. |
|
|
| |  |
| | | In stock - usually despatched within 1 working day. |
|
|
| |  | Children's Classics
Beatrice Lillie (narrator), Kenneth McKellar, Julius Katchen (piano). Gary Graffman (piano) London Symphony Orchestra, Skitch Henderson “it will appeal to children of all ages... a collector's item” Penguin Guide | | | In stock - usually despatched within 1 working day. |
|
|
| |  | A Touch of Class
Rachel & Vanessa Fuidge (Four hands at one and two pianos) This programme was compiled from two sources, but is coherent in its devotion to virtuoso works of a light and rhythmic nature, many incorporating jazz and popular music idioms – some more overtly than others. The first source is the original A Touch of Class CD, issued on Dunelm CD (DRD0241 – now deleted) and recorded when the players were only 17 years old. The best of that recital has been included here with three major modern works recorded in 2009. The CD is a recital programme in every sense of the word, having a lively short ‘overture’ piece, a range of diverse works and two brilliant ‘encores’; it is also a recital in that, though not recorded ‘live’ in the sense of having an audience, the recordings have not been submitted to endless clinical editing or patching of takes, but exist as a true reflection of the twins’ actual performance of these works; while this may include the odd small imperfection in the most stressful passages, which does not denigrate at all from the prodigious talent and pianism of the young performers, it also maintains to true effect the zest, vibrancy and immediacy of a live concert. All the music on the CD is for piano duet, save for Scaramouche, for two pianos. Identical twins Rachel and Vanessa Fuidge were born in 1988 and began learning the piano with their mother at the age of four years. They were introduced to piano duets when aged eight. In 2001 and 2002 they took part in the British Federation of Music Festivals workshops. For three years before beginning University in 2003, the twins had lessons with Susan Bettaney – teaching member of the keyboard department at Chetham’s School of Music in Manchester – and it was she who introduced them to the annual Chetham’s International Summer School and Festival for Pianists, where they concentrated on piano duet playing for three years running. At the summer school they met Maltese composer, the late Charles Camilleri, and worked with him on Paganiana, variations for piano, four hands, which they later recorded for Dunelm and which appears on this disc. The Fuidge family lives in Glossop, Derbyshire, England, so during their formative years, Rachel and Vanessa have given many concerts in the region. Both Rachel and Vanessa also play the flute and piccolo and have kept up this interest by playing in many different groups at university, from the concert orchestra to the flute quartet they established with fellow musicians. | 
| | | Usually despatched in 4 - 5 working days. |
|
|
| |  | Saint-Saens - Organ Symphony & Carnival Of The Animals
Philadelphia Orchestra, Eugene Ormandy | | | Usually despatched in 3 - 4 working days. |
|
|
| |  | Saint-Saëns - Carnival of the Animals
Peter Schickele (narrator) Atlanta Symphony Orchestra, Yoel Levi | | | Usually despatched in 4 - 5 working days. |
|
|
| |
|