Machaut: Douce dame jolie, V4

Machaut's extraordinary Messe de Nostre Dame was not only the first complete mass setting in history, but also the first whose composer can be identified, making it emblematic of the Ars Nova style of the 14th century. In this recording, the Orlando Consort performs the mass in parallel with a work by Tarik O'Regan (born in 1978) which was inspired by it. Scattered Rhymes links two texts from the same period as Machaut's mass, one by Petrarch, the other an anonymous English poem. Both of them subtly combine earthly and divine love, while the music blends polyphonic tradition and contemporary inspiration.

Scattered Rhymes was commissioned by the Spitalfields Festival and first performed with The Joyful Company of Singers. O'Regan's Douce dame jolie was commissioned by the Orlando Consort. Super flumina by Gavin Bryars was commissioned by the National Centre for Early Music,York. Ave Regina celorum by Guillaume Dufay is sung from an edition by Gareth Curtis.

Two-time British Composer Award winner Tarik O'Regan was educated at Oxford University and completed his postgraduate studies at Cambridge. He now divides his time between Trinity College, Cambridge, where he is Fellow Commoner in Creative Arts, and New York City, where he has held the Fulbright Chester Schirmer Fellowship at Columbia University and a Radcliffe Institute Fellowship at Harvard.

Gavin Bryars, born in Yorkshire, was first of all a jazz bassist and pioneer of free improvisation with Derek Bailey and Tony Oxley. His early iconic works The Sinking of the Titanic (1969) and Jesus' Blood Never Failed Me Yet (1971), both enjoyed major recording success. He has written extensively for early music performers such as the Hilliard Ensemble, Red Byrd and Trio Medieval, and for the Estonian National Male Choir and the Latvian Radio Choir.

The Estonian Philharmonic Chamber Choir's repertoire ranges from Gregorian chant to 20th-century music, with special emphasis on Estonian composers like Arvo Pärt and Veljo Tormis. Many of the Choir's recordings have received the highest critical acclaim, including 5 Grammy nominations and a Grammy Award (Arvo Pärt, Da Pacem).Their conductor, Paul Hillier enjoys close creative relationships with a number of contemporary composers, most notably Steve Reich and Arvo Pärt. In 2007, he prepared Stockhausen's Stimmung with Theatre of Voices for a UK tour and subsequent recording.

Since its formation in 1988, the award-winning Orlando Consort has been hailed as the most imaginative champion of vocal music of the Middle Ages and the Renaissance; it now records exclusively for harmonia mundi USA.

This collection features music from the late Middle Ages using long straight trumpets, shawms, bagpipes and percussion. This type of ensemble came to Europe from the Far and Middle East, along the ancient trade routes. Les Haulz et les Bas is one of Europe’s most active alta capella ensembles. They have given lectures and masterclasses at the Universities of Oxford and London.

Rodenkirchen plays Machaut’s melodies without any lyrics and shows that the works have a perfect balance of form and an intensive beauty of invention. The music can be seen not only as the last glimpse of the medieval sunset but also as the first light of the Renaissance.

A beautiful collection of haunting pieces for flute, played by master flautist Pierre Hamon.

Pierre Hamon has chosen from a wide range and time span - medieval repertoire, a sefarad song, an armenian melody, traditionnal colombian themes and contemporary pieces of Philippe Schoeller and Mario Lavista.

Pierre Hamon offers ‘A poetic, exhilarating journey on the wings of time, an investigation into the primitive magic power of music, combining festive medieval modes, traditional trance musics, and dreamlike contemporary escapades.