Bach, J S: Chorale Prelude BWV659 'Nun komm, der Heiden Heiland'

Ivan Ronda plays the Silbermann Organ of Arlesheim Cathedral (Switzerland)

With one exception, a short piece by Jeanne Rivier entitled “Grave et Presto”, all the music on this new CD has either been arranged or composed for or by the acclaimed Dutch Saxophone ensemble known as the Amstel Quartet.

Featured composers range from Bach, Mozart and Brahms through to Ravel, Samuel Barber, and the popular contemporary composer Michael Nyman.

The four musicians that make up the Amstel Quartet first came together in 1997 after a tour with the National Youth Orchestra. Over the years since its inception the group has been the recipient of several prizes including the Concert Artists Guild Management Award, The Kersjes Prize, and the Gaudeamus Interpreters Concours. The Amstel Quartet have released 7 CDs to date most of which are available on Amstel Records.

Bill Ives leads the famed Choir of Magdalen College in this selection of choral favourites for Advent & Christmas. The music on this CD ranges from quiet reflection and anticipation to the excitement and celebration of the birth of Jesus and the coming of the Wise Men.

Kempff's Baroque pedigree stemmed from the influence of his father, also named Wilhelm Kempff, and his grandfather Cantor Friedrick Kempff, both of whom were organists, and who taught the budding prodigy much of the organ's core repertoire. In fact, Kempff's youthful debut as an organist took place before his first recital as a pianist in 1907. With help from the great German violinist Joseph Joachim, the nine-year-old Kempff was awarded two scholarships at the Berlin Hochschule: one in composition with Robert Kahn, the other studying piano with Heinrich Barth, who also taught Arthur Rubinstein.

While most of Wilhelm Kempff's recordings were made for Deutsche Grammophon, his early Decca LPs and EPs are collector's items. Here issued internationally on CD for the first time is the LP of his Bach recital coupled with a delicious record of miniatures by Couperin, Rameau and Beethoven, including the latter's ubiquitous Fur Elise. In his liner notes, Jed Distler compares Kempff's arrangements of Bach with those of Busoni, and his performances with those of Hess and others. 'Fur Elise gently soars from Kempff's fingers in full-throated, legato arcs that might convince you that the piano has lungs in addition to hammers and strings,' he writes, and concludes, 'The warm, naturally balanced and timbrally true sonic image typical of Decca's piano recordings of this vintage only enhance Kempff's singular artistry. Whatever one makes of his style, his spirit defines authenticity.'

"...excellently recorded programme of arrangements made by Kempff himself..." Gramophone.

Bill Ives leads the famed Choir of Magdalen College Choir in this selection of choral favorites for Advent and Christmas.The music on this recording ranges from quiet reflection and anticipation to the excitement and celebration of the birth of Jesus and the coming of the Wise Men. Magdalen College is one of the oldest choral foundations in England, with an unbroken tradition stretching back to 1480.The Choir retains much the same shape as it had in the 15th-century, with 16 boy Choristers (educated at Magdalen College School) and 12 adult Academical Clerks (undergraduates of the College).

Lorenzo Ghielmi at the Ahrend organ of the Basillica of the San Simpliciano in Milan.